New entries - OUT OF PRINT!

New entries

Jeanne Lee, Gunter Hampel, Michel Waisvisz, Freddy Gosseye, Sven-Åke Johansson : Scheiße ’71 - LP (Black Truffle, 2023)

Following on from the Bergisch-Brandenburgisches Quartett’s anarchic Live ’82 (BT095), Black Truffle continues its deep dive into the archives of legendary drummer/accordionist/photographer/composer/conceptual prankster Sven-Åke Johansson with Scheisse ’71 / Recorded in November 1971 during the Berliner Jazztage at a heavy-hitting concert that also included the Spontaneous Music Ensemble and groups led by Peter Brötzmann, Manfred Schoof, and Masahiko Sato, Scheisse ’71 is the only document of a wild, otherwise unrecorded quintet featuring Johansson on drums, accordion and oboe d’amore, legendary free jazz vocalist Jeanne Lee, her husband Gunter Hampel on vibes, flute and bass clarinet, live electronics pioneer Michael Waisvisz on modified Putney (VCS 3) synthesizer, and the unknown Freddy Gosseye on electric bass. Part of a festival centred on giants of jazz like Duke Ellignton and Dizzy Gillespie, the radical performance shocked its audience, who can be heard heckling and yelling abuse at points, including the titular exclamation of ‘Scheiße!’ / Clocking at just over half an hour and recorded in raw but detailed stereo by Johansson himself, the music burns with intensity while also making room for spacious passages and frequent dynamic movement. Beginning with Lee’s voice, Hampel on flute and Johansson on oboe d’amore in a bird-like game of call and response, the unexpected entry of Waisvisz’s tortured, squelching synth bursts prompts the first of many changes in energy and instrumentation, as Gosseye’s busy, roving bass enters and Johansson moves to the kit, his swinging cymbal work and juddering toms extending the approach of Sunny Murray or early Milford Graves

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€ 22

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Angélica Salvi : Habitat - LP (Lovers & Lollypops, 2021)

White vinyl. There’s something familiar in the sounds that Angélica Salvi creates. In her previous record, “Phantone”, it was easy to get lost in the idea of nostalgia / past that could be listened coming from her harp. For “Habitat”, her second record, the approach is tremendously different. She doesn’t linger in the past, she expects you to fulfill the present side-by-side with her. The idea was to create music that could be played and processed in real time. It is also the first time Angélica Salvi is working around the idea of songs – instead of pieces – and elaborating on narratives that suit that purpose / Recorded in May on her own studio – Garagem 16 -, “Habitat” is contemporary music with the essence of pop. Angélica doesn’t exactly try a genre approach, her music is freer of restrains and shows her freedom of thinking music as a musician but also as someone that has been working on film and constantly shows her creations more in the essence of sound than exactly music per se. The sounds of “Habitat”, since the first seconds of “Nan”, the opening song, are ethereal and melody focused, even if sometimes those melodies chase paths that are somehow labyrinthic.That doesn’t mean that the listener gets lost. There’s always a guiding light. The choice for a more direct approach on this recording proves how clear, enlightened, and focused Angélica Salvi’s sounds is / There’s no tricks. Just something that sounds real, profound, where you can listen to Angélica’s hands moving and touching the strings. And be completely mesmerized as she continues to pursue melodies that guides the listener to the most beautiful of places

€ 26

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KMRU, Aho Ssan : Limen - 12" (Subtext, 2022)

Last year, Kenyan sound artist Joseph Kamaru (aka KMRU) and French digital alchemist Niamké Désiré (aka Aho Ssan) were invited by Berlin Atonal to collaborate on a project for the festival's Metabolic Rift edition. The duo had already been working together, but the offer provided the momentum to shift the conversation into another gear. Initially, they looked for thematic connections within their individual practices that might match Kamaru's meditative soundscapes with Désiré's crumbling cyberpunk expressionism, and surprisingly for two artists renowned for their grasp of minimalism, it was the opposite that drew their attention. Watching the world shift as it reacted to the spiraling pandemic, Kamaru and Désiré were moved to experiment with volume, physicality, and intense emotionality / “I never made something so extreme," Désiré says of the duo's first recording, 2021's 'Ruined Abstractions', an extended composition that matches dense, powerful low-end drones with fractal digital fuzz and smokestack bruit. It set the mood for a back-and-forth that resulted in their seismic debut full-length, "Limen", described by the two acclaimed artists as an attempt to scrutinize the yin and yang of destruction and creation. Cacophonous, concrete crunches fanfare the album's opening piece 'Resurgence' - the result of their Berlin Atonal commission - but the track refuses to languish in wrecking ball devastation. Instead, powerful synthesized harmonies ring from beneath the rubble, before stifling everything in a humid fuzz of dense, emotionally-charged cinematic electronics / Influenced by the prescient post-apocalyptic mood of Katsuhiro Otomo's "Akira" and the mythological phoenix, an immortal bird said to be reborn from the ashes of its dying predecessor, "Limen" is an album that sonically snapshots the anxious, floral beauty of an explosion or the colorful intensity of a raging fire. It's rooted in concepts of duality - the idea something unsettling can be viewed from a different angle and re-interpreted. On the album's epic, 21-minute centerpiece 'Ruined Abstraction I + II', swirling electromagnetic interference paints a haunted parallel vista that dissolves slowly into subtle, orchestral tones and booming, widescreen thuds. Almost angelic closing track 'Rebirth' meanwhile is the most unashamedly beautiful composition Kamaru and Désiré have written together, but its choral bliss is doused in petroleum noise and saturated distortion

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€ 29

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Albert Alan Owen : Chorales - LP (AmiciMiei, 2023)

Albert Alan Owen’s latest work is a meandering yet wonderful piano solo album recorded during the summer of 2020. AmiciMiei is very proud to announce the upcoming release of Chorales. Deeply emotional and spiritual, Albert Alan Owen’s Chorales ushers minimalism into the intimacy of a profoundly elevating listening experience. Captivating

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€ 25

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Yasuaki Shimizu : Kakashi - LP (Palto Flats, We Release Whatever The Fuck We Want, 2023)

Repress. Originally released in 1982, Kakashi is another high water mark in the 80s Japanese underground. This album, which has gathered cult status in recent years, is the project of musical visionary Yasuaki Shimizu, and considered to be a highlight of his solo career. Shimizu was the bandleader of Mariah, who also saw their album 'Utakata No Hibi' reissued by Palto Flats in 2015. Kakashi offers a similar blend of saxophone experimentations, jazz fusion and ambient dub excursions. Since the 70s Yasuaki has collaborated with Ryuichi Sakamoto, Julee Cruise, David Cunningham and others

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€ 25

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Inga Copeland : Higher Powers - LP (Relaxin, 2023)

New album from Inga Copeland who I'm hoping you're aware of via the cult group Hype Williams which she was in with Dean Blunt. A modern muse of mythical status, Inga's smeared synth-pop musings and radioactive downbeat exercises have become highly treasured amongst underground aficionados, reddit forum users and NTS listeners alike / Stylistically it exists in that liminal / hypnogogic space between reality and dream world, with melancholic undertones reflecting, unfortunately, the current mood of our fractured country. With songs resembling traditional structures soon dissipating into the ether or crumbling into fried motherboards it draws comparisons with the recent Bar Italia album in terms of construction if not stylistic content. Her deliberately-almost-broken voice compliments the sorrowful machine music beautifully - the perfect ballad to soundtrack the end of humanity / Her 'first and last' album, which has previously only been released digitally, gets a highly coveted vinyl edition here - if you're reading this and its still in stock then lucky you - click that buy button or hurriedly scamper up to our counter with this in your hand - proud in the knowledge that you've snaffled a piece of modern electronic music treasure everyone’ll be fighting over in a couple of weeks

€ 29

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Jonny Dillon : A New Directive From The Bureau of Compulsory Entertainment - LP (All City, 2022)

Full length double LP from contemporary Irish guitarist Jonny Dillon. Beautifully recorded blues / folk guitar pieces. TIP! Jonny Dillon’s debut acoustic LP ‘Songs For A One-String Guitar’ took the listening public by surprise and the critics by storm when it dropped out of the blue on All-City in 2019. It represented a departure for an artist who was renowned for having the Midas touch when it came to coaxing dance floor fire from all manner of hardware. But fortune favours the brave and temporarily setting the machinery aside and following an acoustic path to the waterfall has already reaped rich rewards for Jonny Dillon. He’ll never say it in so many words but here’s a man on a mission: “Fail as I may, I have to go back and try again every time, to wait in hope for a glimpse of the spirit that hovers over the face of the deep, and to keep watch for the Light that shines in the darkness.” / The generosity of spirit which is the linchpin of all great music is something that can neither be cheaply conjured nor ever easily faked, god forbid. It’s the elusive emotional conductor in the spinal cord of sound - a foundational component of that mysterious feeling of connection we as listeners are seeking every time we put the needle on the record or press play on a song. The very essence of the thing we seek, in short / The holy grail. When sweet music hits, it’s the spirit that moves us and it’s both the source of the power within it as well as ultimately the place where it resides inside of us too, once heard. This is how music works. Journeying. Spirit to spirit. From the makers and dreamers of the dream to dreamers in general. The indomitable spirit inherent in the instrumental guitar compositions and distinctive finger picking style of Jonny Dillon is a case in point. This is spiritful music of a rarer kind made by an artist as inherently attuned to the troubling times we are living through as he is to the value of carving out new paths to the waterfall through the medium of sound on our behalf. Boom and there it is. Much needed guidance. A priceless new navigational tool of the imagination to help us all through the maze

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€ 19

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Gamut Inc : Sum To Infinity - 12" (Morphine, 2023)

The sum to infinity of a sequence is the sum of an infinite number of terms in the sequence. It is only possible to compute this sum if the terms of a sequence converge to zero. "sum to infinity" is also the second release from gamut inc, the retro-futuristic ensemble around composers and curators Marion Wörle and Maciej Sledziecki / This second album by gamut inc combines custom-build autonomous music-machines with haunting classical synthesizer sounds to a dense musical kaleidoscope. The core of the album is formed by Risset rhythms - cyclic accelerations and decelerations, in which rhythmic layers are repeatedly faded in and out, setting in motion a seemingly endless process of rhythmic movement. The motifs are taken from geometric and arithmetic series that create an urgency and restlessness. The rigor of the construction is obscured by an orchestrion whose timbres are reminiscent of a retro-futuristic indigenous ensemble. gamut inc translate strategies of electronic music like pulse-width modulation to music machines such as automated accordion, automated percussion or glockenspiels and create an intense atmosphere that is idiosyncratic, original and modern at the same time / Gamut inc. build their own music machines, play electronic music festivals internationally, curate the Aggregate festival for automated pipe organs, and compose for film, radio drama, and theater. Their first opera, Rossums Universal Robots, premiered in 2022. Since 2011, at the intersection of electronic club culture and experimental music, they have been producing live music, music theater, film and theater scores (including for the Junge Staatstheater Berlin) with their specially developed musical robots. They composed for ensembles like the RIAS chamber choir or the robot orchestra Logos Foundation and received invitations and commissions from international festivals and venues such as Sónar, CTM, Berghain, Sonic Acts, Technosphärenklänge or Numusic (NO)

€ 19

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Slumberland, Sainkho : Lightkeeper - LP (Morphine, 2022)

Expect the rattling drones of motorized chanters grinding against the unearthly sounds of a Siren. Belgian musician, composer and instrument-maker Jochem Baelus has been unleashing his obscure, hypnotic krautrock embellished with distorted exotica upon us as Slumberland since 2013. After creating his signature battery of sewing machines, projectors and dismantled mechanical objects, Baelus immersed himself into the world of 64 year old voice-artist Sainkho Namtchylak and assembled a new sound sculpture inspired by her colour / Namtchylak grew up in Tuva, an autonomous Russian republic north of Mongolia. She, known as a rebel pur sang, became the first female overtone artist, started combining these traditional chants with influences from avant-garde music and working with artists such as Evan Parker and Tinariwen. Her indomitable demons and Russian beat-poetry are now accompanied by Bealus’ compelling, minimal yet vigorous compositions / For their collaboration on Slumberland's third upcoming full album Lightkeeper Baelus worked with the Canadian/Lebanese sound engineer Radwan Ghazi Moumneh (Jerusalem In My Heart, Constellation Records), recording amidst the trees at Gam Studio in the Belgian Ardennes and mixing at Hotel 2 Tango in Montréal

€ 19

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Michèle Bokanowski : Musique de Courts Métrages, Music of Patrick Bokanowski’s Short Films - 2xCD (Invisibilia Editions, 2023)

Second edition. Double CD housed in 6 page ecopack digisleeve / This double CD edition collects, for the first time, all the original music composed by Michele Bokanowski for the short films of her husband, Patrick Bokanowski / Covering a time spectrum of almost 50 years, from "La Femme Qui Se Poudre" dated 1972 to "Vers Syracuse" of 2019. Michele Bokanowski's sounds are visionary, sometimes disturbing and grotesque, sometimes ecstatic. Some compositions are suites of grim musique concrete, an obscure ambient perhaps like never heard before, others are liquid abstractions of "expanded" music where it is easy to lose the ordinary awareness of one's senses, and find oneself experimenting with new ways of approaching listening as in the best tradition of experimental music. The work of Michele Bokanowski and Patrick Bokanowski is essential for all avant-garde and visionary art lovers

€ 22

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Ron Nagorcka : Lovregana, Music From A Tasmanian Forest / Soundscapes From Wilderness - CD (Invisibilia Editions, 2021)

Limited edition in cardboard wallet, printed sleeve and 6 page accordion booklet / Ron Nagorcka (1948) is a composer, performer, and naturalist. In 1988 he moved to a remote forest in northern Tasmania, where he built his own house and solar-powered studio (some fascinating photos of his home-studio are present in the booklet attached to this release). This CD collects his first works recorded in his forest residence in Tasmania, his music sites on the borderline between documentation and the fictional landscapes / Are among the strangest, most fascinating, most intense field recordings based works and an essential chapter in the history of Australian experimental music. "I can only hope it will encourage people to discover for themselves the mysterious harmony that is wilderness." Ron Nagorcka 1988

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€ 14

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Kristen Nogues : Marc'h Gouez - LP (Souffle Continu, 2023)

'“Why would I sing in French? I have Breton culture, I speak Breton, I live in Brittany, and the Breton language is the language of this country...” So explained Kristen Noguès, of whom this is the first of the (rare) albums that she recorded Marc’h Gouez, is a fabulous voyage in space on each listening. Noguès learned the Breton language as a child, at the same time as the Celtic harp, – taking lessons with Denise Mégevand, who would go on to teach others, notably Alan Stivell. At the beginning of the 1970s, she discovered the Breton song tradition (soniou and gwerziou) through Yann Poëns and became involved in Névénoé, a cooperative of traditional expression founded by Gérard Delahaye and Patrick Ewen. It was under this label that her first album Marc’h Gouez, was released in 1976 / With a dozen friends playing guitar, piano, violins, flutes..., Noguès composed not Breton music, but music from Brittany: a type of shared folklore in which imagination is married to the reality of the moment, that of social demands and companionship. At the very beginning of the record, we can hear her drawing up a chair, before the plucked notes of the harp become a cascade: “Enez Rouz”, is an invitation to listen up close / We are reminded here of the Meredith Monk of “Greensleeves”, there of the early albums of Brigitte Fontaine / Areski, elsewhere of Emmanuelle Parrenin, Pascal Comelade... Noguès rhyming pattern is ever changing: airy (“Hunvre”), cosmopolitain (“Pinvidik Eo Va C'hemener”), enigmatic (“Ar Bugel Koar”), profound (“Ar Gemenerez”) or enchanting (“Hirness An Devezhiou”). And then there is the track from which the album takes its’ name: Marc’h Gouez which, between nursery rhyme and chamber music, weaves a fabulous web in which the auditor is obliged to be caught. “Brittany equals poetry”: so said André... Breton; and Kristen Noguès proves it to be true.'

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€ 23

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Hal Singer, Art Taylor, Siegfried Kessler : Blues and News - LP (Souffle Continu, 2023)

Though born in 1919 Hal Singer claims, just like the precursors of free jazz, “to always be looking for something else”. When he started out he played in numerous swing bands, then worked in bop with Don Byas, Roy Eldridge or Red Allen, before joining Duke Ellington’s band. In 1948, he recorded a successful single, Cornbread under his own name, which allowed him to travel to the four corners of the earth with his own group / Then, in 1965, Hal Singer came to live in France: in Paris, he played at clubs like the C’hat qui pêche’ or ‘Riverbop’; in the studio, he multiplied his experiments and experience. It was one such session that gave us Blues And News: joined by Jacques Bolognési (trombone), Jean-Claude André (guitar), Siegfried Kessler (keyboards and flute), Patrice Caratini (double bass), Art Taylor (drums) et Alain Charlery (percussion), the saxophonist himself goes “back to the roots”, to also “come up with something new” / Things kick off with “It’s My Thing”, a soul jazz number reminiscent of Cannonball Adderley or Lou Donaldson. After the pretty balled “Lina”, comes “Malcolm X ”, a luminous homage which resists the storm whipped up by Kessler on piano. Getting back to swing, Singer makes music with his communicative ’joie de vivre’ (“Du Bois”, “Pour Stéphanie”) before signing off with a flamboyant blues dedicated to him by Kessler for the occasion: “Blues For Hal”. But was another title possible?... Blues For All!!!

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€ 22

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Amos & Sara : Go Home Soldier - 10" (Emotional Response, 2022)

Clear yellow vinyl. Previously released on the peerless early 80s DIY-avant punk label “Its War Boys”, Emotional Response is proud to reissue this genuine 1983 rosetta stone post-punk-disco-dub oddity from one of the few legit unsung pioneers of the UK underground / Recorded in the twilight hours, at the legendary Surrey Sound with Chris Gray at the controls, featuring the arresting vocals of Sara Fancy,, This long out of print EP serves as an essential piece of the jigsaw from a sprawling and fascinating back catalogue of Amos. (AKA Xentos Jones, Amos D’eath, L. Voag, Jim Welton, and others….), the playful lunacy and a driving force and behind such heavy hitters of the UK DIY avant-pop squat scene such as Milk From Cheltenham L. Voag The Work, The Fear Merchants, Just Measurers, The Homosexuals… and a bazillion others / This EP collects the 3 original EP tracks, plus the additional previously unreleased studio dub, rescued from an oxide shedding cassette. All remastered with love and consideration, ready for the gen pubs aural consumption, 4 dec. This is essential and rewarding listening. As those of you who know, will appreciate

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€ 25

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Warm Currency : Live at the Petersham Bowling Club - MC (Horn of Plenty, 2023)

Edition of 100 copies. Live at the Petersham Bowling Club was recorded in January 2023 when Warm Currency supported the great Maxine Funke. This offering includes tracks from Returns, our 2022 album on Horn of Plenty, and some unreleased material. We jettisoned our regular keyboard to grapple with the bowling club’s cracked piano.

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€ 18

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Bill Orcutt : Jump On It - LP (Palilalia, 2023)

It’s been ten years since Bill Orcutt released A History of Every One, a compendium of hacksaw renditions of American standards on acoustic guitar — and since ten years is a blink of an eye, you are forgiven for not immediately realizing that we've gone an entire decade waiting for Jump On It, the next Orcutt solo acoustic record / As those of us of “a certain age” will tell you (ad nauseam), a decade is a blink of an eye containing an infinity of experiential moments, and if this record is any gauge, the weight of those experiences have squashed Orcutt’s rough edges, feathered his stop-motion timing into a languid lyrical flow, and snapped the shackles tethering his instant compositional skills to the imperative to deconstruct guitar history. In short, Jump On It is a collection of canonical, mature acoustic guitar soli to contrast against the fractured downtown conceits of previous acoustic releases. For those paying attention to the arc of Orcutt’s electric records, which chart a course from Quine’s choppiness to Thompsonian / Verlaine-ian flow, it should be no surprise that the ten year gap between acoustic records should expose a similar underlying journey

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€ 33

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Ruth Anderson, Annea Lockwood : Tête-à-tête - LP+10" (Ergot, 2023)

Over the course of a nearly 50 year romantic and creative partnership sound artist Annea Lockwood and the late pioneering electronic composer Ruth Anderson have shared space on a number of significant releases of early electronic and tape music, including Charles Amirkhanian’s trailblazing 1977 anthology of women electronic composers New Music for Electronic and Recorded Media, a 1981 split LP on Opus One, a 1997 CD for Phill Niblock’s XI imprint, and 1998’s Lesbian American Composers compilation on CRI / The couple additionally taught a course on the history of women’s music-making, at Hunter College, called Living Women, Living Music. Throughout their time together, they co-authored a number of Hearing Studies designed for people with no formal musical training, which were collected for a 2021 book publication by Open Space Music. They spent most of their private life between Crompond, NY and the house they built themselves at Flathead Lake, Montana. Although Ruth passed away in 2019, the composers’ dialogue continues today with Tête-à-tête, a collection of unreleased archival and new material spread across an LP and a single-sided 10” record

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€ 32

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Natural Information Society Community Ensemble : Since Time Is Gravity - 2xLP (Eremite, 2023)

100% US edition housed in deluxe hand screen-printed by Alan Sherry with retro-audiophile inner-sleeves. The next chapter of the Natural Information Society is here. Since Time Is Gravity, credited to Natural Information Society Community Ensemble with Ari Brown, presents a newly expanded manifestation of acclaimed composer and multi-instrumentalist Joshua Abrams nearly 15 year, 7 albums- and-counting flagship ensemble. Joining the core NIS of Abrams (guimbri and bass), Lisa Alvarado (harmonium) Mikel Patrick Avery (drums) and Jason Stein (bass clarinet) are Hamid Drake (percussion), Josh Berman and Ben Lamar Gay (cornets), Nick Mazzarella and Mai Sugimoto (alto saxophones and flute), Kara Bershad (harp) and Chicago living legend of the tenor saxophone Ari Brown

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€ 59

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Ensemble Dissonanzen : Dissonanzen - 5xCD Box (Die Schachtel, 2014)

Dissonanzen to publish a massive retrospective edition of some of their most representative works, to celebrate their 20th anniversary, we knew it would have been a challenge. We were – and are – quite conscious of the fact that the work of an all-acoustic New Music ensemble with a heavy dose of improvisation may appear out of place within the Die Schachtel's catalogue that. although eclectic, is more biased towards electronic/experimental experiences, but then we listened to the music. And all of a sudden we were glad to embark in the operation / Dissonanzen, born in Naples in 1993, is one of the most reputed and internationally acclaimed Italian New Music ensembles. They always carried out an important work on the modern and contemporary repertoire, performing works by composers such as Berio, Cage, Crumb, Dallapiccola, Feldman, Henze, Ives, Kagel, Maderna, Petrassi, Rzewski, Scelsi and Stockhausen, to name a few. They regularly collaborate with many musicians, composers and artists within the framework of the concert series of the Associazione Dissonanzen / The recordings contained in this 5CD box set, curated by Ciro Longobardi and Tommaso Rossi, present the most important steps in their life, covering a period of about six years (from 2003 to 2009) and shedding a significant light on their relationship with improvisation, which spans over a wide variety of productions, from repertoire to sheer improvisation to multimedia projects (as in the case of the "post-scoring" of the Man Ray movies)

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€ 49

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White Heaven : Strange Bedfellow - LP (Black Editions, 2023)

Recorded at Inter Music Sudio, Tokyo October 1992. Remastered at Peace Music Studio, 2020 by Soichiro Nakamura. Originally released by P.S.F Records, Japan 1993 in an LP edition of 700 / White Heaven’s second album, Strange Bedfellow, is one of the great unsung albums of the 90’s Japanese underground. Released two years after their striking debut, Out, the album reveals the group shifting to a more dynamic and finely honed sound. You Ishihara’s songwriting & arrangements take center stage, leading the group to transmute classic west coast psychedelia and garage into a thrillingly direct collection of songs that span from fuzz drenched, driving rockers to smoldering numbers that fade into the night..

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€ 29

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Various Artists : Musica Improvvisa - 10xCD+DVD Box (Die Schachtel, 2010)

Deluxe edition, silver and gloss varnish print. Musica Improvvisa is a cutting-edge project of multi-sensorial improvisation, an open dialogue among different musical experiences, narratives and aesthetics that charters the unexplored soundscape of the telluric territory of the new Italian improvised Music / Ten groups that spans from the South to the North of Italy, from the well-known to the totally obscure, whose music goes from an harsh assault to the ear to a visionary post-electronic/post everything free-form structure. The brilliant outcome has been lovely packaged by Die Schachtel in a deluxe box featuring 10 full length CD albums in a series of painstakingly designed individual CD/LP sleeves (one has also an additional DVD of visual scores) PLUS a 24-pages booklet AND a poster

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€ 79

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Alva Noto : Kinder Der Sonne - 2xLP (Noton, 2023)

A Viennese villa constructed of glass walls is the setting of Simon Stone’s 2021 theatre piece Komplizen, for which Alva Noto builds sonic spaces ripe with emotion on his latest album Kinder Der Sonne. The architecture makes physical the invisible barriers that separate us, housing socialites, cunning entrepreneurs, and service providers who clash as their circles mix and are riven by the “social fault lines of our times”. Alva Noto amplifies this in a soundtrack laced with cautious feelings, where stillness transforms into murmuring unease / There is a dark underbelly to these serene textural pieces that soon appears as harmonic tension swarms the tracks, mirroring the complex social codes the characters uphold and traverse. From the vast yet solitary ‘Kinder Der Sonne - Intro’, where strings wander unfazed through passages of motion and contemplation, to the closing ‘Nie Anhaltender Strom’ full of depth charges and something ominous snaking beneath the dense cloud of rumbling bass, Kinder Der Sonne depicts the veneer of the protagonists’ insular security as it cracks and shatters / Alva Noto’s affectation for glitches and micro sounds takes on new meaning as they sputter like electric cables throughout the album, scratching and carving into the glass on ‘Ungewissheit Im Sinus’ and surging in a rare moment of explosivity in ‘Aufstand’, where the strifes haunting the characters flare up in a storm of signals. Elsewhere, subtlety tells the story, with a single piano phrase patiently guiding through the pensive soundscape of ‘Die Untergründigen’ while strings and deep bass warily circle one another on ‘Sehnsuchtsvoll’. Alva Noto lends his sound to theatre on the expressive Kinder Der Sonne, tracing characters saddled with “emotional debt” through ambience both lush and foreboding

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€ 36

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Mary Stark : Industrial Folklore Tapes Volume Three - Film As Fabric - 10" (Folklore Tapes, 2018)

Numbered limited edition of 250. The third Industrial Folklore Tapes release is constructed from live recordings of a performance tilted ‘Film as Fabric’ by Mary Stark, which examines relationships between textile practice and filmmaking. From 2012-2016, Mary’s studio practice and numerous performances took place in Rogue Artist Studios at Crusader Mill in Manchester, formerly a production site of machinery for the cotton industry and a garment works. The performance has been enriched by exploration of Lancashire’s industrial heritage and Mary’s family history, which includes workers in cotton mills and expert needlewomen / The performance repeatedly involves sound in physical formats through optical sound, work song and recordings of weaving machinery on vinyl records, the amplified mechanisms of the film projector and sewing machine, and Mary’s voice. The performance highlights the now obsolete industrial practice of linear film editing and shows photochemical film as a sculptural reflective fabric, measured and worn on the body, cut with scissors and stitched on the sewing machine. Through the filmmaking technology of optical sound, fabric and stitch patterns are transformed into noise, referring to a lesser-known sonic world associated with textile production. The live recordings are from performances at Full of Noises Festival 2015, and in 2016 at Islington Mill, Manchester Histories Festival and Radio Revolten International Festival of Radio Art

€ 19

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The Root Folk Band : The Ritual Year - Soundtrack To The English Calendar Customs Artwork Of Dave Pearson. 1973–1983 - 7"+Book (Folklore Tapes, 2023)

A hauntological beauty reminiscent of Seventies folk horror movies and Broadcast’s soundtrack work186 full colour book with link to animation D/L code for Ritual Year OST by Root Folk Band. Comes with seven-inch housed in screen printed hand made sleeve. The late artist Dave Pearson (1937-2008) explored the rich seam of English Calendar Customs for a period of ten years between 1973-83. Pearson’s work during this period saw incredibly detailed explorations into a staggering wealth of customs from the 19th and 20th century, found across 11 notebooks and hundreds of large and small scale mixed media works / This project honours Pearson's immense body of work for the first time through an extensive publication featuring his artwork, notes and essays. It has been devised in collaboration with Pearson's archivist and artist Bob Frith (Horse and Bamboo Theatre). The resulting publication reveals and celebrates many long forgotten characters and rituals, joining the dots of our collective cultural history through stunning long lost artwork / Alongside the book, a new animation has been created by Chinese artist Kain Leo. This animation playfully collages Pearson’s Calendar Customs work into a lucid visionary dreamscape. The score to the film was recorded by The Root Folk Band in an old telephone repeater station high up on Shap Fell in the Lake District. The score has been pressed onto a double-sided seven inch record, included in the back of the book (as an extra option). The animation and score is included as a link and d/l code)

€ 59

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Sam McLoughlin, David Chatton Barker : The Heavenly Realms - LP (Folklore Tapes, 2023)

The Heavenly Realms follows the duo’s 2022 project and LP Environmental Meditation Music (released through Hood Faire), which saw hand built instruments placed in the landscape, allowing nature and the elements to play all the music that was captured. Folklore Tapes grow yet another branch of investigation through their new Mystic Series, which begins with the Swedish mystic Emmanuel Swedenborg, who spent the latter portion of his life living in England / The Heavenly Realms unfolded from Folklore Tapes’ residency at Swedenborg House in October 2022. The house, in Bloomsbury Way, London, is the headquarters of the Swedenborg Society, an organisation dedicated to the study and publication of the works of scientist, philosopher and visionary Emmanuel Swedenborg (1688-1772) / Sam McLoughlin and David Chatton Barker were invited to respond creatively to Swedenborg’s legacy, and it will come as no surprise to their followers that the duo took inspiration from Swedenborg’s mystical experiences. Swedenborg’s most renowned work, Heaven and Hell (1764), synthesised years of dreams, trance states and ecstatic communications with angels into a complete vision of the afterlife and the spiritual realms. In it Swedenborg meticulously details a stratified order of the heavens, an ultimate reality within which physical matter relates to spirit through divine correspondences emanating from a highest, purest echelon, God

€ 29

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Monolake : Hongkong - 2xLP (Field, 2023)

Black vinyl. Field Records proudly presents the first complete vinyl edition of Monolake’s seminal excursion into experimental dub techno, Hongkong. Originally released on the now-classic Chain Reaction label in 1997, this collection of early singles by Robert Henke and Gerhard Behles has gone on to become a vital listening experience in its own right - a genre classic alongside groundbreaking works from the likes of Porter Ricks and Vladislav Delay / The tracks that make up Hongkong were made while Henke and Behles studied computer science and immersed themselves in Berlin’s techno scene. Their early forays into computer-based music production were enabled by the use of the Max/MSP programming environment, forming a backdrop to the landmark work they would undertake in developing the Ableton Live DAW. Henke and Behles travelled to Hong Kong in 1996 to attend the annual International Computer Music Conference, and while there recorded extensive field recordings. These recordings became the glue that pieced together their collaborative tracks into a fluid listening experience for a CD-compilation at Chain Reaction’s request / While absolutely rooted in the embryonic sound of European dub techno, Monolake’s early work possesses a back room, headphone-ready demeanour which lends itself to the album listening experience. In the cascade of rhythms created by precision engineered delays and subliminal, expansive spatial world building occurring throughout Hongkong, the stage is set for a full and thorough immersion. Before the Monolake sound progressed into a more pointillist form of computer music as Henke’s solo project, Hongkong presented a gritty, grainy sonic still tied in some way to the traditional methods of techno production, even as the artists’ ideas were sending the sequencing and arranging in exciting new directions. Remastered and presented for the first time as a complete double 12” package, this is the definitive edition of an essential work in the evolution of experimental techno. As Henke himself explains, “twenty-five years later, this record still holds immense value to me in many ways.”

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€ 29

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Sakura Tsuruta : C/O - LP (Studio Mule, 2023)

Tenderly propelling and full of haunting melodies: Studio Mule re-issues Sakura Tsuruta’s so far digital only, self-released debut album “c / o” from november 2022. An evocative first long player by Tokyo based artist, who was trained in classical piano during childhood, played with brass instruments, studied music production, and is today active as a composer, live performer, and versatile dj / With “c / o” she expressed her personal history in a fluid, around 43-minute long light flooded, yet dark-ish musical vision. Eight profoundly composed tracks, melding complex rhythms with emotional airs, tripping arpeggios, and ghostly sounds, slightly influenced by some of her favorite artist like Björk, Holly Herndon, or Kaitlyn Aurelia Smith / “c / o is a love letter for the experiences, people, and memories I had in the last two years that I spent producing this album. I also like that the letter “c” looks like an incomplete circle, whereas the letter “o” is a full circle

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€ 19

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Miaux, Lieven Martens : The Pels organ and Hemony carillon of St. Catherine’s Church in Hoogstraten - 2xCD (Edições CN, 2023)

A double CD with location recordings - recorded by Christophe Albertijn - of organ and carillon music plus a 32 page booklet of/for the unveiling of Katharina AW, a relational artwork by Joris Martens. This unveiling event took place at St. Catharine’s Church in Hoogstraten - a city in the northeast of Belgium - on two Saturdays in May 2021. While beholding the artwork, a woven tapestry, you listen to organ music by Miaux. Outside the church, you hear the carillon gurgle with music by Lieven Martens and town carillonneur Luc Dockx, prolonging the event into the public space

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€ 20

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Amber Meulenijzer : Saab Fanfare - MC (Edições CN, 2023)

In October 2022 Musica Impulscentrum invited Amber Meulenijzer to make a composition in collaboration with the local fanfare bands of Pelt, a small municipality in the green east of Belgium. These fanfare bands are deeply rooted in Belgian culture. Even in the tiniest villages one finds at least one or several of these ensembles. The result of this confluence: a procession, a slow paced moving composition for brass instruments, performed both live and played back through twelve speakers mounted on top of an old Saab 900 / The composition was presented during the bi-annual OORtreders festival for sound art. Starting at 9am, the happening meandered trough Pelt, ending at Dommelhof, the local cultural centre where the festival took place. During the procession the musicians improvised in the same tonalities as the continuous chord played trough the speakers mounted on the slow-moving Saab car. Notes are stretched, music is slowed down and habits are broken in search of the possibilities of each instrument and player. An organic moving soundpiece, breathing in and out through the morning fog / The slow moving sound enters the senses. People join the march by following their ears. A spontaneous tableau forms. A scene that could be part of a local tradition. Yet something is off. A Roy Anderson-like eeriness fills the space, the smell of burned gasoline slowly adds its flavor to the piece. Is this a funeral parade - in major chords? Or are we waiting for the arrival of something yet to be determined?

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€ 11

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Two Form a Click, Horacio Pollard : Backpfeifenphaseshift - MC (Futura Resistenza, 2023)

Pro-dubbed cassette tape with inlay card. Two Form a Click (DJ Snaffy, Wretchen Redspiders) collide with Horatio Pollard to deliver two sides of beautifully coalesced psychedelic synthesis, heavy with dub’s production values and freed from the grid of analog electronics / Though primarily operated by the duo of Snaffy and Redspiders, 2FAC has an open door policy which is happy to embrace lone lurkers such as Pollard. Pollard, born in Ibiza, raised in the UK and resident in Berlin since the mid 2000’s, has surely been exposed to all ends of electronic experimentation, especially those seeking resistance or relief. There's not much about him online, except the suggestion that he’s been ‘around for a long time’ and that he might have once lived in Norfolk. What audio traces there are outline the cheerier end of experimental noise; distorted analog regurgitation and 80’s Korg hooks. Entwined in the triple helix of 2FAC, it’s hard to distinguish what he’s responsible for, so snugly does he coil up amongst his sapphic sisters / Backpfeifenphaseshift begins with the first wet echo drops of ‘Reservoir’. A twin being calls to us from subterranea as its surroundings surface, pitch bent and misty. ‘Through a Glass Lozenge’ we begin to see more - increasingly convoluted textures and contrapuntal percussion begin to form some sort of roughed up kinetic motion, an illusionary wagon wheel which roots you to the spot. ‘Thick Strand Universe’ kicks out mutated rhythms, drill fire, snappy hi hats. It’s a herky jerk club track but yet it syncs; it’s three inputters spinning in a weird kind of counterbalance, seeking less to violently overload and more for the right tools to engage, unlock and protect surrounding beings in some kind of weirdo phagocytosis. Its movement recalls early Tony Soprano era Ailie Ormston in its physicality, but with the telepathic healing properties of Calsutmoran

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€ 12

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Ugne & Maria : Healing - MC (Futura Resistenza, 2023)

Pro-dubbed light blue cassette tape with silver on-body print and J-Card cover. Ugne&Maria is the duo project of Ugne Vyliaudaite and Marija Rasa Kudabaite, both based in Brussels. Their music is made from a mosaic of samples and carefully triggered field recordings, in dialogue with Vyliaudaite’s violin. Intricate and calming but far from ambient, in that where ambient music recedes ugne&maria’s music sounds always close to the skin. The compositions are subtle and precise, setting up a logic and then gently manipulating it or letting it hover for several minutes. Elements move seamlessly from background to foreground and then return. Snatches of text or recognisable samples serve as textures rather than as location markers or figures to which one could reliably ascribe meaning / Despite the pattern like nature of the music (its non-narrative insistence), there is a literary quality here. While the electronics offer hints of house music or half-remembered techno, the violin bathes the entire thing in a wash of Old-World elegance, making it both softer and sadder / When listening to this music, it is easy to imagine the enormous scale of samples and tracks that must be exchanged between the two musicians. Indeed, it is music made for a large part from sounds that have been found and traded

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€ 12

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Juho Toivonen : Kasveille Ja Eläimille - LP (Futura Resistenza, 2023)

Juho Toivonen is a 25-year-old experimental musician from Pori, Finland whose debut solo tape “Lament & Rejoice” was released in 2021 and soon after that his sophomore follow up "Suurpää" came to see the light of the day. After these releases filled with deep drones and ominous ambience, Toivonen is reaching for new heights / On his first solo vinyl "Kasveille ja Eläimille" Toivonen meditates using improvised repetitions made with untuned piano that is accompanied with occasional field recordings and sustained synthesizers. Ultraääni is proud to co-release this idiosyncratic long playing record with Netherlands very own Futura Resistenza

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€ 22

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Salenta Baisden, Topu Lyo : Moon Set, Moon Rise - LP (Futura Resistenza, 2023)

It was the lonely, overwhelming early days of the pandemic. Topu Lyo was living in Georgia, feeling distant from his home in New York City, and Salenta De Badisdenne was in Wisconsin helping an elderly relative. When Topu sent Salenta the files of Moon Set, Moon Rise, the project of wistful, contemplative cello and piano music they had recorded over the previous two years, she put off listening for a few weeks because of the stress of her daily life. When she finally played the music, she was blown away by what they had created together / The 17 songs on this album are patient, exploratory, and dynamic. The keys tiptoe through space at some moments, and pirouette ecstatically at others. The cello provides a sonic backbone that glows like amber. With song titles like “Woman Reading a Letter” and “Light Coming On The Plains,” the album evokes vignettes of home, falling asleep with someone you love, learning to soothe yourself / Topu and Salenta had met in 2018 at a mutual friend’s house in Bed Stuy, Brooklyn and decided to jam together. Their connection was instant: though they weren’t recording with the intention of releasing the music they were making, the very first session they played together made its way onto the album. They continued to meet up and improvise every week until the start of 2020. The two established rituals while recording: Topu would bring dark chocolate to their sessions that they would eat while talking about their days, herbalizing, and eventually playing

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€ 22

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O Yuki Conjugate : A Tension Of Opposites Vols 3 & 4 - MC (OYC Limited, 2023)

Brand new cassette release, second in the series of releases called 'A Tension of Opposites'.86 minutes of completely new music, effectively two albums in one. Housed in dual colour black and white shell, with folded Maltese cross packaging, full colour design printed on uncoated 240gsm card, inside and out / Two years after the first two volumes of A Tension of Opposites (ATOO) were issued OYC return to the form they created to house their looser more exploratory works. ATOO allows them to expand their musical horizons and release their music more expediently. The original ATOO was born out of 2020's virus state where both OYC members were left working in isolation. Two types of music emerged spontaneously, and rather than try to combine them OYC decided to present the results separately, two sides of a contrasting whole / In need of a suitable format and frustrated by their usual lengthy release schedules, OYC returned to the quick and dirty compact cassette – the place they started back in the 80s. ATOO is 'Dirty Ambient', a phrase coined by OYC for the process of working quickly and instinctively, embracing errors and honouring imperfections. It's also a jibe at what is sometimes a hideously manicured genre

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€ 22

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Wave Temples : Panama Shift - LP (Not Not Fun, 2023)

White vinyl 33 RPM LP in full color reverse board jacket. Over a decade since its inception, Wave Temples continues to refine and refract the project’s visionary mythopoetic exotica. Panama Shift presents a 20-track kaleidoscopic star map inspired by “the euphoric cults, both then and now, that come and go in the vast ritual of night.” Bleached keys, devotional synth, and driftwood percussion align in minimalist vignettes shaded by tape hiss and field recordings of streams, waves, wind, and birds / Dedicated to the late Japanese-born American anthropologist Yosihiko H. Sinoto (whose portrait graces the cover), famed for his expeditions throughout the Pacific and French Polynesia, the album embodies a similarly voyaging spirit: “chasing ancient mysteries… and rekindling with the esoteric journey of the human spirit.” This is music of forgotten shores, sea air, and saltwater shrines, echoing in shells scattered across the altars of Atlantis

€ 26

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Tomáš Dvorák : Machinarium Soundtrack - LP (Minority, 2020)

Oil-stain vinyl / Repress / Tomas Dvorak's (Floex) soundtrack to the “Machinarium” adventure game by Amanita Design is gorgeous set of compositions ranging from ambient to electro-acoustic and classical music which is wonderful beyond compare. The beauty of greatly orchestrated subtle pieces makes you to sit back and listen in for hours and shifts you into a higher levels of cognition

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€ 23

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Floex : Samorost 3 Soundtrack - 2xLP (Minority, 2023)

Blue marble vinyl repress / Samorost 3 is an exploration adventure and puzzle game from the Amanita Design (creators of Machinarium) with original music by Floex. Pressed on 180gram vinyl / Each vinyl copy contain six 29x29 cm art reproductions by Adolf Lachman, and features a coupon with a code to download FLAC version of the album

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€ 25

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Various Artists : Utopia or Oblivion - LP (Constructive, 2023)

Constructive is pleased to announce, ‘Utopia Or Oblivion’, a new compilation featuring ten artists inspired by the pioneering work of R. Buckminster Fuller, with each track made in response to Fuller’s corresponding essays ‘Utopia Or Oblivion’, first published in 1963. Encompassing contributions from international artists, ‘Utopia Or Oblivion’ represents a diverse dialogue with the enterprising ideas of R. Buckminster Fuller, fittingly produced according to an inclusive remit / From the irregular glitch pop scintillation of ‘How Would I Be? What Would I Do’ by German artist & founding member of To Rococo Rot, Robert Lippok, to the heartfelt ambient and seraphic voices of ‘Afterimage’ by Japanese artist Tujiko Noriko (Editions Mego, PAN, Room40), through to the tensile, eruptive, dub-contoured emittances of ‘Tensegrity Rhythms’ by Peruvian experimental composer Ale Hop (Karlrecords) – its title a specific reference to a structural principal conceived by Fuller – ‘Utopia Or Oblivion’ ranges in scope yet moves cohesively through dynamic modes of experimentation and musicality / Elsewhere, there are appearances from the Bafta-nominated composer Adam Janota Bzowski (Saint Maud OST), musician & Constructive co-founder Adrian Corker, London-based experimentalist No Home, Italian artist & NTS Radio resident Silvia Kastel (Blackest Ever Black, Palto Flats, Youth), British sound artist David Prior, and a unique collaboration between the British DIY experimental musician Richard Skelton & Corey Fuller, a descendant of R. Buckminster Fuller. In addition to the release of ‘Utopia Or Oblivion’, Constructive will publish a website which will serve as a focal point for a series of essays, articles, artworks, and information resources, derived from the same expansive brief offered to the musicians. An interdisciplinary home for the development of further ideas, continued exchange, and the dissemination of Fuller’s prescient theories and philosophies

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€ 26

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Bana Haffar : Intimaa’ - LP (Touch, 2023)

Intimaa’ (belonging in Arabic) is a documentation of pieces composed for Touch’s 40th anniversary celebrations in Los Angeles and Santa Cruz in the Spring of 2022 / Pulling from ongoing research in weaving and textiles, the pieces are informed by the interchangeability of the weaver's process with the sequencing of sound – from sourcing and preparing materials to be woven (recording, editing, and formatting samples), preparing the loom (programming the sequencer), and finally, weaving the cloth (playing back, manipulating, and recording the sequence). Artwork & photography by Jon Wozencroft

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€ 22

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Svetlana Maras : Live performance 2019 - 2020 - MC (-ous, 2023)

Transparent case and white cassette with screen-printed illustration by Marko Vuleta-Djukanov, graphic design by Rebecca Morganti-Pfaffhauser. Composer, sound artist & musician Svetlana Maras has spent years developing her unique setup for live performances. She builds her live sets as frameworks for exploration by emphasising the sculptural and improvisational potential, rather than reproducibility. The core of Maras’ performative practice lies in the accessibility of all layers of what a ‘musical image’ at any given point consists of, and the gestural manipulation of these layers / Using micro samples as a basis of her musical vocabulary, Maras treats her live setup like an acoustic instrument. Using tablet controllers running a self-built Touch OSC interface, pedals and different pressure based interfaces, she manipulates and morphs the material with the mindset of a sculptor, while exposing herself to the audience and the room. Her focus lies with the musical form and the structure, while the shape of the sounds projected into the performance space define which turn she might take next. Maras explains: 'I am interested in how sounds fill up the room, how they spread, how near or far they are, how ‘big’ or ‘small’ they seem, how they morph and move'. With the set she played from 2019 to 2020, Maras reached the apotheosis of her practice, regarding the handling and manipulation of micro samples and micro-collaging. -OUS is releasing a live recording of this set as a deep dive into the vast possibilities of live sound manipulation / Svetlana Maras is composer and artist active in the field of experimental music. Her work, which she presents internationally, encompasses variety of formats such as live performance, electro-acoustic composition, sound installations and works for the radio. She is the winner of the most prestigious Serbian composition prize «Mokranjac», awarded by the Serbian Composers’ Association. From 2016-2021, she was composer in residence and artistic director at Radio Belgrade’s Electronic studio, where she established numerous programs such as artistic residencies, educational courses and most notably, restoration of EMS Synthi 100. Currently, Maras is Professor of Creative Music Technology and Co-head of Electronic Studio at Hochschule für Musik FHNW, Basel

€ 12

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Work Money Death : Thought, Action, Reaction, Interaction - LP (ATA, 2022)

Taking a short sabbatical from their journey into the spiritual stratosphere and beyond, Work Money Death landed on terra firma just long enough to record a follow up to the critically acclaimed “The Space In Which The Uncontrollable Unknown Resides Can Be The Place From Which Creation Arises”. The new album “Thought, Action, Reaction, Interaction” explores many of the meditative motifs that mould this unique group in their quest for the perfect sound and space. Those who are familiar with Work Money Death will know their output is as much an adventure for the listener as it was for the musicians / Recorded, as always, at ATA studios, a temple purpose built for the worship of all things analogue, “Thought, Action, Reaction, Interactions” is a salute to the now sadly deceased master of the spiritual sound Pharoah Sanders, and in particular the spontaneity of his recording process / Each of the four tracks on “Thought, Action, Reaction, Interaction” were recorded in one take with no rehearsal and while the players may have known where they were starting off none of them were sure where they would end. As much as it is entertainment, and have no doubt this LP is an unctuous, spirit-smoothing joy from beginning to end, this is an experiment of making music in the moment. Spontaneous and spiritual in its truest sense, “Thought, Action, Reaction, Interaction” is a work of innovation and unsurpassed beauty

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€ 25

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Ultramarine : Send and Return - LP (Blackford Hill, 2023)

The moods and movements of an English estuary can be heard running through a stunning and deeply intriguing new album from the electronic duo Ultramarine. Flowing and mutating as it transitions from an Essex river into the open sea, the Blackwater Estuary, north of London inspired this beguiling collection of hypnotic jazz, itching electronica and softly dazzling ambient shapes / "I've been looking at that space in which ambient music and electronica mingle with jazz, and with their latest album, Ultramarine have firmly moored in those waters / On this record, they're joined by the jazz musician Greg Heath and the percussionist Ric Elsworth. There are soaring saxophones, alto flutes, and vibraphone all in the mix to make what's a really contemplative ambient sound but with a jazz shimmer." Elizabeth Alker - BBC Radio 3 Unclassified

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€ 22

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Greg Foat : Psychosynthesis - 2xLP (Blue Crystal, 2022)

The prolific Greg Foat returns with a new Synthesiser soundscape double album. Recorded during the 2020 Lockdown. This is the follow up to 'Photosynthesis' this time featuring drummer Morgan Simpson (Black Midi)

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€ 29

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Memotone : Memotone EP - 12" (Sähkö Recordings, 2023)

Bristol multi-instrumentalist and producer William Yates combines electronic jazz, bass, beats, loops and samples in the masterly ethereal and hypnotic way

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€ 22

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Drøne : The Stilling - LP (Pomperipossa, 2020)

The 4th album by drøne, (Mark Van Hoen & Mike Harding), is the 3rd for Anna von Hausswolff's label, Pomperipossa Records. Featuring Zachary Paul on violins, Charlie Campagna (bass and ‘cello) and Katt Newlon on ‘cello, the strings add lush, warm layers to a darker, edgier sound. Gabi Strong debuts on guitar and the voices of a host of vocalists inc. Claire Belhassine, Celia Eydeland, Bana Haffar, Pepa Ivanova, Nour Mobarak & Brisa Romero / With the trademark drøne sounds of static, radio voices, field recordings, modular synthesizer and found sounds, recording chance sounds right up to the final mix add to the dynamism and energy of the album / Scream - its all you can do now. Overwhelming, scatter-gun information delivery has us confused, bowel churningly fearful and appalled at the nature of the changing times. We are biologically, psychologically and emotionally able to cope with slow evolutionary change, but struggle with revolutionary, violent distortion or mutation. This leaves us anxious and even desperate for a firmer footing. Fight or flight. The Stilling, a phenomenon whereby the wind speed on the planet seems to be slowing down for no known scientific reason, explores this state of discomfort and perplexion. Time spins. The glass is falling…

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€ 18

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DVA : Botanicula - (Minority, 2023)

Green marble vinyl. Soundtrack for point&click exploration game Botanicula from Amanita design. Excellence in audio award on Independent Games Festival 2012. Botanicula is a point'n'click exploration game created by the makers of award-winning Machinarium, studio Amanita Design and Czech band DVA. Five friends, little tree creatures, set out on a journey to save the last seed from their home tree which is infested by evil parasites

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€ 23

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Laibach : Sketches of the Red Districts - 2xLP (God Records, 2023)

Transparent red vinyl. This new Laibach album, through a new/fresh interpretation, examines the conflict-ridden genesis of the band's formation in the industrial town of Trbovlje in 1980 and questions the band's aesthetic, sonic, and ideological roots from the distance of time. Includes 16-page booklet

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€ 33

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Damavand : As Long As You Come To My Garden - LP (Die Schachtel, 2023)

As long as you come to my garden is a tribute to the Armenian troubadour Sayat Nova, through his lyrics and freely inspired by the cult movie about his life: "The color of the pomegranates" (Nrran Guyny, 1968, USSR) directed by Sergei Parajanov. The feature film tells the life of the poet, who lived in the seventeenth century, from childhood in the royal court, to retirement until his death in the monastery of Haghpat, through a series of episodes, static like paintings that do not tell but show, evoke, they suggest through metaphors, analogies, surrealist flair, dreamlike landscapes, liturgical pauses / The six tracks are inspired by the dreamlike imagery contained in the movie, weaving sound textures ranging from ambient to noise, to references to the musical tradition of the Middle East. Gianluca Ceccarini and Alessandro Ciccarelli alternate, without fixed roles, with analog synths, drones, amplified common objects, generative music, audio samples from the film and acoustic instruments such as the tar, a stringed instrument of Persian origin, the trombone and the cornet. In addition, two of the songs on the album contain Sayat Nova’s poems recited in Persian by Nahid Rezashateri / The sound materials are revealed gradually like episodes, evoking the visual suggestions staged by Parajanov in the film. As long as you come to my garden is intended as an imaginative journey to distant spaces and indefinite archaic times

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€ 25

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Claudio Rocchetti : Labirinto Verticale - LP (Die Schachtel, 2023)

Hosted in the usual silver-silkscreened deep black cardboard with a crux-shaped maze (the image is the 16-th century Labirinto figurato by Francesco Segala) as the main image, on which the silkscreened clear plastic sleeve. The latest work, after six years of silence, from Italian composer, performer and publisher (Black Letter Press) Claudio Rocchetti, and a welcomed return on the Die Schachtel imprint after the brilliant Another piece of teenage wildlife (2008), Labirinto Verticale (Vertical maze) takes its origin from the 4-years of collaboration of Rocchetti with the Parma-based Fondazione Lenz, a contemporary theatre research collective/organization / Immersed in their very fertile milieu, inspired by the writings of Hölderlin and Calderon de la Barca, and orbiting around the concepts of Memory, Sedimentation, Presence/Absence, Rocchetti produced several hours of music, a selection of which is collected in this album, that marks the n.5 in the internationally acclaimed Die Schachtel’s series “Decay Music”, perfectly fitting its mission, which is to explore the more “intangible”, “decomposing” (in a re-generative sense of the term) borders between experimental sound and “proper” music with a special focus on the more interesting experiences of the contemporary Italian scene / For sure the series of delicate pieces that composes Rocchetti’s Vertical maze are of intangible, almost “phantasmic” quality (in Rocchetti’s words), a sort of alchemic “opera al nero” characterized by a ghostly use of fragments of the human voices, that surfaces in a subtle maelstrom of otherworldly sounds, created, manipulated and decomposed with the use of cassette tapes, re-recording sessions reminiscent of Alvin Lucier’s I am sitting in a room masterpiece of sonic refractions, feedbacks, sounds either found or collected during the rehearsals or the theatrical workshops and shows and as a finishing touch Rocchetti’s own voice used to imitate artificial sounds or instruments and further re-mixed in a game of sonic mirrors that transports the listeners in a completely new concept of melancholia, hauntology, and at times on the verge of discomfort, managing anyway to remain in the space of a gratifying and accessible listening experience

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€ 25

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Boards of Canada : Trans Canada Highway - 12" (Warp, Music70, 2014)

New six track EP including the album highlight ''Dayvan Cowboy'', 4 new tracks and ''Dayvan Cowboy'' remixed by Odd Nosdam

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€ 22

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Ryuichi Sakamoto : Travesía - 2xLP (Milan, 2023)

Travesía, an album of music by the late composer Ryuichi Sakamoto curated by award-winning filmmaker Alejandro G. Iñárritu. Featuring selections from Sakamoto’s prolific catalogue handpicked by Iñárritu, who famously collaborated with the composer on his Oscar-winning film The Revenant. Originally conceived as a surprise project celebrating Sakamoto’s 70thbirthday, the album is the result of nearly two years of planning and six months of meticulous curation by Iñárritu. Now arriving in the wake of the iconic musician’s passing, Travesía, meaning “journey” in Spanish, takes listeners on a one-of-a-kind trip through the last four decades of Sakamoto’s musicmaking career, showcasing his immeasurable influence and lasting legacy / Given full access to Sakamoto’s extensive catalogue of solo releases, collaborations, scores and live performances, Iñárritu enlisted the help of collaborators Martin Hernandez and Martin Delgado for the album’s curation process. Over the course of the next six months, the trio listened to more than a thousand pieces of music from Sakamoto, eventually focusing on the composer’s lesser-known solo tracks to appeal to both existing fans as well as a new generation of listeners. Opening with “Thousand Knives,” the title track of Sakamoto’s 1978 debut album, and eventually covering releases as recent as his 2017 full-length async, the compilation offers a truly unique and intimate retrospective of the composer’s career from his peer, collaborator, and friend

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€ 35

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MinaeMinae : Räumlichkeit - 2xLP (Marionette, 2023)

Bastian Epple makes an eagerly anticipated return to marionette under his elusive MinaeMinae guise that imagines rich sonic architectures for the journeying spirit to voyage to. Räumlichkeit is Epple’s debut album and third release to date following Gestrüpp from 2020, venturing further into melodic electronic nostalgia and percussive beat oriented soundscapes / Spanning fifteen vignettes that trapeze through uncharted winding trails and familiar spaces, the album’s recordings evoke a scenic state of mind. The tracks simulate a room or nested rooms where the breathtaking views of nature and contrasting brutalist structures are explored with an equal sense of curiosity and wonder / Taking the listener down unpredictable paths that are rooted within the music itself, Epple is as much present in the creation as the listening experience which gives the recordings an immediacy and a live element of unfolding before your ears, unfamiliar each time. This novel viewpoint is very much at the core of Räumlichkeit, poetically contemplating the concept of spatiality and how that, in turn, influences the receiving of those fleeting moments. Apart from the world building qualities of the recordings, it's the speed of travel that also impacts the perception of the journey, and Epple tends to manipulate time at a fully immersive rate that grips the mind and body

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€ 29

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Rosso Polare : Bocca - LP (Sagome, 2023)

The animal world is a constant in the work of Milan improvisational duo Rosso Polare. If Cani Lenti was guided by the diaphanous birdsong integrated into their sparkling mix of folklore, ambiences and occasional humming, on Bocca D’ombra the themes go darker, textures are harder to pin down and the animal presence takes on new connotations. Instead of an anonymous, patchworked outdoors we enter a cavernous space that invokes the collective unconscious with bestial and funereal undertones, as the animals take on the role of the psychopomps, ancient guides through the shadow realm / The album is influenced by Timothy Morton’s Dark Ecology, a thinker who sees the constant exchange between the human and natural world as an ongoing dialogue, the two influencing each other, in a series of reverberating loops. This looping is also reflected in their compositions, where improvisations with traditional instruments like electric and acoustic guitars, monophonic synths, horns or flutes meet natural noise-making tools like branches, rocks or nuts that amount to lugubrious, often dissonant textures. Bocca D’ombra is built on a series of whispers, breaths, panting and rustling, creating a feeling of closeness sometimes verging on the claustrophobic, ingeniously set against sounds evoking space – fireworks crackling, crows echoing, church bells reverberating, indistinct cries from a children’s playground / Distance and repetition are deeply ingrained in their own understanding of sound and their surroundings, becoming the building blocks of their practice. Just like Gregory Bateson in the ‘70s, the duo believes in a more romantic approach to ecology, seeking a porous border between self and environment, human and animal, internal monologue and external ambient hum. If earlier releases were noisier and denser, Bocca D’ombra is tight and focused - every sound and melody is given room to breathe and develop on its own, enhancing the haunting, otherworldly aspect of the music. The result is heady, intoxicating mix which sublimates chaos into sparkling compositions of contemporary animism

€ 26

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Derek Monypeny : Don't Bring Me Down, Bruce - LP (Raheem, 2011)

Born in the Arizona desert, a veteran of multiple explorations into the Sahara desert via Morocco and Western Sahara, and now a resident of the Mojave, Derek Monypeny sees his musical mission as adding to and expanding on what he calls the "desert continuum;" the psychedelic sirocco swirl of desert-based stringed instruments played with utter abandon by musicians the world over / Derek’s “desert continuum” concept takes great inspiration from desert guitarists whose playing so perfectly reflected their surroundings in its gnarled beauty and all-pervasive individualism: Richard Bishop, Zoot Horn Rollo, Curt Kirkwood, Jesus Acedo, Bob Log III, and Howe Gelb to name a few. In his travels in North Africa, Derek discovered that same spirit in Saharan guitar playing, in artists such as Seddoum ould Eide, Hammadi ould Nana, and Luleide ould Dendenni / Derek uses a variety of instruments to achieve these ends. In addition to guitar, he has recorded an album of solo oud recordings (Don't Bring Me Down, Bruce) and is currently performing and recording using the shahi baaja (Indian electric banjo). Derek is a former member of the bands Oaxacan (Oakland, CA), ALTO! (Portland, OR), and Sir Richard Bishop's Freak Of Araby Ensemble. In addition to his solo work, he has an ongoing duo project with Bryan Hillebrandt, OAE (Oakland Afternoon Ensemble). He has performed and toured with artists such as Bill Orcutt, Jozef van Wissem, Eva Aguila/Kevin Shields, Arrington de Dionyso, and many others

€ 16

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Seabuckthorn : Inlandscape - 2xCD (Fluid Audio, 2023)

‘Inlandscape’ was made mainly by capturing bowed guitar sounds on a reel-to-reel tape machine (sometimes making loops), mixed with the double bass, tuba, trombone and violin played by guest musicians. All music written and recorded between late 2022 / early 2023 in Saint-Pierre-d'Argençon, France by Andy Cartwright. Bowed guitar, field recordings, clarinet, reel-to-reel tape recordings and mixing by Andy Cartwright; Double bass, tuba and trombone by Phil Cassel. Violin on 9 & 10 by Robin Vargoz. Mastered by James Plotkin. Cover image of negative scan by Andy Cartwright / Made by hand. Book Editions' series. Vintage books dissected, re-assembled and re-structured into book-bound CD covers / All copies include (no two copies are the same): 1 x vintage (circa:1890-1951) hardback clothbound book (re-assembled into CD covers), 2 x CD, 15 pages of writing / image inserts, 10 x A6 edited polaroid prints on luxury uncoated paper (250grm), 1 x stamped / numbered library card, 1 x vintage photograph (circa; 1901-1949), 1 x vintage book-mark, 1 x vintage celluloid negative, 1 x vintage 35mm slide, 1 x 35mm reel to reel film strip (tape loop edition), 1 x vintage travel ticket, 1 x vintage OS map insert, stamped / hand numbered / scented, download code (includes 20 PDF prints)

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€ 29

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Mo Nahold : Tremors - LP (Ventil, 2019)

Mo Nahold is an experimental sound artist and composer, currently based in Vienna. His work focuses on various electroacoustic methods and multichannel approached composition techniques in specialized environments to question sound and spatial conditions. Abstract sound movements stand in contrast to conventional rhythmic structures and harmonic content, in order to close gaps between sound aesthetics of different musical convictions / After several releases with audio-visual project Waelder, Mo Nahold presents his first solo release. Tremors is a collection of seven tracks that reflect a subjective view on electronic music progressions. The seven tracks, selected from a constant changing working pool of sounds and sketches, developed over a period of one and a half years. The album acts as a kind of metaphor for an inner constant stream of sounds that seem to break over and over again, revealing the ever-changing leaps and bounds of Nahold's work. Static states encounter resistance and jumpiness. The sound fragments and arrangements reach into the depths and dynamics of electronic noise music and coexist on an abstract dance surface of the viewer / The music follows a multi-channel narrative, even though it was eventually recorded mixed and consumed in standard stereo resolution. Tremors explores the idea of space and sound shapes compressed in headphones and stereo PAs. To implement this feeling, Nahold worked with ambisonic techniques and special stereo mixdowns of multi-channel arrangements. The immersion effect persists and demands attention

€ 18

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Billy Roisz : Bajo - 12" (Ventil, 2023)

Billy Roisz has been a driving force in the experimental music scene for many years. She is widely known and has earned critical acclaim for her artistic work, which ranges from cinematic (her films are regularly screened at major film-festivals such as Berlinale-Shorts or the IFF Rotterdam) to pure audio-works, as she presents with this new album. Her last solo-release »Walking The Monkey« dates back to 2012 (Editions Mego) and now she unveils her successor: »BAJO« / A sonic exploration of double bass from a nosey and refreshingly innocent point of view. Roisz investigates the concept of going low - not only in terms of frequency, but also in a metaphysical sense; expecting the album to be a droning low-end scenario is completely wrong. Billy Roisz manages to compose music that indeed feels as if you are under an obscure yet fascinating viscose or earthy substance, that evokes the heavy need inside the listener to dig even deeper, making »BAJO« a journey into the depths of sound par excellence. Roisz seamlessly blends the acoustic signals of the double bass with the modulation of electronic devices, deliberately adding only the sound of one single sonic entity, created by a cymbal that belonged to her longtime stage partner Silvia Fässler of the duo »Skylla« / Almost as a signature-move, Roisz uses errors and surprise-encounters as a pathfinder to compose multifaceted pieces full of intriguing sonic territories and unexpected associations. Indeed, »BAJO« takes the listeners deep down the burrow - where one experiences what might be considered as Billy Roisz’s very own ritual music

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€ 24

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Subletvis : Not The Whole Truth - MC (Ventil, 2022)

How often do we hear a familiar refrain in a completely new song? Do we want to be constantly surprised while longing for the familiar? Part diary, part travelogue, "Not The Whole Truth" explores the themes of memory and emotional affect. Mo Nahold uses his online Subletvis moniker to further thread the line between abstract electronic composition and melodic hooks / Where Tremors, his previous solo effort, had a more conceptual angle channeling a similar approach through a wide range of dynamics and an emphasis on creating an acute sense of space with special mixing and recording techniques, "Not The Whole Truth" focuses on the sentiment. Seductive harmonic lines capture moments and feeling frozen into sonic amber, as Nahold records snapshots from various ideas, live sets and travels. While the core of the album was recorded during a residency at EMS Stockholm, he also draws inspiration from rave and metal, melding the harsher edges of Tremors into powerful ‘80s sci-fi synths, equal parts tribute and pastiche / “Raveon” cleverly uses ‘90s rave elements to create steep, repetitive crescendos that eschew traditional dancefloor patterns, leading to a series of buildups teasing an elusive drop never to materialize, like club flotsam from the future. Tracks like “Screen Island”, leaning on vaporwave sensibilities, or “Entity”, with its distorted harpsichord melody, are the more deliberately nostalgic offerings. Baroque hyperpop hybrid “Core” featuring Vienna based artist Tony Renaissance is where Nahold’s knack for addictive melodies truly shines, with powerful synth chords converging towards an outsized sound. "Not The Whole Truth" has a sweeping sense of drama gradually unfolding over a series of kaleidoscopic tracks that, while feigning recognition, continue to escape categorization

€ 10

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Subletvis : Not The Whole Truth - LP (Ventil, 2022)

Special edition in handscreened cover housed in printed pvc sleeve. How often do we hear a familiar refrain in a completely new song? Do we want to be constantly surprised while longing for the familiar? Part diary, part travelogue, "Not The Whole Truth" explores the themes of memory and emotional affect. Mo Nahold uses his online Subletvis moniker to further thread the line between abstract electronic composition and melodic hooks / Where Tremors, his previous solo effort, had a more conceptual angle channeling a similar approach through a wide range of dynamics and an emphasis on creating an acute sense of space with special mixing and recording techniques, "Not The Whole Truth" focuses on the sentiment. Seductive harmonic lines capture moments and feeling frozen into sonic amber, as Nahold records snapshots from various ideas, live sets and travels. While the core of the album was recorded during a residency at EMS Stockholm, he also draws inspiration from rave and metal, melding the harsher edges of Tremors into powerful ‘80s sci-fi synths, equal parts tribute and pastiche / “Raveon” cleverly uses ‘90s rave elements to create steep, repetitive crescendos that eschew traditional dancefloor patterns, leading to a series of buildups teasing an elusive drop never to materialize, like club flotsam from the future. Tracks like “Screen Island”, leaning on vaporwave sensibilities, or “Entity”, with its distorted harpsichord melody, are the more deliberately nostalgic offerings. Baroque hyperpop hybrid “Core” featuring Vienna based artist Tony Renaissance is where Nahold’s knack for addictive melodies truly shines, with powerful synth chords converging towards an outsized sound. "Not The Whole Truth" has a sweeping sense of drama gradually unfolding over a series of kaleidoscopic tracks that, while feigning recognition, continue to escape categorization

€ 95

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Rdeca Raketa : ... And Cannot Reach The Silence - LP+CD (Ventil, Mamka Records Vienna, 2021)

Rdeca Raketa (Red Rocket) is the electronic music duo of Maja Osojnik and Matija Schellander. Their new project …and cannot reach the silence deals with the current world of misunderstandings, communicating past each other, willingly and unwillingly overlooking or ignoring each other’s meanings via various fast-paced forms and platforms of communication; and, with that, the tightening of incompatible parallel »realities«. It explores forms of violence; physical and verbal, external and self-inflicted. It explores forms of power; the dangerous thin line between giving power to and giving power over oneself, and forms of subjugation and addiction on both societal and, more significantly, on interpersonal levels. »… Look at us! Beasts, bottomless pits, never to be full! To be fulfilled. Glued onto each other in sweat, a never-ending pain and evenly spread, at all times… / In those dark, dystopian lyrics, full of questions, such as, »What is being said and what stays unspoken? Who does it refer to? Who is protecting whom? For what reasons? Who is being addressed or what needs to be considered?« the wish, the need and the struggle for self-empowerment, honesty, love and reconciliation is exposed or, at the very least, nourished / Rdeca Raketa combines abstract electronic sounds with heavy beats, inspired by acousmatic and industrial music, as well as hip hop. The artful interweaving of spoken and sung language (based on Osojnik’s texts) coalesces with the collaged sound material. Modular synthesizers and cut-up samples mixed with manipulated CD players and recordings of acoustic instruments and field recordings, along with elaborate sound processing, ultimately creates a wondrously heterogeneous mixture

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€ 25

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Drøne, Mark Van Hoen, Mike Harding : Reversing Into The Future - LP (Pomperipossa, 2016)

Record Store Day 2016 / Pomperipossa Records, curated by Anna von Hausswolff, is delighted to announce the forthcoming release of the first album by Drøne. Field recordings, short wave radio, modular synth all combine to form an enticing, arresting, moving journey of electrically-charged dissonance, drones and electronic melodies... Anna calls it "a jewel"

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€ 23

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Joel Vandroogenbroeck : Images Of Flute In Nature - LP (, 2023)

Brainticket was an obscure Krautrock band born out of a 60's jazz group featuring Belgian born keyboardist Joel Vandroogenbroeck, based in Switzerland. The leader went for a fortunate solo career after the former group disbanded, reaching a cult status especially in Italy with a series of sought after libraries / Released in 1978 on Cenacolo, Images Of Flute In Nature is pure magic translated in music. Conceived by Joel with a little help from vocalist Carole Muriel (an American performer already involved in Brainticket and Drum Circus), the album is literally a deep connection between kosmische music, ambient and ethno-global rhythms

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€ 26

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Frans Zwartjes, Lodewijk de Boer : Masterpiece - LP (Purge, 2019)

The record is produced on 180 gram vinyl, with two custom inners and a screen-printed plastic outer (sealed). Each copy comes with a double-sided riso print of Zwartjes at work, along-with a separate insert featuring an original text on Zwartjes by Schtinter, no reprint planned!! / Inspired by the completely unique system of sound which provided half of the life to Zwartjes’ very whole films, purge.xxx’s Schtinter set out in 2012 or 2013 or something to find Zwartjes and facilitate the release of his music. Ultimately, purge.xxx was founded to share the work of Zwartjes. Our first album was produced on cassette in an edition of 50 copies, and later reissued by Trunk Records as ‘Tapes 1’. It is only fitting therefore that our first catalogued record should be by Zwartjes…

€ 35

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Fuji-Yuki : One Butoh - 12" (Akuphone, 2022)

Akuphone is proud to present Fuji-Yuki’s latest masterpiece, "One Butoh". A musical immersion into the most exciting avant-garde dance style of the past century. Created in Japan in the 1960s by Tatsumi Hijikata, buto is the "dance of the obscure body". It broke with the traditions of classical Noh and Kabuki Theater, which, at the time, seemed outdated in the national context. Nourished by a European artistic avant-garde, buto stands out as a mirror of the socio-political turmoil of a post-World War II Japan. One Butoh resonates as a perfect acoustic introduction to this subversive art and propels the listener deep into his own soul / Fuji-Yuki is a Japanese vocalist who uses her voice like an instrument. With special vocal techniques, glossolalia and electronic pedals, she creates a wide variety of sounds. Inspired by the spirits of Buddhism and Shintoism, she creatively transforms her vocals into an ambient drone or prayers resonating in a church-like space. Her live performances are always different, depending on the place and space they take place in. She is also known as the vocalist of the experimental band Sarry

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€ 26

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Derek Monypeny : Cibola - LP (Twenty One Eighty Two Recording Company, 2023)

Cibola is in some ways a continued exploration/distillation of the approach and methodology that Monypeny first introduced on The Hand As Dealt: the 15-string Indian electric banjo known as the shahi baaja again features prominently, and many of the tracks could be called "drone-based." Limited Edition black vinyl LP. Cibola was mastered by Charlie Stavish and Mark Gergis. Pressed at Gotta Groove Records

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€ 2022

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Cluster : Zuckerzeit - LP (Superior Viaduct, 2023)

Cluster was the pioneering German duo of Hans-Joachim Roedelius and Dieter Moebius. Formed on the cusp of the 1970s, they were a part of West Germany's nascent Kosmische Musik scene. The group would use restrained improvisational techniques similar to Gruppo Nuova Consonanza, working with both electric and acoustic instruments (organ, guitar, tone generators, cello, etc.) to create a singular sound that Julian Cope called "a huge beating heart, planet-sized and awesome." / Following the release of Cluster II, the duo relocated to the village of Forst where they built a home studio and began to collaborate with like-minded artists such as Michael Rother and Brian Eno. 1974's Zuckerzeit, Cluster's first album made in their countryside studio, marked a major shift in their music from experimental noise to avant-pop. "Hollywood" starts things off with infectious loops, analog drum machines and sweeping synth. "Caramel" seems to pick up the pace even more; its sugary groove promptly dissolves into a sea of ethereal keyboards, amorphous layers and sparse chords / For Zuckerzeit, Roedelius and Moebius developed the tracks individually. They recorded in separate rooms on different days, although each piece flows into the next seamlessly. While Rother is listed as producer on the original Brain release, he was reportedly not present at the sessions and simply loaned the band some equipment. Bringing together Cluster's haunted melodic sense and motorik rhythms, Zuckerzeit reveals not only how much the band grew from their experience in Harmonia, but also how instrumental they were in their later collaborations with Eno

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€ 25

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W. David Oliphant, Sir Richard Bishop : Beyond All Defects: Mount Meru Anthology Series Vol. 1 - LP (Twenty One Eighty Two Recording Company, 2019)

Clear vinyl. Although Sir Richard Bishop (SRB) and W. David Oliphant (WDO) worked together periodically in the 80s through Sun City Girls and Maybe Mental, they never set out to simply work together as a duo. Fast forward to 2011, SRB, feeling the need to temporarily step out of his solo guitar zone, approached WDO with the idea of this joint collaboration... / ‘Beyond All Defects’ was composed and recorded live in the studio in Phoenix, AZ in December of 2011 (remastered in 2018 by Mark Gergis) and presented on vinyl for the first time by Twenty One Eighty Two Recording Company. The sonic landscapes presented here find their origins in Tibet, and are heavily inspired by Tibetan Buddhism -- specifically the body of teachings known as Dzogchen. Many of the musical ideas for this project were literally derived from dreams the night before they were created. The remaining ideas were formed centuries ago / Sir Richard Bishop plays acoustic guitar throughout. Often detuned, bowed, and beaten, the guitar was "treated" by Oliphant during the live recording process. SRB also provided audio from field recordings he captured in India. WDO used a variety of computer software with a midi controller to create all the other sounds. All tracks were captured in real-time, direct to disk. ‘Beyond All Defects‘ is the first in a series celebrating the audio adventures created by Arizona sonic composers. The Mount Meru Series includes previously unreleased Sun City Girls material, the third record by Phoenix’s Sunn Trio, and The Alternative Particle Choir each sharing a connection to Maybe Mental and Life Garden member W. David Oliphant

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€ 29

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Mykolaiv Singers : Winter Songs, Wedding Songs - LP (Purge, 2023)

The announcement of this long in the making LP was hastened by Russia’s invasion of Ukraine. All previously unreleased in any form - spare a few tapes distributed in the Mykolaiv region - these are old, old songs (of winter, weddings, war, sex, bread) predominantly sung by groups of women, and all from the villages of Mykolaiv, Ukraine. Collected over the last decade by singer and ethnographer, Tetiano Chukno, the LP comes with a 20-page booklet containing the Ukrainian-language original lyric sheet for each song, along with its English translation: by Ksenia Ginchuk, and Stephen Watts & Stanley Schtinter / Proceeds from the higher ‘support’ payment option will be sent immediately to the artists and translators in Ukraine responsible for the record. The ‘standard’ payment option covers only the record’s production costs

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€ 29

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Frans Zwartjes : Frans Zwartjes - 2xLP (Purge, 2023)

Numbered + handmade in an edition of 300 copies only; 180gr 2xLP 12” vinyl in custom-made screen-printed outer (sealed), with an eight-page xerox-printed booklet containing an interview with Trix Zwartjes and lots of previously unseen photographs from the Zwartjes family albums; no digital / Frans Zwartjes’ studio remains untouched since his passing in 2017. In early 2023, we returned to the studio and discovered a trunk of unlabelled 3/4 inch tapes, containing completely unheard music by Zwartjes. These works, largely synthesiser-based improvisations for films either unmade or unfinished, were played and recorded by Zwartjes between the late 1960s, through his most fertile filmmaking period in the 1970s, and continuing in to the early 1980s. Unlike his previous releases, these recordings have been transferred directly from the original source tapes, newly mastered and available to hear for the first time as a double LP release. A comprehensive new interview with Trix Zwartjes, the life-partner and collaborator of Frans is included in a booklet accompanying every copy of the record

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€ 42

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Alexandre Babel, Latifa Echakhch : The Concert - 12" (Shelter Press, 2023)

“The Concert” is the first discographic collaboration between percussionist Alexandre Babel and visual artist Latifa Echakhch. The record is intimately linked to the eponymous exhibition presented at the Swiss Pavilion during the 59th Venice Art Bienniale. For her exhibition in the Swiss Pavilion, Latifa Echakhch created an orchestrated and enveloping experience, a rhythmic and spatial proposal that allowed the visitor a complete perception of time and of his own body. What is the origin of rhythm? How does the body perceive time? How does the mind rearrange it? Can we substitute one perception for another, the visual for the sound? Can fragments of memory go back in time and recreate a different story? / Her proposal entered a dialogue with the building around it, designed by Bruno Giacometti. The artist revisited its architectural programme as well as the prototypical progression of these exhibition spaces, originally defined for the display of classical art. She appropriated the entirety of the spaces, simultaneously exploring continuity, movement and sequence. Their relationship to light, and the different sounds that emerge from them. Yet the exhibition was entirely silent and the musical composition “The Concert” functions as its sound rendering, by following a similar path / This one-sided vinyl is a complementary and inseparable partner piece to the exhibition and its eponymous catalogue, the latter having been published in April 2022 by Sternberg Press. The music features field recordings made at the Swiss Pavilion itself as well as pre-recorded percussion sounds and significant contributions by the Berlin-based musicians Jon Heilbronn, Rebecca Lenton, Theo Nabicht, Nikolaus Schlierf. The record, available only after the closing of Latifa Echakhch’s exhibition offers a concluding phase to the project. The resonance of its sensory score. It reactivates the experience of the physical journey of the installation, without imposing itself as a transcription or an illustration. Through texture, temporality and its totality, the record stands as a resonance of the rhythms that have structured the pavilion, the harmonies that have composed it and the sounds that have inhabited it

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€ 26

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Jan Jelinek : Loop-Finding-Jazz-Records - 2xLP (Faitiche, 2023)

Much like a scientist in the lab, Jan Jelinek breaks up the molecules of jazz tracks and meticulously rearranges them into new original pieces beyond recognition. This is sampling at its finest. Jan Jelinek's Loop-Finding-Jazz-Records was originally released in 2001 on ~scape, existing only as a download. The title is derived from Jelinek's production approach on the album. Its tracks are built around second-long samples sourced from 1960s and 1970s jazz records and manipulated beyond recognition. He produced much of the album using an Ensoniq ASR-10 sampler

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€ 24

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Jan Jelinek : Soundtrack For SEASCAPE - Polyptych - LP (Faitiche, 2023)

One of the most notorious hatemongers in movie history is Captain Ahab from John Huston’s 1956 classic Moby Dick. His manic monologues cast a spell on generations of viewers. Berlin based musician and sound artist Jan Jelinek has now turned the voice of Ahab into a musical instrument. Faitiche presents Jan Jelinek's soundtrack for SEASCAPE – polyptych, an audio-visual software developed in collaboration with Canadian new media artist Clive Holden in 2022. SEASCAPE – polyptych is based on image and acoustic source material from Moby Dick. While Holden works on manipulating film sequences, the voice of Ahab plays a central role in Jan Jelinek’s soundtrack. The dynamic volume and tone of the captain's speech control a synthesizer system that turns Ahab's voice into ten abstract soundscapes / In this production the voice gives the impulse and controls things but is not the sound of spoken word itself that we hear. Only occasionally can snippets of speech be heard so that syllables or sounds are recognisable. Instead we hear compositions made of hissing, soundscapes and eruptive sounds. The atmosphere is dark and sinister. Still every piece has a clear sonic structure and follows an understandable dramatic composition. This music is abstract but not overwhelming. Quite the opposite, SEASCAPE – polyptych is an invitation to listeners to let themselves be carried by the stream of sonic events / Although part of a media art work, the soundtrack can be enjoyed without any of this connecting superstructure. It works with no previous knowledge. But what happens when one does know that it’s the sonic waves of a human voice that is controlling a network of synthesizers? If you want to hear Ahab, you will hear a choir of Ahabs in every piece of sound. The subliminal threatening as well as the conjuring Ahab. Finally the Ahab who whips up his crew and tears them with him into their downfall. The majestic „on the quay now, waiting and watching“, the oppressive “drawn towards the whirlpools center” - they are all music as well as sonic discourse

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€ 22

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Tape Loop Orchestra : Temporal In-Betweens - LP (TLO LML, 2023)

Temporal In-Betweens finds Tape Loop Orchestra providing a soundtrack to a metaphysical road trip, a journey through infinitely open space imbued phantomatic energies. A continuation of themes that were first heard on the Liminal Live cassette / Foregoing the choral elements of recent work we find TLO operating on a more intimate level, returning to the open-frontier reverb laden guitar of his (as yet unreleased) post-rock past. Long sustained notes act as a bed for the floating guitar notes that dance around one another to form distant chords. There is a subtle motrik movement in the pieces that remind one of a late night drive always moving towards an unknown destination. The cover painting by TLO collaborator Keith Ashcroft perfectly evokes the music, a car pulled over at the roadside while an old tape deck emits a warm ferric warble

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€ 25

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Various Artists : The Hidden Tapes - LP (Minimal Wave, 2023)

A compilation of Minimal Wave from Around the World ‘79-‘85. The Hidden Tapes features rare, unreleased, and licensed tracks from as far as Japan and the former Yugoslavia. Most of the bands on this compilation recorded on 4-track tape in their bedroom studios while two of them went further to collaborate by sending tapes through the mail. The sounds on this record range from raw proto-industrial to naive danceable Belgradian new wave, to filmic synthesizer music to more complex, vocal-driven melodic synthpop / The Hidden Tapes presents songs from Danton’s Voice, Oskarova Fobija, The Fast Set, Sympathy Nervous, Pas De Deux, Unovidual + Tara Cross, SS-Say, Robert Lawrence + Mark Phillips, Kym Amps and Reservé, all lovingly remastered. Thanks to everyone involved in making this happen. Limited edition of 999 numbered copies, pressed on 180 gram vinyl, and housed in heavy printed jacket accompanied by inner jacket with photos and info

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€ 26

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Bill Seaman, Stephen Vitiello : The Clear Distance - CD (Room40, 2023)

Matte laminate and embossed sleeve with insert card. A fragile sense of wonder sits at the quiet core of Bill Seaman and Stephen Vitiello’s “The Fog Moved Across.” Piano and guitar arrangements search through scattered remnants of lost memories, moving together with elegiac whispers. Wistful banjo plucks emerge from beneath the veil in certain moments, a distant beacon pulling us through the shrouded landscape. Seaman and Vitiello create engaging, delicate worlds where each sonic detail is a remembrance etched in glass, and the whole of those pieces is beautiful and grand

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€ 16

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Alice Coltrane : Radha-Krsna Nama Sankirtana - LP (Antarctica Starts Here, 2019)

Radha-Krsna Nama Sankirtana was the first of two albums Alice Coltrane released in 1977 (the other being Transcendence). Coltrane's music during this period grew out of an epiphany in which she would renounce secular life and don the orange robes of a swamini (spiritual teacher in the Hindu tradition). Musically, this meant leaving jazz behind (at least partially) and embracing the chants and rhythms of devotional music / The first half of Radha-Krsna is mostly filled with simple arrangements of bhajans (Hindu devotional songs) and features the singing of students from the Vedantic Center, the Ashram that Coltrane founded in 1975. The group bounces with the joy of a gospel choir (not coincidentally, some had backgrounds in Southern Baptist churches) / A rapturous aura permeates opener "Govinda Jai Jai" with Alice leading on Fender Rhodes. On "Prema Muditha," she returns to acoustic piano (her main instrument in the early part of her career) to deliver a powerful and poignant theme. Sidelong "Om Namah Sivaya" beams with probing organ improvisations accompanied by the drumming of her 13-year-old son Aruna John Coltrane, Jr. This closing track offers a strong indication that even if Alice Coltrane was turning toward new traditions for inspiration, her music was still something that only she could make

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€ 22

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Zonderwerk : Babel - LP (Dauw, 2023)

Clear vinyl. Babel is an ambitious exercise in translating images into sound. Babel was initially created for the eponymous theater piece by architect and artist Steve Salembier. Inspired by the biblical legend, Salembier envisions the legendary city as an abstract, sprawling modern metropolis in continuous flux. Its steel and glass skeleton is a representation of both an accumulation of overlapping contemporary cityscapes and a metaphor for the anonymous repetitiveness of our daily routines mirrored by the architecture. Subway lines, sky scrapers and whirling highways converge into a megalopolis of monstrous proportions. Despite the composition’s initial context as soundtrack for a theatre play, for the band this album is seen as a standalone work, whose complex sonic material can be appreciated without having seen the piece / Their score focuses on fleshing out the imposing imaginary universe both in terms of scale and meaning. One of their biggest inspirations were Michael Woolf’s photographs, which served as the basis for the original theatre piece. His use of grey and repetition is translated into looped harmonies and fine-grained drones that progressively open up like blooming ice flowers / With sounds of bells and metal as their primary materials, Carrijn and Sanders build soundscapes that are at once seductive and unsettling. The atmosphere on tracks like “DreamArp4Kort4” make for majestic, mysterious synths conjuring otherworldly visions, while the angelic glockenspiel set against subtle explosions in “VuurFeest” suggest a serene yet potentially dangerous place. Other tracks like “RoomCarousselTapeLoop5” create multi-layered textured drones through the process of tape decay, a commentary on the cannibalistic nature of the city. Resulting from an arduous improvisational process using old samplers with elements such as the Beam harp, a self-made metal instrument with piano strings, reel to reel tape recorders, field recordings and violin, babel perfectly captures the oxymoron of the man-made concrete jungle that is at once inhospitable yet endlessly awe-inducing

€ 22

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Eric Dolphy Quintet, Freddie Hubbard : Outward Bound - LP (Survival Research, 2023)

Avant-garde pioneer Eric Dolphy achieved incredible things with the bass clarinet, establishing it as a vehicle for solo improvisation, and was equally adept on alto and flute, gaining kudos from peers such as John Coltrane and Charles Mingus. Outward Bound holds a special place in jazz as Dolphy’s first LP fronting his dynamite quintet, leaving conventions behind from the get-go. With the entire group on tremendous form throughout and Dolphy reaching the heights of his genius, this is a stellar release from a giant whose star shined brightly and briefly, until his tragic early death from undiagnosed diabetes. Including bonus tracks "April Fool" and "245 (alternate take 1)"

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€ 22

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Akhira Sano : Shadow's Praise - LP (IIKKI, 2023)

Marble (crystal, silver and white) vinyl, handnumbered / Akhira Sano was born in 1992 in Niigata, Japan. Focusing on the imperfections and irregularities of form and sound, he creates, observes, records, and extends them secondarily through drawing, graphics, installation, videography, and music composition.His major works include "Penetrating, For Filtration" (Important Records, 2019), "Particle Dialogue - Observation and Recording" (The Trilogy Tapes, Inc. 2022), and major solo exhibitions include "Perspectives of Possibility" (FAITH, 2021) and "me on - Seeing the Absent" (TOH, 2022)

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€ 22

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Alice Coltrane : Transcendence - LP (Antarctica Starts Here, 2019)

Transcendence was not only Alice Coltrane's last studio album for Warner Bros., it would also be her last studio work for nearly three decades. While Eternity and Radha-Krsna Nama Sankirtana followed the composer's muse through an exciting range of musical styles and influences, Transcendence is perhaps the most fully realized of the three LPs, synthesizing the best elements of each into a monumental whole / Side one consists of intimate compositions with Alice's pointillist harp enhanced by intricate string arrangements. At times, the emotional climaxes in "Radhe Shyam" and the title track sound like the score to an epic film. This would be the closest Coltrane ever came to chamber music, yet rendered with her uniquely spiritual tint / Side two moves into celestial territory with uplifting chants, light handclaps and bluesy organ. These call-and-response chants, featuring members from her Ashram, completely embody both African-American gospel and Hindu devotional traditions, an uncanny fusion that is transformed through Alice's pure spirit. What runs through the album's two musical halves is a powerful sense of devotion and discovery. At this point in her life, Coltrane was on a journey toward truth through sound, and Transcendence gives the listener a front row seat to this quest

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€ 22

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Jogging House : Face - LP (Dauw, 2023)

Heavyweight clear vinyl. Face is a synthbathed meditation on decay and acceptance and shows the typical Jogging House sound in which warm soundscapes are mingled with soft and playful melodies / Boris Potschubay is a German musician based in Frankfurt am Main. Besides his own music, Potschubay curates his own label, Seil Records which forms a home for Hainbach, KMRU among others. Jogging House debuted in 2011 and brought us more than a dozen releases in the meantime. Listening to all the records chronologically one after the other, demonstrates us how Potschubay is experimenting a wide range of sound sources and creates a variety of atmospheres but stays true to its own individuality

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€ 22

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Yally : Burnt / Sudo - 12" (Boomkat Editions, 2016)

Yally is a new project from Raime, designed to ''explore Bass Futures indiscriminately”. The release inaugurates 12 x 12, a new series of one-sided releases from Boomkat Editions which will run over the next few months. Boomkat asked twelve of their favourite artists (old and new) to contribute a release each to the series, the first instalment featuring two scudding, killer steppers productions from Raime’s expert bladesmen, Joe Andrews and Tom Halstead, moonlighting here for the first time under a new alias on a rare away-day from Blackest Ever Black

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€ 16

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Potter Natalizia Zen, PNZ : Shut Your Eyes On The Way Out - LP (Ecstatic, 2018)

After stranding listeners in deep space with Schleißen 4 in 2015, Potter, Natalizia and Zen regroup along the percussive vectors of Shut Your Eyes On The Way Out for the Ecstatic label. Three years in the making, taking cues from German synth rock, cosmic disco, abstract EBM and obscure library sounds, the trio head for seductive new horizons of pulsing rhythms and floating ambient dub tones. The six hands control the mission with masterful skill and sleight of hand, prompting routes for the user rather than signposting the way with cliché. Of course, it’s hard to escape some sense of homage or reverence for the original forms, but they do so with such sensitivity to the material and “the journey” that the results simply transcends that heritage, to arrive somewhere, timelessly, out there / In a starfield littered with long-abandoned shuttles and criss-crossed by previously attempted missions, they chart a steady course to astral gratification, slowly melting from cryogenic stasis to map out free floating space in Articulated, then holding their course despite the gravitational pull from massive objects in Rhythm Did Not Change, and under pressure of slow disco G-forces in the pulsing beauty of Linda, leading to the interception of panicked bleeps in Chaosmosis / Over on the B-Side When Time Stops Moving the mission becomes very Tarkovsky-esque and surreal, with Zen’s lysergic drones really coming into their own, before the upside down tonal sculpting of Unsystematic Waves re-aligns the user’s brain functions in preparation for the stunning dynamic proprioception of Che Osmosi, where the route ahead becomes scrambled in a delirious tangle of nagging arpeggio melodies and pill-belly pulses, emulating pretty much how you’d feel, lost but happy to be zillions of light years from terra firma

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€ 18

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Fovea Hex : The Salt Garden III - 10"+CD (Headphone Dust, Die Stadt, 2019)

This 10" black vinyl ep comes with a cd in card sleeve, plus a bonus cd « Is Lanza Light And Given » consisting of remixes by Steven Wilson. The Salt Garden 3 is the final word, and the concluding instalment to the critically lauded The Salt Garden Trilogy. This third installment brings the series to a close on an unexpectedly uplifting note, as Clodagh Simonds' ensemble transform their signature haunting and meditative hymnals into joyous, light-filled ones / Much like its predecessor, however, The Salt Garden III has also been released in an expanded edition with some bonus remixes. In this case, however, the remixes are a track-for-track reimagining of the entire EP by Headphone Dust's Steven Wilson. In essence, that offers two significantly different versions of the same EP, as the Wilson remixes take these four songs in a more shadow-shrouded and meditative direction akin to the previous EPs / Naturally, both are a delight, as Fovea Hex is a project like no other, occupying an enchanted and timeless realm of sublime, organic beauty. Janet Records/Headphone Dust As with all Fovea Hex releases, the beating heart of The Salt Garden III is Clodagh Simonds' voice, as her simple, lovely melodies float over understated, minimal musical backdrops to evoke something akin to an ancient Druidic ceremony in a forest clearing. This time around, however, Simonds is joined by a pair of choral ensembles (the Dote Moss Choir and the Medazza Choir) to occasionally expand those melodies into harmonically lush and rapturous crescendos

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€ 19

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Trevor Wishart : The Secret Resonance Of Things - CD+Book (Private, 2017)

This 2017 release from Trevor is based variously on data from Supernova explosions, Chaotic and Turbulent processes and Physical Models of Imaginary musical instruments. It was originally an 8 channel sound-surround performance piece and the CD contains a stereo mix. The CD release, available here, is mounted in a booklet which explains the scientific data underlying the project. It is very detailed and academic, but the music itself is amongst some of his finest, ranging from intense, almost old-school contemporary electronic/musique concrete to percussive interludes to wild simulated impossible brass instruments

€ 22

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Trevor Wishart : Encounters In The Republic Of Heaven - CD+Book (Orpheus The Pantomime, 2011)

This large scale work from Trevor is an amazing piece,made entirely from speech recordings from north-east England.This is a real tour de force,with the speech sometimes recognizable(& often very funny)but also transformed & processed in incredible ways to produce some fantastic soundscapes. Originally made for 8 - channel live sound diffusion, this is a stereo mixdown. The CD release, available here, comes in a 64 page book about the origins, history and technical aspects of the project

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Potter Natalizia Zen : Magari - LP (Ecstatic, 2020)

Master synthesists Colin Potter (Nurse with Wound), Alessio Natalizia (Not Waving), and Guido Zen (Vactrol Park, Brain Machine) reprise their supergroup for Ecstatic with a seductively serpentine follow-up to their superb debut from a couple of years ago / PNZ’s pulsing, twanging, expansive ‘Magari’ was recorded between 2018-2020 in the slipstream of ’Shut Your Eyes On The Way Out’, which is surely one of the strongest new kosmiche-related albums of recent years. Where that album refreshed classic styles of European synth music for modern ears, ‘Magari’ - meaning “I Wish” in Italian - adapts their style to the unique Afro-Latin lilt of Brazilian music with central use of the Berimbau; a single-stringed percussion instrument commonly associated with the elegant martial art/dance of Capoeira, which the band’s Guido Zen brought home from his travels in South America. Combined with their juicy, almost fleshly arps and Guitar pedal-generated computer voice, the results are wonderfully wide-eyed, embracing bouts of motorik rhythm beside vertiginous noise wormholes and mystic tone poems that speak to a cumulative experience spanning decades spent hunting for life between the wires / Like their first LP, much of the recording took place remotely or in pairs, and rarely with all three present, before the parts were mixed down at Colin’s studio in Leytonstone. In its journey between the intricate meters and perpendicular vectors of ‘Too Much Traffic’, and their mesh of curdled tones with their phone recordings of a manic preacher in Camberwell on ‘Saved’, they variously recall Craig Leon’s alien invocations of Dogon folk tales as much as the heady dissonance of Alessandro Cortini; producing outstanding pieces of tangibly haptic substance in ‘Sergio’ and infectiously tip-of-tongue Berimbau twang on ‘Gennaio’, and for good measure, something like Phil Collins gently losing the plot after healthy dose of Ayahuasca in ‘Fill’, while ‘Ancora’ sounds like Basic Channel scoring Herzog’s Aguirre

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€ 18

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Trevor Wishart : The Garden Of Earthly Delights - CD+Book (Private, 2020)

Comes with a very detailed 25-page A5 booklet, giving much detail about the project / Released September 2020, Trevor's new work, inspired by the Bosch painting of the same name. He describes this as a comic opera. It is extremely dense using the voices of the characters as starting points for complex digital manipulation. As with his two previous releases, the work is intended to be performed with an 8 - channel sound diffusion system. This is a stereo mixdown of the 8 channels

€ 22

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Trevor Wishart : Sound Composition - 2xCD+Book (ICR, 2012)

A collection of writings with 2 CDs of sound examples, based on talks presented over several years, describing in some detail the compositional approaches and working methods involved in the production of many of Trevor Wishart's musical works. Includes a discussion of sound diffusion, and diffusion scores (with worked examples) for most of the electro-acoustics works

€ 49

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Trevor Wishart & Friends : Beach Singularity - LP (York Electronic Studios, 1979)

Trevor discovered a long-forgotten box of this LP, which had never been opened. All copies are "new" but there is some age-related wear & fading to the sleeves, nothing too bad, hence the lower price, which is significantly cheaper than lesser quality items in collectors circles / Beach Singularity was performed on the beaches at Morecambe, Cleveleys, St Anne's & Southport in the summer of 1977. Beach Singularity is an excerpt from a day long happening in which the composer performed with an ensemble that featured saxophonist Lyn Dobson avant-tuba player Melvyn Poore, vocalist Poppy Holden and clarinet improviser Robin Coombes / This performance was designed somewhat like a social intervention, where the musicians performed in conjunction with tape-music and electronics broadcast from small portable stereo systems scattered along the English sea-side. Menagerie began life in 1974 when Trevor Wishart asked a number of well known British performance artistis to build small assemblages for an exhibition in which each object would be accompanied by appropriate taped sounds. The exhibition, consisting of eleven assemblages, was first prepared for the Birmingham Arts Lab and presented there in January 1975. The accompanying tapes were all made at The University of York Electronic Music Studio by Trevor Wishart

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€ 29

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Andrew Chalk : The End Times - CD (ICR, 2022)

A first new solo album by Andrew in five years, completed in 2022 at Impression Lointaine and released by ICR. Thirteen beautiful melodic tracks that weave in and out of focus in an almost hallucinatory manner, evoking many different moods and emotions

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€ 14

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John Cage : Number Pieces / Apartment House - 4xCD Box (Another Timbre, 2021)

Individual card wallets with original artwork by Arvinda Gray / A 4-disc box-set with Apartment House playing all of John Cage's 'number pieces' for mid-size ensembles (from 'Five' to 'Fourteen', with 'Four5' as an added extra, along with alternative versions of three of the pieces). These extraordinarily beautiful works were all composed in the last 5 years of the composer's life, as Cage approached his 80th birthday. These recordings by Apartment House are the first recordings for 15 years of almost all of the pieces. An essential release of wonderful but somewhat neglected music

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€ 49

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After Dinner : Paradise of Replica - LP (Aguirre, 2022)

First-time vinyl reissue. Comes with 12p booklet with lyrics & photographs. After Dinner’s Paradise of Replica is a concise nugget of tomfoolery that occupies a whimsical no man’s land between art pop, Japanese folk music and full-assed Art Zoydian avant proggery. Gentle, arcane and covertly sweeping, it typifies that friendly strain of experimentalism that Eastern music seems so predisposed towards and which curious minds find such great delight in / Assembled by the enigmatic chanteuse and composer known simply as Haco, After Dinner was less a band and more of a loose art collective that utilized a plurality of different musical disciplines stapled together through free improvisation sessions. And some of this does come through on Paradise of Replica—the record is a scrapbook of bells, strings and koto humming under Haco’s ethereal vocals, and the effect, while perfectly tuneful, does come off more as a musical project than a conventional album / But Paradise of Replica is far from an impenetrable scholastic endeavor—in fact, there’s something of an Elephant 6-like quality in its ability to warp conventions while still coming off more or less like pop music. Counter to the ramshackle hostility of much improvised music, After Dinner’s choices are melodious and feel deliberately sequenced. Even crescendos don’t tend to rise above a murmur, and there are even apparent hooks on tracks like “A Walnut” and “Ironclad Mermaid.” Ultimately, there’s not much to be said about Paradise of Replica that can elucidate more than actually hearing it will be able to. Proggy, playful and lush, it’s a brief glimpse into something in the vicinity of genius, and just outside the realm of commercial music. It’s a quietly bold project that shows a softer side of the avant-garde, and makes a perfect companion to Stereolab and Magma at once

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€ 19

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Jeff Parker : Mondays at The Enfield Tennis Academy - 2xLP (Aguirre, 2022)

Mondays at The Enfield Tennis Academy, x2 LPs of long-form, lyrical, groove-based free improv by acclaimed guitarist & composer Jeff Parker's ETA IVtet. Recorded live at ETA (referencing David Foster Wallace), a bar in LA’s Highland Park neighborhood with just enough space in the back for Parker, drummer Jay Bellerose, bassist Anna Butterss, & alto saxophonist Josh Johnson to convene in extraordinarily depth-full & exploratory music making. Gleaned for the stoniest side-length cuts from 10+ hours of vivid two-track recordings made between 2019 & 2021 by Bryce Gonzales, Mondays at The Enfield Tennis Academy is a darkly glowing séance of an album, brimming over with the hypnotic, the melodic, & patience & grace in its own beautiful strangeness / Room-tone, electric fields, environment, ceiling echo, live recording, Mondays, Los Angeles. Jeff Parker's first double album & first live album, Mondays at The Enfield Tennis Academy belongs in the lineage of such canonical live double albums recorded on the West Coast as Lee Morgan’s Live at the Lighthouse, Miles Davis' In Person Friday & Saturday Night at the Blackhawk, San Francisco & Black Beauty, & John Coltrane's Live in Seattle

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€ 28

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Tim Mariën : A Basement Suite - LP (Private, 2022)

Tim Marin uproots and challenges the musical experiences to which we as listeners are accustomed. Above all, the use of unconventional tunings makes one feel at first like a stranger in the music of the Belgian composer, then nevertheless "at home" / Marin, who appreciates a certain unruliness in the sonic material, detunes and reconstructs instruments in order to elicit unique microtonal scales and timbres from them / This portrait album presents works by the Belgian that have been composed since 2001 and performed by the Tiptoe Company, by Ictus and by Ensemble Temporum. The modular string composition A Basement Suite, the album's namesake, takes us into a surreal sphere of sounds and invites us into Tim Marin's acoustic wonderland

€ 19

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Fizzè : Le Disque De L'Art Gué - LP (Décalé., 2023)

Includes obi, insert. "Le Disque De l'Art Gué" highlights in a 10-track compilation the avant-garde and dreamlike work of Fizzè, in between medieval ballad, acoustic industrial and psychedelic world music. It includes original tracks from "Kulu Hatha Mamnua" and "Manoeuvres d'Automne" albums released in 1987 + unreleased materials and remixes by Fizzè

€ 23

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Staran Wake : Staran Wake - LP (Hands in the Dark, 2023)

Staran Wake is a collaborative project by Andrew Bunsell and Tom Relleen. After several years creating music in various groups together, followed by countless hazy late night recording sessions at each other’s studios and crisper afternoons producing the results, the British duo’s musical vision materialised with this self-titled instrumental album, taking nearly 4 years to complete / This collection of pieces is composed with a wide range of instruments and combines multiple dark, experimental genres to form a rather lavish and unique proposition. It is imprinted with intense turgid textures, interweaving the hyper-tactile characteristics of analogue sound with field recording elements and sound effects.Although the project’s name suggests a rather celestial concept (‘an’ means moon in one of the early protolanguages), the music actually explores the intimate feelings of transient space and otherness. It uses subtle build-ups of tension and repetitive progressions to shape an impression of distended time and space. More than a mere treat for the ears, it’s a multi-layered album that invites reflection

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€ 25

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Nurse With Wound : Alice The Goon - LP (B.F.E Records, 2023)

A new NWW mutation, with some of the most hauntingly evocative pieces in Stapleton's catalog, as striking and unusual as anything else Nurse With Wound has produced. A coherent sampler of Nurse With Wound’s range of dark and humorous that includes a full side of “Funeral Music For Perez Prado" on vinyl for the first time, the masterpiece "(I Don’t Want to Have ) Easy Listening Nightmares" from "Alice the Goon", and a a remix/rework of this track ’ renamed as “Alice The Goon (A Floating Eye)” / The tracks have been remastered by Colin Potter for a new full LP with a new Babs Santini artwork. (I Don’t Want to Have ) Easy Listening Nightmares" is fairly creative experimental electronic music, mixing distortion and cartoon parps, sinister rhythms, looping mambo and a surrealist feeling going through the whole track / “Alice The Goon (A Floating Eye)” is a brilliant rework of the previous track by Colin Potter, a more industrial approach and thickening rhythms. “Funeral Music For Perez Prado” is perhaps the most atmospheric ambient track by Stapleton, and the backdrop for strange dream-like gibberish centering around a shakuhachi phrase played by David Jackman aka Organum back in '87

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€ 19

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Fire! Orchestra : Echoes - 3xLP Box (Rune Grammofon, 2023)

Now in its 14th year, the unique and constantly evolving Fire! Orchestra is back with their most ambitious work so far as well as their largest line-up, counting a mostly Scandinavian cast of no less than 43 members. While the popular and widely praised Arrival is a highlight in both our and the band´s catalogue, this monumental triple album ups the ante / Echoes is a two hour work of epic proportions; full of beauty, energy, haunting passages and stunning musicianship, embracing progressive rock, contemporary avantgarde, cosmic free jazz, ethnic experimentalism and more. Making all of this flow in such a natural way from beginning to end is a brilliant achievement. The album closes with a guest appearance from the mighty Joe McPhee on tenor sax and vocals on a vigorous and amusing tribute to one of the “late, great finger wigglers” (answers on a postcard...) / Recorded at the legendary Atlantis studio in Stockholm and beautifully mixed by Jim O’Rourke, Echoes comes across as a very open, breathing, organic, detailed and dynamic album. We would also like to point out that the vinyl edition sounds great, cut by Lupo in Berlin and manufactured by Optimal Media

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€ 69

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Angélica Castelló : Catorce Reflexiones Sobre El Fin - LP (Gruenrekorder, 2023)

Catorce reflexiones sobre el fin (Fourteen Reflections On The End) originated from an installation exhibited at the Museo de Arte Contemporáneo de Oaxaca, Mexico, in 2019. Fourteen magnetic bodies of tape that dialogued with the fourteen pieces of electroacoustic music now contained in this album composed from the sound anthology of Angélica Castelló. Thus, Catorce reflexiones sobre el fin is a complex piece consisting of multiple parts that, although articulated with each other, hold a life of their own / Like every body, these have a unique history made up of mixed fragments spun by Angélica, ranging from field recordings, references, and self-references to previous pieces, experiences, and voice recordings made specifically for these compositions re-recorded in various formats, from lo to high fidelity, analog and digital, composed, decomposed and recomposed (Castelló, A., 2019). Likewise, as any body, they also reflect on their end, whether absolute or temporal, of the many ways of being finite and of saying goodbye

€ 19

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Giuseppe Ielasi : Down On Darkened Meetings - LP (Black Truffle, 2023)

Black Truffle is pleased to announce Down On Darkened Meetings, the first solo release on the label from the quietly prolific Giuseppe Ielasi. Recorded at Ielasi’s studio in Monza outside of Milan over two days in February 2022, the seven pieces presented here continue the renewed exploration of the guitar that marks much of his solo work over the last few years / Emerging in the late 1990s as an improviser working primarily with prepared acoustic and electric guitars, the instrument became less prominent in his work over the next decade, ceding to loop-based constructs that would eventually split into abstracted takes on club music and hip-hop (including his work as Inventing Masks), on the one hand, and spectral electroacoustic explorations (such as the stunning triple disc 3 pauses), on the other. Returning to the guitar in recent years, he has approached the instrument as a source of shimmering metallic glissandi (Five Wooden Frames) or as the vehicle of elegiac double-tracked lines that feel almost like Frisell playing Feldman (The Prospect). Here the focus is on electric guitar filtered, looped, and splayed out into fields of irregular echoes through a bank of pedals / Like much of Ielasi’s work in recent years, these seven pieces perform a delicate balancing act: between abstraction and immediacy, austerity and abundance. Imbued with Ielasi’s distinctive lightness of touch, considered approach to pacing, and subtly psychedelic approach to the stereo field, Down on Darkened Meetings is a major new work from a quiet master of contemporary experimental music

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€ 22

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Arthur Chambry : La Seuz - LP (Futura Resistenza, 2023)

Arthur Chambry is a mysterious troubadour, walking the artistic crossroads of sound, poetry and theatre. Using a wide range of personalised gear to compose music, his is a viral energy: hiding and showing off behind the unexpected, playing gut-vibrating frequencies with violins, trumpets or lungs, fruits, pipes, or tapes / His new album La Seuz draws a map of a parallel world made of singing peasants, luthiers, communities of musicians and mystical quests... Arthur carves out a place between traditional music and psychedelic folk. Listening to La Seuz you'll hear a wicked fusion between Moondog, Areski and a Breton bagpipe band

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€ 22

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Ryoji Ikeda : Ultratronics - CD (Noton, 2022)

Ryoji Ikeda’s first solo work for NOTON in a decade is nothing short of enthralling. With material spanning 1989 to 2022, ultratronics is a beacon of electronic music exploring the science of sound and data. Minimal yet far from sparse, these tracks run from spatial ambience to techno obliteration. Explosive glitches tear through ‘ultratronics 01’, alongside slams of bass and ethereal waves, flowing into the lilting, stuttering microbeats on ‘04’ where sonified data is made danceable, and flipping to the drilling pulses of rhythm and noise on ‘05’ and the heavy, visceral, and intense pairing of ‘07’ and ‘08’

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€ 16

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Jeremiah Chiu, Marta Sofia Honer : Recordings From The Åland Islands - LP (American International Records, 2022)

Black 160-gram vinyl LP (pressed in Chicago), heavyweight jacket with postcard, obi strip / Debut duo album from the unlikely pairing of Jeremiah Chiu's modular synthesizer and Marta Sofia Honer's viola features post-composed improvisations interwoven with field recordings from sojourns on the Åland archipelago in the Baltic Sea. An active intersectional cultural producer in the Los Angeles scene, Chiu is known for his visual art as much as his music. A professor at Otis College of Art and Design by trade, Chiu's a regular musical collaborator of Booker Stardrum, Celia Hollander, Dustin Wong, and Sam Prekop. Honer is a first call session player for the likes of Adrian Younge and Beyoncé. She's also played on recordings by Chloe x Halle, Angel Olsen, Fleet Foxes, Stanley Clarke and others, including five recordings with Grammy nominations

€ 25

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Martin L. Gore, Alva Noto, William Basinski : Subterraneans - 12" (Noton, 2022)

The original 'Subterraneans', composed by David Bowie from their 1977 album 'Low', was an emotionally striking piece that illustrated the struggles of withdrawal. German legend Alva Noto teams up with Depeche Mode's Martin Gore and ambient wizard William Basinski to transform the piece into an ephemeral, ghostly number that is almost even more chilling - with ambient synths and vocal echoing that conjure being lost in a deep cave, something almost supernatural at every turn. A truly haunting, yet aurally astounding, cover

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€ 18

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Parasite Jazz : Parasite Jazz - LP (Disques de la Spirale, 2023)

French non-jazz trio overflowed by Simple Music Experience’s funders Tamara Goukassova, Théo Delaunay & Alexandre Larcier, offering a 40mn of non-simple music madness, and navigating between a dozen of etiquettes from undecided space rock to motorik-infused-dub, medieval folk, cartoon trance; everything under the seal of psychedelia and half-improvisation. Built from drums, violin, springs, samples, reiterations, overdubs, trumpets, synths, distortions; and the appearances of L. Cedrón (Fiesta en el Vacío), L. Retraite (Ventre de Biche), K. Knapp (Deliluh), F. Mazzocchetti (Maoupa Mazzocchetti) / Chimera embraced by three members of the Simple Music Experience label, also (co-) liable at one point for the acts of Axel Larsen, (The) Simplists, Violent Quand On Aime, Constance Chlore, T. Goukassova, Radiante Pourpre, Succhiamo or Panoptique; Parasite Jazz emerged in 2016 in the smoke of a suspicious performance on Simple Music TV. An improvised and protean artifact at birth, the project settled down at the end of 2020 as a trio (Axel Larsen, Constance Chlore, Tamara Goukassova) in Marseille, then as a sextet during the Illusio festival in the summer of 2021

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€ 22

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Thomas Köner : Daikan - 2xLP (Mille Plateaux, 2023)

The Earth is burning, covering all environments in ashes. Smoke comes to us from computers-from social networks accelerating the spread of burnt affects, damaging our ability to feel and respond to what the planet strives to express. We need to cool down. Thomas Koner's music can help change the pace of our perceptions. In DAIKAN (2002) - a Japanese term meaning "the coldest" or "the coldest part of the year"-the ear stretches until touching the depth of time that persists in the ice; a sonic drama offers the slowness thanks to which the skin of perceptions can reconstitute themselves; icequakes awaken listeners to the frozen life without scaring them / Banlieue du Vide, considered by many to be Thomas Köner’s most iconic audiovisual work and best kept secret, has not been released previously. It is in the collection of a couple of art museums, e.g. the Centre Pompidou in Paris, and has been awarded the Golden Nica at Prix Ars Electronica in 2004, in the category Digital Musics / A remastered stereo version of the soundtrack is released as a special premiere as Bonus Track of the DAIKAN album. Listening to this album, an excess of heat turns into an empowering coldness—like the transient feeling of our terrestrial embodiment in the midst of entropy

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€ 26

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Tonio Rubio : Rhythms - LP (Be With, 2023)

2023 re-issue, 140g vinyl, reproduction of the classic Tele Music sleeve, full colour insert with liner notes and archive photographs. Wow! Tonio Rubio's Rhythms is a stone-cold killer, a heavyweight library breaks LP and the inaugural release in Be With's new partnership with legendary French library label Tele Music. Yes, you lucky people, there's lots to come. For this extremely special 50 year anniversary re-issue, we've reproduced the classic Tele Music sleeve with a full colour insert featuring rare photographs, fresh liner notes and personal memories of Tonio from the likes of Jean-Claude Vannier, Jean-Claude Petit and Janko Nilovic / Sumptuous opener “Latin Leitmotiv” is all funky phasing effects and a killer montuno, with what sounds like piano and bass in tandem, stoking straight up Latin fire. The gritty hard funk of blaxploitation groove "Red Medium" is dripping in wah-wah attitude and head-nod oddness. The atmospheric, exotica-tinged "Dead Slow" emulates the languid, sensual afro groove of Quincy Jones’ wild masterpiece “Gula Matari” whilst the proggy, electric jazz fusion epic "Rock 73" is 9+ minutes of moody, rolling menace / But the *real* highlight of this cult classic - and why it has long been *so* desirable - is the devastating, deep, hypnotic minimalist groove of "Bass In Action N°1". Very much in conversation with Quincy's rendition of "Hummin'", the loping, rumbling bassline and sweet electric piano over clean, crisp drums making it one of those tracks that sounds like a hip-hop beat 20 years ahead of time. Sensational. “Bass In Action N°2“ features Tonio's own vocal scat performance. Remarkable

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€ 22

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Midori Takada : Tree of Life - LP (We Release Whatever The Fuck We Want, 2023)

WRWTFWW Records is proud to announce the worldwide reissue of Midori Takada’s solo album from 1999, Tree of Life, available on vinyl for the first time ever in a new audiophile mix by the Japanese percussionist herself, and in full half-speed-mastered glory. The 180g LP comes in a heavy sleeve with a beautiful design by Kohei Sugiura. Tree of Life is also available in CD (digipack) and digital formats / Originally recorded in September 1998 at legendary Ginza (Tokyo) studio Onkio Haus (founded in 1974 and where Ryuichi Sakamoto’s "Merry Christmas Mr. Lawrence" and many more were recorded) and released on CD only for the Japan market in 1999, Tree of Life is Midori Takada’s best kept secret, a lost gem of minimalism and percussive ambient. The album is separated in two parts, the first one finds Takada exploring her trademark environmental soundscapes with precise mastery of marimba, drums, and bells, notably on the magnificent fan-favorite "Love Song Of Urfa" / The second half is a collaboration with Chinese virtuoso Erhu player Jiang Jian Hua, allowing Midori Takada to unveil new layers of her artistic mind with a slightly more theatrical approach and a beautiful crystallization of complex simplicity. The entire album was given a fresh new audiophile mix by Midori Takada herself and was mastered at Emil Berliner Studios, with half speed cutting for the vinyl version, to ensure an audio presentation aligned with the Japanese pioneer’s vision. This Tree of Life reissue follows two newly recorded Midori Takada albums, Cutting Branches For A Temporary Shelter and You Who Are Leaving To Nirvana, both available on WRWTFWW Records, along with her 1983 masterpiece, Through The Looking Glass

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€ 23

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Villete : Dawn Is Mine - 12" (Scissor and Thread, 2020)

Villete aka Amsterdam based producer Anne Korteweg returns to Scissor and Thread with a brilliant new EP. Her debut 12" 'Girl Next Door' was released on Scissor and Thread in the fall of 2016 and sold out quickly. Now here with the new EP Dawn is Mine, we are treated to seven tracks of understated, floating beauty. On her new release she explores the more abstract sides of electronic music. Using a variety of synthesizers, she creates rich and lush sounding structures that continuously bend and flow loosely. She finds inspiration from listening to Pauline Anna Strom, Takashi Kokubo and Actress / Opener Penrose Stairs sets the tone with gentle arpeggiated synths creating a warm, fuzzy atmosphere - a combination further explored in Midnight Arp later into the mini-album. The title track Dawn Is Mine uncovers a low bass throb mixed with dubbed out effects and textures, while Lilac emits an ethereal, woozy atmosphere, with lush pads, choral textures and blissful melodic motifs / Myst also luxuriates in hazy pads before a slo-mo groove emerges to carry the track towards the edge of the dancefloor. If Myst flirts with the idea of dancing, Show Me dives right in - an exquisite slice of deep, outsider house with a psychedelic twist. Winding the release down with Wild Things - a beat-less vignette of synths engaged in an melodic interplay of chimes and tones

€ 9

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Nicole Lachartre : Mundus - 3xLP Box (Metaphon, 78)

Hardboard linen LP box with silkscreened titles, 12 page booklet with track info and text by Vincent De Roguin and Mark Harwood, notes by Lachartre and a rare portrait photo from 1969 / First ever release of female French composer, musicologist and writer Nicole Lachartre (1934-1991). This 3LP set comprises most of her electronic and concrete music compositions recorded in the 60’s and 70’s, all previously unreleased. Lachartre had a classical formation, studied with a.o. Darius Milhaud, Iannis Xenakis and Michel Philippot. Her broad formation and interest as well as her profound commitment and singular vision created a solitary voice even within the field of electronic and concrete music, strangely enough unheard till this day. Her first tape composition from 1968 was recorded in Pierre Henry’s Apsome studio and most of her other electronic and electro-acoustic compositions included in this box set were recorded at the IPEM in Ghent

€ 78

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Arthur Petronio : Arthur Petronio - LP (Metaphon, 2023)

Born Switzerland 1897. French-Italian musician, poet and painter. Lived in Belgium and The Netherlands between 1910 and 1924 and since then in France. Young violin virtuoso studying with Belgian master violinist Eugène Ysaÿe. Played solo violin for Belgian King Leopold II, at the age of 9. Attracted to the avant-garde and visionary ideas of Gesamtkunstwerk. Develops and presents his “Verbophonie” in 1919, integrating sound poetry into regular music scores / Friend with Kandinsky, Mondrian, Cocteau and Picasso. Published several avant-garde journals and poetry books with participation of like minded artists. Wrote many scores for solo instruments, small ensembles, orchestral works, opera,… Met Henri Chopin in 1950 and extended his musical ideas with new possibilities of tape composition. His one and only LP, now reissued by Metaphon, was originally published by the Belgian Igloo label in 1979. An extravagant DIY montage of musique concrète and sound poetry. In addition to Petronio’s voice several female readers/performers contribute to this theatre of voices as guest vocalists. An album as unusual as his lifecycle

€ 20

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Okay Temiz : Okay Temiz's Oriental Wind Live At Montreux Jazz Festival 1982 - LP (Caz Plak, 2022)

A fantastic cocktail of Turkish Jazz which has unique rhythm sections like 9/8 , 7/8 , Anatolian Rock and Funk. Okay Temiz perfectly demonstrates the immersive layers of Turkish music. Never before released until now, A TURKISH JAZZ MAGNUM OPUS is unearthed in collaboration between Istanbul-based Caz Plak and Montreux Jazz Festival. The performance by Okay Temiz's "Oriental Wind" band at 1982's Montreux Jazz Festival, opening for the famous Brazilian musician Gilberto Gil / Along with holding the most noteworthy name in Turkish Jazz, the musical reputation of Okay Temiz has brought forth international collaborations with esteemed jazz players like Don Cherry, Dexter Gordon, Clark Terry, Abdullah Ibrahim, and Art Taylor. Founded in 1975, Okay Temiz's Oriental Wind features Okay Temiz and Bobo Stenson (credits w/ Jan Garbarek - Bobo Stenson Quartet, The Charles Lloyd Quartet), Palle Danielsson (credits w/ Keith Jarret, Elvin Jones, John Scofield), and Lennart Åberg (credits w/ Peter Erskine, Scandinavia New Jazz Group) / Originally recorded during their set, this four-song performance underwent careful re-mastering from the original tapes housed in Switzerland, with additional re-mastering by Mert Üçer in Istanbul. The record was produced and directed by Caz Plak's Haluk Damar and Erinç Güzel. Okay Temiz's Oriental Wind - Live at Montreux Jazz Festival 1982 will be released worldwide in three limited vinyl LP editions, each hand-numbered and region-specific: 500 copies in Japan, 1000 copies in Europe, and 500 copies in Turkey. Concurrently, for the collectors, there will be 100 limited edition box sets produced to commemorate the 40th anniversary of this performance. Each will hold all three variations and contain numbers 0-100 of all three editions

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€ 25

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Un Drame Musical Instantané : Très Toxique - 12" (GRRR, 2023)

Handnumbered, handpainted and signed copies (each one unique), already a collector! / Très toxique is the first ever recording of Un Drame Musical Instantané as a trio, three weeks before Trop d’Adrénaline Nuit, but already a year and a half after Défense De by Birgé Gorgé Shiroc (Nurse With Wound List). On December 21, 1976, it was the first time the three musicians met together in the basement of Studio GRRR. They had no idea what they were going to play, but the session was full of energy / Jean-Jacques Birgé plays the ARP 2600 synthesizer, the cassettes and many other instruments, as does Bernard Vitet, mainly on percussion, but also on sax and violin, while Francis Gorgé supports the backbone on electric guitar. Half a century has passed. Birgé creates the cover of Très toxique entirely by hand, using a white pencil and two acid-burnt images he had created in 1969 and printed two years later by the art printer of Picasso, Dubuffet and the Collège de Pataphysique

€ 18

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Folklore Tapes : TV Terror Land - MC (Folklore Tapes, 2022)

Comes housed in a handmade pop-up-boo sleeve. Folklore Tapes celebrate All Hallows once again, this time with a soundtrack to a collage of clips from B-movie horror films selected from 60s/70s/80s

€ 16

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Eliane Radigue : Feedback Works 1969-1970 - 12" (Alga Marghen, 2022)

Small repress. Alga Marghen very proudly presents a remastered version of the complete documentation of Eliane Radigue sound installations from 1969-1970, including the broad tectonic vibrations of "Omnht," the celestial voices of "Usral," the massive chant of "Stress Osaka," and more -- the works of this artist's feedback period finally revealed. It is amazing that Radigue could build such formidably organic sonic edifices in her home studio with the primitive machines given to her by Pierre Henry: three tape recorders, a mixing board, an amplifier, two loudspeakers and a microphone. Eliane previously worked for Henry at the Studio d'Essai of the R.T.F. from 1955 to 1957, after having met Pierre Schaeffer almost by chance, who invited her to learn the techniques of musique concrète

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€ 22

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Massimo Bartolini, Gavin Bryars : In Là - LP (Alga Marghen, 2023)

*In Là“ is the outcome of the collaboration between Gavin Bryars and the Italian visual artist Massimo Bartolini. Staged as a large-scale installation at the Luigi Pecci Centre for Contemporary Art in Prato, Italy, (the opening was in autumn of 2022 and the exhibition is still running until May this year), Bartolini transformed scaffolding into pipe organ bars, suspended from the ceiling across seven rooms of the museum as the central piece for his retrospective exhibition. It is the music played by these singular organs, composed by Bryars, that makes up the two sides of Alga Marghen’s LP edition / The music of “In là” by Gavin Bryars directly refers to his experimental and conceptual territory of the early 1970s, prior to the composition of seminal works like “The Sinking of The Titanic” and “Jesus' Blood Never Failed Me Yet”. “In Là” presents the composer working across the vast space of the installation, with sounds physically spread in each of the museum's rooms and placed in careful consideration of the space continuity, while at the same time never fulling being experienced in its totality by the listener. This allows the LP documentation of the work to become a singular complement to the live, real-time aural adveture, unveiling phenomena and perceptions of the work’s rich tones and poetic structures that would otherwise be unavailable / While Gavin Bryars background in music is well documented (started as a jazz bassist working in the early 1960s with improvisors Derek Bailey and Tony Oxley, later worked with composers John Cage and Cornelius Cardew, founded the Portsmouth Sinfonia and collaborated with Brian Eno to the Obscure Records series), the connections of Massimo Bartolini’s poetic to sound as less known. The early practice of modifying architectural or domestic devices into sound producers, eventually led Massimo Bartolini to create installations made of scaffolding tubes which are modified into the pipes of an organ. Conceived in different forms and in relation to different architectural contexts since 2008, these works clearly relate to Baroque organs, the most visual of musical instruments, and to the use of scaffolding in construction sites. From these references they adopt the quality of being part instrument part architecture, a work of sophisticated engineering, a “ladder” for climbing up to God

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€ 22

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Eliane Radigue : Vice - Versa, Etc. - LP (Alga Marghen, 2022)

Repress. Alga Marghen very proudly presents a remastered version of Vice-Versa, Etc..., an LP originally included in the first 400 copies of Eliane Radigue's Feedback Works 2LP. Vice-Versa, Etc... was originally a small handmade box, signed and numbered and released on the occasion of a show at Lara Vincy's gallery in 1970. The box contained a reel of magnetic tape and the instructions for use / It indicates that all playback speeds are possible, forward or backward, as well as any combination of two channels, on several recorders, ad libitum. This LP presents two versions done by Emmanuel Hoelterbach following the indications of Eliane Radigue to the letter, respecting her composition methods / There is no doubt that Eliane Radigue's vocabulary is based on observing and entering into dialog with the fundamental behavior of sounds: pulsing, beating, sustained, very light, a subtle and delicate evolution. When she moved from feedback sounds to the ARP synthesizer, she naturally continued the same music -- a continuity where the original use of feedback sounds stands out for its cruder and more savage inner character. One could say that somehow it's the very texture of the sounds, which leads the form of her compositions. At the same time, this approach favors an intense sensuality in the listening

€ 22

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Nurse With Wound : Bar Maldoror - 2xLP (Rotorelief, 2023)

Silver & black vinyl housed in metallic cover. The long-running and infamous project known as Nurse With Wound, essentially Steven Stapleton joined by a rotating cast of characters as Annie Anxiety, Chris Wallis, David Tibet, Diana Rogerson, John Balance (of Coil fame) — mixes the overly serious chin-scratching of the contemporary avant-garde with a healthy dose of absurdist humour and wit. Often unfortunately branded with the industrial’s tag, Stapleton’s music actually reflects elements of musique concrète, ambient and free improvisation juxtaposed against more traditional forms. No one pigeonhole can adequately describe this diverse and immense catalogue: only by diving in can one truly appreciate the varied sonic possibilities of Stapleton’s unfettered imagination. He’s that weird, and he’s that good / In the mid 1980s, Nurse With Wound existed as a live band for only eight shows, of which only five were in front of an actual audience. Live at Bar Maldoror, released in 1991, documents these various live incarnations and makes up the first CD of this two- disc set. Having been remastered by Andrew Liles, the diverse and lengthy pieces (which were actually recorded in disparate locales, none of which are named Bar Maldoror) sound rather contemporary. Sparse percussion, tape manipulation, loops, noise, dark drones, improvised semi-musical instrumentation and strangled glossolalia all expose the many facets of Stapleton’s oeuvre / In 2023, as part of the silver editions, Rotorelief records released Bar Maldoror as a double vinyl album, a luxurious Gatefold with 4 panels of artwork by Babs Santini

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€ 46

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Camizole : Erahtic - LP (Rotorelief, 2023)

Camizole's first unreleased album "Erahtic", recorded in 1972, released 50 years later on vinyl by Rotorelief. Limited to 450 numbered copies on black vinyl. These are the very first recordings of Camizole made in 1972 with a cassette recorder. The main instrument used is a self-built zither, a primitive lutherie supplemented from time to time by an alto violin and a flute / "The goal was to obtain new, dissonant, noisy sounds. The following year, when I bought my first synthesizer, I considered the instrument now useless and destroyed it. In 2016 I wanted to rework these recordings with tools that appeared later, asking myself a decisive question: if I had had access to this material at the time, what would it have given? That's why I didn't remove anything, nor add anything, the pieces are delivered whole and without any editing. I only ran the original sound through pitches, delays, harmonizers, harps, reverse, and then mixed the resulting new tracks." / Dominique Grimaud: zither, viola, flute, electronic. Pre-mastering by David Fenech. Mastering by Andreas Lubitch. Artwork by Frédéric Tacer

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€ 31

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Nurse With Wound : Bar Maldoror - 2xLP (Rotorelief, 2023)

Black vinyl housed in metallic cover. The long-running and infamous project known as Nurse With Wound, essentially Steven Stapleton joined by a rotating cast of characters as Annie Anxiety, Chris Wallis, David Tibet, Diana Rogerson, John Balance (of Coil fame) — mixes the overly serious chin-scratching of the contemporary avant-garde with a healthy dose of absurdist humour and wit. Often unfortunately branded with the industrial’s tag, Stapleton’s music actually reflects elements of musique concrète, ambient and free improvisation juxtaposed against more traditional forms. No one pigeonhole can adequately describe this diverse and immense catalogue: only by diving in can one truly appreciate the varied sonic possibilities of Stapleton’s unfettered imagination. He’s that weird, and he’s that good / In the mid 1980s, Nurse With Wound existed as a live band for only eight shows, of which only five were in front of an actual audience. Live at Bar Maldoror, released in 1991, documents these various live incarnations and makes up the first CD of this two- disc set. Having been remastered by Andrew Liles, the diverse and lengthy pieces (which were actually recorded in disparate locales, none of which are named Bar Maldoror) sound rather contemporary. Sparse percussion, tape manipulation, loops, noise, dark drones, improvised semi-musical instrumentation and strangled glossolalia all expose the many facets of Stapleton’s oeuvre / In 2023, as part of the silver editions, Rotorelief records released Bar Maldoror as a double vinyl album, a luxurious Gatefold with 4 panels of artwork by Babs Santini

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€ 39

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Telomante : Codantera - LP (Moli Del Tro, 2023)

"Here are 14 miniatures that swing back and forth between images of nature and civilization, worlds and times, 40 years back and 40 years into the future. One could find orientation and support in the past of German electronic music, from 1975 to 1985, that is just as timeless, because courageous. Let us remember Cluster, Möebius and Rodelius or Conrad Schnitzler / A commune in the countryside. And then there would be this image of a person, reading Garcia Lorca or Lautreamont in the heat in the countryside, longing for the city life. In the large kitchen on a sloping stone floor a modular system whistling like an overheated tea kettle. It may be presumptuous to speak of innocence, but statements are always an element of the creative world. Then came pop and it can also be found here. Because this music speaks of beauty and the idea of a better world. Don't let all this be too complicated. It's simple, it speaks and creates 90 frames per minute like the slow beats of a swan’s wings. Sequences like heat - it's 35 celsius degrees." Detlef Weinrich (Tolouse Low trax) / Jose Guerrero aka Telomante lives in Valencia where he runs the label Mascarpone Discos. A prolific producer, he is running multiple projects such as Sentuhlà on Abstrakce Records or Rastrejo on his own label. "Codantera" is a contemplative stroll through soundscapes that leave a lot of space for improvisation, where harmonic fields and abrupt experimentations meet on the same level. The sonic warmth and the strength that emanates from it make this album a jewel of minimalist electronic music

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€ 19

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Andrea Borghi : Palsecam - 12" (Aposiopèse, 2023)

True to form, Borghi works directly with VHS tapes and the apparatus that plays them, manipulating the exposed mechanisms with the care and curiosity of a dedicated scientist. Drawing from these manual manipulations, Borghi's experiments combine mechanical sounds with mangled tape samples to inspire a mechanised nostalgia inseparably hybridised with human trace / Unlike others who work with old film, he resists the eerie to focus on the intricate crunch and buzz, an electro-acoustic soundscape tangentially related to the field recordings. By highlighting the precise moment that recorded media becomes perceived, a restless, shifting mass of both familiar and unrecognisable sounds results in a unique form of otic chiaroscuro. The result is a complication of inside and outside sounds: distant, gesturing snippets of semi-remembered, half-imagined films compete with TV cathode burn, tracking stutters, mechanical interference, and vérité whirrs and clicks that could only come from that original reproducer of dreams, the VHS player. With Palsecam Borghi gives dignity to an often maligned format, in an engaging mélange that represents the recovery of an object discarded as an objet d'art

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€ 19

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William S. Burroughs : Nothing Here Now But The Recordings - LP (Dais, 2023)

Transparent clear vinyl. In 1980, Genesis P-Orridge and Peter “Sleazy” Christopherson of (then-) Throbbing Gristle travelled to New York City to meet up at the fortified apartment, known as The Bunker, of famed beat writer and cultural pioneer William S. Burroughs and his executor James Grauerholz. Genesis and Sleazy started the daunting task of compiling the experimental sound works of Burroughs, which, up until that point, had never been widely heard / During those visits, Burroughs would play back his tape recorder experiments featuring his spoken word “cut-ups”, collaged field recordings from his travels and his flirtations with EVP recording techniques, pioneered by Latvian intellectual Konstantins Raudive. Over the following year, P-Orridge, Christopherson and Grauerholz spent countless hours compiling various edits, each collection showcasing Burroughs sensitive ear and experimental prowess for audio anomaly within technical limitations. In early 1981, Burroughs had relocated to Lawrence, KS to escape the violence and manias of New York City life. There, P-Orridge and Christopherson put the finishing touches on the record that would be known as Nothing Here Now but the Recordings / Released in Spring 1981, the album would end up as the final release on Industrial Records, brought about by the dissolution of Throbbing Gristle. It was quietly out of print until 1998, when John Giorno and the Giorno Poetry Systems included the album on a retrospective CD box set, which compiled the majority of Burroughs's seminal recordings. In 2015, Dais Records worked closely with the Estate of William S. Burroughs to finally re-release, for the first time in 36 years, a proper vinyl reissue of William S. Burroughs Nothing Here Now but the Recordings to celebrate the centennial anniversary of William S. Burroughs. For the 2023 edition, Dais has remastered the audio with renowned engineer Josh Bonati, and restored the original artwork with a new dedication to Genesis Breyer P-Orridge and Peter Christopherson

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€ 25

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Antena : Camino Del Sol - LP+12" (Numero Group, 2022)

1982, Brussels: The former au pair for Rick Wakeman of Yes and two of her teenage friends are at the doorstep of Les Disques Du Crepuscule, ready to cut an album with Gilles Martin. Living on busking wages and next door to Tuxedomoon, their work results in a contemporary bossanova record that would provide a missing link between Antonio Carlos Jobim and Kraftwerk / Camino Del Sol was issued and promptly forgotten, with Isabelle Antena moving toward jazz in Asia and the others returning to France. Twenty years later, it was findable only as a VG+ LP with a sticker price of $4.99. Intrigued by the striking cover’s sunlit patio furniture emptiness basking in the south of France, we scooped up Camino Del Sol and grouped the extant Antena recordings from that exceptional period by session. Our definitive 2LP reissue of the original five-song mini-LP adds the group’s first 12” (a cover of Jobim’s “Girl From Ipanema,” naturally), the Seaside Weekend 12”, compilation tracks, and two previously unissued cuts, recasting this short-lived combo’s forward-thinking milemarker as a modern-day masterstroke

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€ 29

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William S. Burroughs : Break Through In Grey Room - LP (Dais, 2023)

Transparent clear vinyl. Inspired by the original Industrial Records release of William S. Burroughs’s Nothing Here Now but the Recordings, Belgian record label Sub Rosa worked with Burroughs to release another album: Break Through In Grey Room. Originally compiled in 1986 by producer Bill Rich, the album features Burroughs's experimental recordings from 1961 to 1976, featuring field recordings by Burroughs of the Master Musicians of Jajouka, experimental collaborations with mathematician Ian Sommerville and painter/cut-up originator Brion Gysin / Break Through In Grey Room documents William S. Burroughs during his time in Europe and England, working with Ian Sommerville on recording with the 'cut-up' technique. Sommerville's technical background enabled him to contribute to the early development of sound-and-light shows in London, leading to work with gear provided by Paul McCartney in an apartment owned by Ringo Starr. Experimental in nature, the record is as much an exhibition of studio and composition technique as it is a document of underground culture at that time / For the 2023 reissue, Dais Records has collaborated with the Estate of William S. Burroughs on reissuing the album on vinyl and compact disc, fully remastered by mastering engineer Josh Bonati

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€ 25

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William S. Burroughs : Break Through In Grey Room - LP (Dais, 2023)

Black vinyl. Inspired by the original Industrial Records release of William S. Burroughs’s Nothing Here Now but the Recordings, Belgian record label Sub Rosa worked with Burroughs to release another album: Break Through In Grey Room. Originally compiled in 1986 by producer Bill Rich, the album features Burroughs's experimental recordings from 1961 to 1976, featuring field recordings by Burroughs of the Master Musicians of Jajouka, experimental collaborations with mathematician Ian Sommerville and painter/cut-up originator Brion Gysin / Break Through In Grey Room documents William S. Burroughs during his time in Europe and England, working with Ian Sommerville on recording with the 'cut-up' technique. Sommerville's technical background enabled him to contribute to the early development of sound-and-light shows in London, leading to work with gear provided by Paul McCartney in an apartment owned by Ringo Starr. Experimental in nature, the record is as much an exhibition of studio and composition technique as it is a document of underground culture at that time / For the 2023 reissue, Dais Records has collaborated with the Estate of William S. Burroughs on reissuing the album on vinyl and compact disc, fully remastered by mastering engineer Josh Bonati

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€ 22

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Laraaji : Vision Songs - Vol. I - LP (Numero Group, 2018)

Vision Songs Vol. 1 is the Laraaji album like no other, located at the intersection of new age and gospel, his outlier and magnum opus, the feel-good DIY tape of the century. Casio synth jams recorded at spiritual retreat guest rooms and a tiny bedroom on the Upper West Side in 1984, lysergically-spectacular anthems for a continually arriving new moment. “Channeled from the sky,” humbly offered on vinyl for the first time, this is where this is going on, this is where this is taking place, this is how this is going on. Is this very clear?

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€ 19

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Laraaji : Segue To Infinity - 4xLP Box (Numero Group, 2023)

Multicolor vinyl. The definitive collection of Laraaji’s earliest works, Segue To Infinity compiles his 1978 debut Celestial Vibration and six additional side-long studio sessions from previously unknown acetates from the same period. A lengthy essay by Living Colour’s Vernon Reid chronicles the origins of Edward “Flash” Gordon, illustrated with dozens of previously unpublished photographs that capture this beautiful and elusive young artist. Full of discovery and wonderment, Segue To Infinity is a miraculous chronicle of new age’s most fabled artist

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€ 95

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Teno Afrika : Where You Are - LP (Awesome Tapes From Africa, 2022)

Finally, we present the LP version of Teno Afrika's newest full-length album. Futuristic, dreamy and dreary deep grooves from a young producer with acute imagination when it comes to the language of amapiano. Teno Afrika’s 2020 debut "Amapiano Selections" drew an international wave of support sparked by the producer’s deftly minimal take on the emergent style. Amapiano combines the South African predilection for deep house alongside a melange of endemic influences like kwaito, jazz and gqom. The 22-year-old’s new crop of songs "Where You Are" expands on his rhythmic subtlety hooded in warm bass adorned by amapiano’s telltale shakers, hi-hats and mid-tempo shuffle / Lutendo Raduvha hails from Pretoria, South Africa, where he produces music incessantly and DJ’s parties around Gauteng province. He hangs with a crowd of musical friends, many of whom join him on "Where You Are." For his second album Teno Afrika brings more vocalists into the sonic picture, unlocking an emotive and timbral escalation to his rapidly mushrooming catalog of work / Singers Leyla and KayCee feature on the title track and “Fall In Love,” respectively. Regular cohort Diego Don joins for two driving, pad-propelled works of significant vibrancy, “SK Love” and “AK Love.” The album's dramatic closer “Duma ICU” features another returning collaborator, Stylo MusiQ, who helps bring an icy, almost cinematic conclusion to a slice of the sound Teno Afrika is pushing at the moment. There’s a palpable feeling of not knowing where the young producer might go next

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€ 19

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Jacqueline Humbert, David Rosenboom : Daytime Viewing (1979-1980) - LP (Unseen Worlds, 2023)

40th Anniversary Edition - newly remastered from the master tapes by Stephan Mathieu, with an additional bonus LP of instrumentals and the previously unreleased “Narration Theme.” / Daytime Viewing (1979-80) is an extended narrative song, based on a casual analysis of daytime television drama and the audience phenomena such programming addresses. The piece explores the use of fantasy as a survival mechanism against loneliness, illustrating the human compulsion to inflate the mundane to mythological proportions. A central female character weaves tales, using threads of personal experience and the idea of TV as friend, as mantra, and as transformational window between imagined spectacle and the pedestrian plane / Originally released as a private cassette edition [recorded, 1982; Chez Hum-Boom release, 1983] documenting the collaborative performance piece of the same name by Jacqueline Humbert & David Rosenboom. This heady, thoroughly enjoyable work was first made available on CD and LP in 2013 by Unseen Worlds. Jacqueline Humbert (aka J. Jasmine) is a songwriter of brains and wit on par with Robert Ashley, with whom she's worked extensively. David Rosenboom's complex, harmonic electronic arrangements are accentuated brilliantly by percussion from William Winant. Daytime Viewing can happily be added to a small but significant group of work that, through lesser-known paths, engaged in an equally revelatory reexamination of the Great American Songbook as Minimalism did with 20th Century composition

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€ 39

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Hailu Mergia & His Classical Instrument : Shemonmuanaye - 2xLP (Awesome Tapes From Africa, 2023)

Stunning stuff from Awesome Tapes From Africa. Hailu Mergia is a one-man band. In 1985 master accordionist and veteran Walias Band leader/arranger/keyboardist released the Hailu Mergia & His Classical Instrument / Shemonmuanaye cassette / The tape is a nostalgic effort to bring back the vintage accordion sound of his youth. Hailu was already celebrated for his work with the industryshifting Addis Ababa ethiojazz and funk outfit the Walias Band, and he pressed forward using new tools to reshape the popular sounds of the past. Adding a Moog synthesizer, Rhodes electric piano and rhythm machine to the harmonic layering of his accordion, he creates hauntingly psychedelic instrumentals. These songs draw from famous traditional and modern Ethiopian songs, as Hailu matches Amhara, Tigrinya and Oromo melodies to otherworldly flavors soaked in jazz and blues. The result is a lush, futuristic landscape, balancing Ethiopian music's signature pentatonic modes and melodic shape with beautiful analog synth flair

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€ 16

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Carl Stone : Electronic Music From The Eighties And Nineties - 2xLP (Unseen Worlds, 2018)

Gatefold sleeve / Off the back of their acclaimed 2016 compilation of Carl Stone’s 70’s and 80’s highlights, Unseen Worlds (Laurie Spiegel, Dickie Landry) drop a follow-up release. Electronic Music From The Eighties And Nineties contains some of the electronic composer’s most cerebral and beautiful works / These pieces evolve magma-slow, with loops waxing and waning over the course of several minutes. They are occasionally interspersed with surprising samples - in the case of "Sonali", a slice of a Mozart chorus. Despite their slouching pace, these numbers are always invigorating rather than lethargic. This compilation marks the first time "Mae Yao" has been released

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€ 39

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Lucrecia Dalt : ¡Ay! - LP (Rvng Intl., 2022)

Black vinyl. Lucrecia Dalt channels sensory echoes of growing up in Colombia on her new album ¡Ay!, where the sound and syncopation of tropical music encounter adventurous impulse, lush instrumentation, and metaphysical sci-fi meditations in an exclamation of liminal delight. In sound and spirit, ¡Ay! is a heliacal exploration of native place and environmental tuning, where Dalt reverses the spell of temporal containment. Through the spiraling tendencies of time and topography, Lucrecia has arrived where she began

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€ 19

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Bosch & Simons : Three Music Machines - LP (Staalplaat, 2023)

From 1985, the beginning of their collaboration in Amsterdam, Peter Bosch and Simone Simons have been involved in performances, concerts and theatre productions. Since 1990, however, they have focused in particular on the development of autonomous music machines / All these machines are dynamic: Sound and movement are constantly evolving. »Krachtgever« is their best-known piece for its Golden Nica, received at Prix Ars Electronica, Linz, 1998. The other projects on the LP are »Cantan un Huevo«, commissioned by the Ives Ensemble in 2000 and awarded in 2002 at the 29th edition of the International Competition of Electroacoustic Music and Sonic Art, Bourges, France, and one of their first installations, »Was der Wind zum Klingen bringt«, from 1989/90, shown in the Stedelijk Museum, Amsterdam, 1990, as part of the exhibition »Energieën«, and in 1991 at the Multimediale 2, Z.K.M., Karlsruhe. The LP demonstrates that sound produced by the Bosch & Simons music machines can also be listened to as autonomous »music«

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€ 16

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René Margraff, Malte Cornelius Jantzen : Split 2 - MC (Second Editions, 2023)

Second Editions is pleased to present two new complementing works by René Margraff and Malte Cornelius Jantzen, as a double a-side split album. Margraff utilizes various beautiful ramblings from the one and only AL and weaves them into two floating pieces that are both a reflection and caricature on what punk (what about ambient?) actually is in the age of ever-bloodsucking tabloid consumerism and commercial image branding, and how to keep your head up as a protagonist/heroine / Jantzen's side pays homage to a time when a kickflip down a flight of stairs mostly ended in bruised hands and knees. In what can barely be considered field recording, the sound of skateboard decks and wheels on cement and railing, the occasional shouts and murmurs form a "real-time listening piece" (aka a moment), most aptly titled after AL's acclaimed debut album / Second Editions is coming full circle and is calling it a day. Half on "not punk pink" and other half on "complicated green" cassette shells. For good luck and good vibes!

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€ 14

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Voices From The Lake : Live at MAXXI - 2x12" (Editions Mego, 2015)

After last year's releases on Spectrum Spools, Italian techno masterminds Donato Dozzy and Neel are returning as the duo Voices From The Lake with a release on the mother label Editions Mego: »Live @ MAXXI« is a marvellous organic live-set of hypnotic ambient techno, proofing the outstanding and elegant craftsmanship of their sonic sculpturing, that they both are famous for / As was to be expected they stay true to their polyphonic topography of liquid scapes: aquatic sceneries are embedded in soaking dense atmospheres, gently gyrating us into trance. Sometimes soft echoes of sirenic voices are heard – the only remnants of human traces in these spaces that have suspended time, where smooth silky textures are being channeled into fractal structures that induce a state of transcendence / The haptic quality of their sound is adding up to a sonic matrix of metaphysic imaginary that is provoked by gentle glides and dynamic beat patterns of almost tribalistic quality. Dunked in a bath of dark fluid, sometimes washed away at the shores of Kosmische – VFTL's tunes are not scared to seduce us into a condition of haziness, culminating in a cover of Paolo Conte’s ‚Max’ which is turned into a dazzling sample of sweet, dreamy melancholia. With this release Voices From The Lake succeed again in strengthening their position as one of todays most refined ambient techno producers

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€ 19

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Razen : Postcards From Hereafter - CD (Important, 2023)

Razen's Postcards From Hereafter was recorded using a 17th century organ tuned at 398 Hz (meantone) in a Belgian cathedral erected in 1305. The ensemble explored, with rich results, the organ's strict and limiting tuning with an arrangement that included hurdy gurdy, recorders, chalumeau, violone and nyckelharpa / The pieces on Postcards From Hereafter explore the crossover between this world and the next with improvised spiritual, religious music... / Brussels-based ensemble Razen use the unique timbral and drone characteristics of their chosen string and wind instruments in improvised, instinctive music that mixes pre-industrial, spectral and ethnic dreamtones with trance and medieval mysticism. The group includes Brecht Ameel and Kim Delcour as well as Pieter Lenaerts on 5-string double bass and sarangi, Paul Garriau on hurdy-gurdy, David Poltrock on ondes-Marthenot, Berlinde Deman on serpent and Jean-Philippe Poncin on chalumeau and bass clarinet

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€ 13

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Eve Aboulkheir, Lasse Marhaug : 22/12/2017 Guilin Synthetic Daydream / How to Avoid Ants - LP (Portraits GRM, 2023)

Eve Aboulkheir's »22/12/2017 Guilin Synthetic Daydream« is inspired by an experience of intense perceptive disorientation while crossing a market in China. She thus constructs a dreamlike and artificial universe, suspended and hyperactive, which is both an electronic vortex sucking us in and a mechanical ballet developing its arabesques around us. »How To Avoid Ants«: Using concrète techniques to collect, transform and assemble sounds of various origins (sounds of tree branches, leaves, but also guitars or synthesizers), Lasse Marhaug elaborates a dense and subterranean work, which unfolds through the multiple dimensions induced by the great diversity of its sound material

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€ 19

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Caterina Barbieri : Born Again In The Voltage - LP (Important, 2023)

"One of electronic music's most interesting new voices." FACT / "Born Again In The Voltage" is an astonishing collection of electro-acoustic pieces for Buchla 200 system, cello and voice composed and produced by Caterina Barbieri at Elektronmusikstudion (SE) between 2014 and 2015

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€ 26

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Dafne Vicente-Sandoval, Lars Petter Hagen : Minos Circuit / Transfiguration 4 - LP (Portraits GRM, 2023)

Dafne Vicente-Sandoval's »Minos Circuit« (2021) is the resonance of a double exploration, that of an instrument, the bassoon, and that of a listening, of a gaze, almost. The first exploration deconstructs the instrument, tearing it apart, reducing it to an archipelago of sound bodies stimulated by an electro-acoustic device that generates feedback and infiltrates each part of the bassoon, in order to carry out a methodical, systematic examination. The second exploration is the inner one of attention and listening / Lars Petter Hagen's »Transfiguration 4» is a study of the material of Richard Strauss’s »Metamorfosen«. The piece works on the musical fragment as an expressive and poetic possibility that can be deployed below or beyond simple musical syntax, a syntax that is still too often equated with music itself

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€ 19

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Matt Rösner : Empty, Expanding, Collapsing - CD (Room40, 2023)

Packaged in matte laminate and embossed sleeve, monochrome printing with insert card. Empty, Expanding, Collapsing was recorded in the months after the release of 2021’s No Lasting Form. Whilst No Lasting Form documented a return to the creative process after a long period away, Empty, Expanding, Collapsing comes from a more confident and assured place / At the heart of this record is an upright piano, loaned from a dear friend for safe keeping. Built in the 1898, the piano is heavy, laden with time, a resonant lead sound board and the carefully restored hammers and strings / These pieces started as loose piano improvisations played in the early morning light to be later assembled alongside an array of guitars, electronics, synthesisers and percussion. Whilst the basis of the tracks started as tentative improvisations, the overdubbed parts were very much painstakingly written, rewritten and aged with sounds of the surrounding dune systems seeping through the wafer thin studio walls

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€ 16

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Niko-Matti Ahti : Kaivajaiset - LP (Students Of Decay, 2023)

Students of Decay presents "Kaivajaiset" by Finnish composer Niko-Matti Ahti. Best known for his work alongside his partner Marja as Ahti & Ahti, Niko-Matti has been an active participant in the Finnish underground since the late 1990s. "Kaivajaiset" is his first solo recording and was originally conceived of as an installation. Part horspiel, part musique concrete, it is a piece of music that draws comparisons to the work of pioneering avant-garde composers such as Henning Christiansen, Annea Lockwood, Luc Ferrari, and Pierre Mariétan / Ahti weaves vivid foley and domestic recordings together with oration and classical instrumentation (violin, clarinet, bass clarinet, and flute) to arrive at an expansive, narrative, and at times thrilling composition. “Kaivajaiset" was exhibited in two Finnish galleries: B-Galleria in Turku (2019) and 3H+K in Pori (2020). The installation drew inspiration from The Diggers' 1649 pamphlet and Michel Foucault's extension of Friedrich Nietzsche’s concept of genealogy, and consisted of sounds, opinion pieces, a print copy of the pamphlet, and four cardboard collages. This record is a summary of the sounds of the installation

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€ 22

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Pauline Oliveros : The Well & The Gentle - 2xLP (Important, 2023)

The Well & The Gentle, two of the major works of Pauline Oliveros, are presented here in a first time reissue on double vinyl in a gatefold sleeve with extensive liner notes. If Oliveros had followed a more conventional path she may have, all social obstacles aside, been considered among the major composers of her time. However, Oliveros approached composition in a more egalitarian manner. She wrote music for musicians to interact with or, in the composers words, she wished to create "an inclusive and interdependent and unfolding world of relationships." / Oliveros' propensity towards inclusion is part of what makes this work so remarkably distinctive. The Well & The Gentle is carefully crafted, allowing performers to participate in the creation of the work. Players are asked to collaborate, focus, react and make imaginative choices. Only then can the performers "pass through stages of awakening to the possibilities inherent in making music, working together, leading to the essence of what can shape musical impulses and individual freedom simultaneously." / Unlike most major composers of the era, Oliveros' work focuses on collaboration and improvisation. For Oliveros, the processes involved in making music are as fundamental as the music itself. Oliveros creates, as Arthur Sabatini put it so eloquently in the liner notes, « A world in which sound and the practices entailed in making music merge; become, at once, source and atmosphere, energy and essence, presence and dynamic."

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€ 32

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Entidad Animada : Pruebas De Existencia - LP (Umor Rex, 2023)

Marcos Díaz has been part of Buenos Aires underground for many years, being in projects like Bosques and making solo music under the pseudonym Entidad Animada (animated entity). Under this project, Marcos has explored sounds that involve a mix of feedback/distortion through synthesizers, guitars and drum machines that hint at the influence of Stereolab, Spacemen 3, and mid-nineties shoegaze. However, there are also ambient soundscapes with a slight rubbed of the ritualistic psychedelia of the Popol Vuh / The display of colours in his music comes together in the midst of a playful, relaxed and optimistic environment that is simultaneously melancholic. Because of the nature of those pieces, but also because in Entidad Animada there is also space for collage sounds that blend randomly with textures of a primitive analog sound, which inevitably causes a paradox between what is alive and what is inert. And it is because Entidad Animada is precisely that, a spectrum or a vision, a ghost. And these sounds are proof of his existence / Pruebas de existencia (proofs of existence) is a collection of recordings that Marcos has made in recent years and that we have selected for this album, his first work on Umor Rex. A couple of these pieces were only released digitally, while the others have been on ltd cassette editions through Fuego Amigo Discos in Argentina. Pruebas de existencia is an Umor Rex compilation and remastered edition

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€ 22

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Raul Lovisoni, Francesco Messina : Prati Bagnati Del Monte Analogo - LP (Superior Viaduct, 2018)

Of all the releases on Italy's legendary Cramps Records, Raul Lovisoni and Francesco Messina's seminal LP from 1979 has long remained among the most beloved. Prati Bagnati Del Monte Analogo not only introduced the world to the work of two gifted composers, but also is notable for being produced by electronic pioneer Franco Battiato. A sister album to Prati Bagnati would be Giusto Pio's breathtaking Motore Immobile, likewise graced with the maestro's gentle hand around the same time / Lovisoni and Messina are both central figures within the Italian avant-garde. Part of a generation of artists who contributed to a radical rethinking of musical practices and composition, they reveal Minimalism as it's rarely known: delicate melodies, subtle harmonic interplay, incorporating diverse creative traditions and slowly giving way to an ever-expanding open space / Prati Bagnati Del Monte Analogo's meditative title track, inspired by René Daumal's surrealist novel Le Mont Analogue, features Messina on synthesizer and Michele Fedrigotti's impressionistic piano, while on Lovisoni's "Hula Om" and "Amon Ra," solo harp, crystal glasses and Juri Camisasca's radiant vocal drones further ascend into the stratosphere. Skirting the outer edges of ambient, new age and experimental music, Prati Bagnati has a transformative beauty unlike anything else. Superior Viaduct's edition reproduces the original sleeve design and is recommended for fans of Jon Hassell, Luciano Cilio and Popol Vuh

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€ 22

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Jilk : Syrup House - LP (Castles in Space, 2023)

Black and Amber pressing. Jilk are a UK based collective of musicians, fusing a bewildering collage of home-found sounds with the ambient soundscapes of washy synths, exquisite strings, insect-like clicks and cuts, and huge gorgeous waves of all encompassing experimental noise. Collaboration and open minded exploration are at the centre of all that they do / Haunted Bedrooms established the Jilk sound with a clash of cascading chamber instruments meeting brittle electronics and experimental noise. Frequently quiet and emotional but also edged with spikes and sharp teeth. On Syrup House, however, the collective dig out a much smoother and sweeter sound. And while ‘expect the unexpected’ should still be your guiding principle, here you can dive deep into luscious droning textures and swelling orchestration which sits alongside the warmth of analogue house and techno / A series of church based improvisations are reworked into clockwork symphonies of clattering percussion and driving, joyous synth workouts. Vocals are much more present in the Syrup House, as Jilk draws from ethereal dream pop motifs while deconstructing traditional song structures into warm blankets of cloudy dynamics. Syrup House follows a loose narrative about a magic-realist night club that appears and disappears at will. Inside, a labyrinthine interior contains corridors of ecstatic love and self realisation. Ultimately, during testing times, it is compassion that will prevail and Syrup House is where that compassion goes to dance away the blues

€ 26

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Paul Cousins : Vanishing Artefacts - LP (Castles in Space, 2023)

Bone white vinyl. This debut album is the work of London based producer, sound artist and composer, Paul Cousins. Paul works with meticulously maintained reel to reel tape machines to transform and alter his electronic compositions. His prepared tape loops form the basis of ‘Vanishing Artefacts’ 12 intricate compositions. The original ideas processed through 1/4” tape become a hazy facsimile of their former state as tape is manipulated and effected to mould something new / “A question I returned to whilst creating this album was: what if audio imperfections were lost forever? As recording technology continually improves, the limitations of audio formats are less of a concern. But there is character and great freedom in limitations, especially when using tape. Being able to physically touch and manipulate the sound is a very important and visceral part of this process. Opposed to other ambient music I have written, I want this music to be tactile, and very tangible. Yes it can float away, but I also want to show the string tied to the balloon. For this reason many of the tracks contain the sound of the room, and the wonderful noises these machines make."

€ 26

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Waclaw Zimpel : Train Spotter - LP (The state51 Conspiracy, 2023)

In the seven years since the release of his debut solo album, ‘Lines’, Waclaw Zimpel has developed from his idiosyncratic approach to jazz to growing into a potent and inventive force in the field of electronic music. ‘Train Spotter’ was created for a specific brief from The City of Warsaw: to capture the Sound of the City of Warsaw. But, as Zimpel soon found out, the sounds of a city don’t exist in isolation; they’re part of a wider environment that is itself undergoing upheaval against a background of internal and external forces / “Train Spotter is about my experience of a city that recently went through a pandemic, endless anti-government demonstrations against human rights violations against women’s right to choose and the LGBTQ community, as well as waves of war refugees from Ukraine and the extraordinary solidarity of people willing to help and unite across political divides to help others in need.” / Spread over six tracks, the manipulated samples are blended with Zimpel’s own electronic production flourishes and playing to create a seamless blend that’s uniquely his. Recording a variety of mechanised and repetitive sounds including tramlines, baggage carousels and bouncing basketballs in municipal parks among many other found sources, Zimpel fed the results through a host electronic equipment including synthesisers, keyboards and plug-ins. For all its production methods, ‘Train Spotter’ bears an organic warmth that reflects the city that inspired it. But what also adds to the sonic intrigue is a rise in intensity within each of the individual tracks that themselves become ever more forceful as the album continues. The track 'Train Spotter' is a version of composition that Zimpel originally composed for the contemporary dance performance "Motions of Revolution" co-created with choreographer and dancer Maria Zimpel and playwright Sara Kaluzna

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€ 26

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De Leon : De Leon - LP (Mana, 2018)

De Leon returns to Mana, following their 2018 LP, offering a suite of new material that adds further waypoints to the map of their cryptic soundworld, deepening and expanding the direction of travel they began within the Aught collective. The dual legacies of Javanese gamelan and minimalist composition remain clear touchstones on this second, untitled album, which employs architectures of repetition and microtonality and evokes the musical heritage of the Bay Area whilst folding in the arid landscapes of Tucson, Arizona, where its compositions were conceived in part / Featuring a broad vocabulary of source material, notably Daniel Schmidt’s gamelan at Mills College and the spherical gongs on the album’s cover, combined with a homespun collection of prepared instruments and faint vapours of synthesis, De Leon crafts a distinct signature sound that evades alignment with conventions of academic composition and contemporary electronica but nods to both as it carves out its unique direction of travel / This album inscribes itself into a tradition of works that enable listeners to perceive deeper valences of time and psychedelic aesthetics of scale. Percussion and metallophones fluctuate within the virtual space of the recording and the sounds avoid stasis, rather undulating restlessly or flickering in and out of perception in a manner consistent with the mercurial sensibilities of their early De Leon recordings

€ 26

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CS + Kreme : Orange - 2xLP (The Trilogy Tapes, 2023)

Snoopy is hard to follow up. The same brilliant musicality is lavished on Orange — a combination of unmistakably original, skittering drum programming, startlingly fresh instrumental interjections, creepily invocatory voices, and dubwise treatments — giddily imbued with the dark arts of ritual and seance. But Orange is more gripping, focussed and urgent, more intense and ambitious. Next level / Similarly Storm Rips Banana Tree begins idyllically enough, with a CS-&-Kreme-style raga… before something like an immense, obliterative drill starts up. Harpsichord and organ — by James Rushford — and flutes, and clapping, distant chanting and insectile percussion steadily leaven the dread, till finally all that is left is lapping water. It’s an epic, deeply immersive, compelling, thought-provoking, twenty-minute finale… the coup de grâce

€ 35

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Järnakollektivet : Järnakollektivet - LP (Private, 2023)

Privately pressed album from the mysterious Järnakollektivet that follows up a series of cassettes released during 2022. Strangely addictive and meditative burned out freedom folk for troubled times. White label LP with handmade sleeves using old record jackets (expect some flaws) and a few inserts, edition of 200 copies

€ 29

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Eyes of the Amaryllis : Lunchtime On Earth - 7" (I Dischi Del Barone, 2023)

Four new tracks from Philadelphia's Eyes of the Amaryllis recorded in 2021-2022. Following up their debut album Sift released on Horn of Plenty in 2022, the group continues in the same path with their intimate, earthly and very much homespun music. The sublime title track almost resembles a folky Dadamah while some of the other songs are somewhat looser compositions. Eyes of the Amaryllis consists of Goda Trakumaite, Esther Scanlund, Jesse Dewlow and Jim Strong. 45rpm. Mastered by Lasse Marhaug /

€ 13

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Boards of Canada : Music Has The Right To Children - 2xLP (Warp, Skam, 2021)

Repress. ‘Music Has the Right To Children’ arrived in 1998 as a joint release from Warp and the burgeoning Skam imprint, and proved a seminal release which helped define Warp’s place in electronic music’s hall of fame, and gained the introspective, mysterious sounds of duo Boards of Canada a powerful cult following. The album created a strange influence in its singular combination of hip-hop rhythms and more nostalgic elements drawn from a mid- 20th century electronic culture that was distinctly British / ‘One Very Important Thought’ resurrected the voice of an automated documentary narrator to remind one of the prevalence of censorship in contemporary culture over distant meandering synths in a way that was bizarrely nostalgic yet of no time at all, while ‘Smokes Quantity’ reigns the same archive voices onto chugging beats to hallucinatory effect / It is, however, cuts like ‘Roygbiv’ and ‘Pete Standing Alone’ which remain the reason why the album remains a cornerstone for countless musicians today, where naïve synth lines and crunching hip-hop beats manage to induce the listener to a state at once pastoral and urban, recalling the past while avoiding mere replication of it. ‘Music Has the Right To Children’ offers as rich and mind-boggling a listen now as when it was released a decade and a half previously, and one cannot comprehend the landscape of contemporary electronic culture without it

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€ 25

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Boards of Canada : Campfire Headphase - 2xLP (Warp, Music70, 2013)

Responding to popular demand, Warp Records is repressing its seminal Boards of Canada catalogue on vinyl for the first time in over five years. Each Warp reissue comes with a download code and an original BOC sticker design from the era / In 2005, Boards of Canada released their third studio album, titled The Campfire Headphase. Perhaps the most organic of their publicly available output, The Campfire Headphase represents a significant departure both in mood and timbre from its predecessor, Geogaddi. "We decided to make an escapist soundtrack," Michael Sandison said in a 2005 Playlouder interview, "like a kind of sanctuary; a day-glo vista you can visit by putting the record on." / In place of the dense and highly electronic nature of Geogaddi, The Campfire Headphase favors a more stripped-down, acoustic approach, with a significantly reduced use of synthesizers. As Marcus pointed out to Playlouder magazine: "There's less use of synths on this record. We've leaned heavily towards a whole 'played, taped and sampled' backdrop this time. I guess sampling for us is different from a lot of other bands, because we routinely sample ourselves rather than other records, so most of the sound generation is coming from real instruments that we played ourselves, mostly recorded with microphones, and a lot of location recording. What you hear on the record is kind of a wall of sound created by sampling as many gnarled acoustic sources [as] we could find."

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€ 29

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Boards of Canada : Tomorrow's Harvest - 2xLP (Music70, Warp, 2013)

Tomorrow's Harvest is the fourth studio album by the Scottish electronic music duo Boards of Canada, released on 5 June 2013 on Warp. Band members Mike Sandison and Marcus Eoin began composing and recording the album following the release of The Campfire Headphase (2005) and the expansion of their studio at Hexagon Sun near the Pentland Hills. The duo continued recording intermittently until late 2012, when large parts of the album were recorded. Influenced by film soundtracks from the 1970s, Tomorrow's Harvest features a more menacing and foreboding tone than the group’s previous works

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Placebo : Ball Of Eyes - LP (Music On Vinyl, 2018)

Placebo's debut LP "Ball of Eyes" is a remarkably focused Soul Jazz record, without the experimentation or Free Jazz moments which were still in vogue during the first half of the '70s. Excellent covers of Marvin Gaye's "Inner City Blues" and Sam & Dave's "You Got Me Hummin'" as well as his own compositions make "Ball of Eyes" a perfect example of the genius of Marc Moulin and his incredible band / Marc Moulin (1942 - 2008) was a Belgian musician and journalist. In the early '70s, he was the leader of the Jazz-Rock group Placebo. Moulin was one of Belgium's jazz legends, making jazz-influenced records for over 30 years. Marc Moulin's three Placebo albums are the 'Holy Grail' for the rare groove crowd, a sector of music fans who love that unique '70s style of cool

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€ 23

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Various Artists : Blacklips Bar - 2xLP (Anthology Recordings, 2023)

Blacklips Bar: Androgyns and Deviants — Industrial Romance for Bruised and Battered Angels, 1992–1995 is a compilation combining original recordings and select DJ tracks from the vaults of Blacklips Performance Cult, a collective of underground performers, artists and drag queens who took to NYC’s Pyramid Club stage every Monday night at 1 am to perform original plays. The broad spectrum of emotional expression, ferocity, humor and transgression evident in these collected recordings are a further indication of the group’s oeuvre / In 1992, ANOHNI founded Blacklips Performance Cult with collaborators Johanna Constantine and Psychotic Eve. Originally intended as a cabaret and DJ night, the constellation of people drawn to Blacklips soon melded into a late night ensemble in which members took turns writing scripts that were then performed by the group. Blacklips continued a tradition of urban queer subcultural resistance embodied within the writings of Jean Genet, John Rechy, and the post-punk feminist Terence Sellers. Inspired by Lotte Lenya, Candy Darling, and Leigh Bowery, Greta Garbo and Sister Dimension, performers took the stage primarily to entertain and address each other, while entertaining late-night thrill seekers

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€ 39

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Operating Theatre : Spring Is Coming With A Strawberry In The Mouth / Rapid Eye Movements - 2xLP (AllChival, 2023)

Presenting our second look at the music of Roger Doyle and Operating Theatre, a little known proto synth-pop act and experimental theatre group that he led, what you have here is a remastered and repackaged collection of two very different sides of this project. In reverse chronological order the second disc contains music from the United Dairies release of 1979 – ‘Rapid Eye Movements’. Experimental tape work heavily influenced by the French school of music concretists and recorded at various points during the 70s in Finland, Holland and Ireland, although it is most certainly a Roger Doyle solo record the label ran by Nurses With Wounds John Fothergill decided to release it under the group name for reasons now lost to the fog of time / After this a volte-face towards a more accessible sound, coming via his friendship with future Hollywood actress Olwen Fouéré and her connection to the theatre. It also featured the vocals of a young Spanish immigrant Elena López- bucking the 80’s trend by moving to, rather than, from Dublin. With Fouéré adding the theatrical element to the group (an almost essential part of any early 80s synth act) alongside pulsing synths, brass, a vocoder and the electro acoustic production talents of Doyle himself, it was the first time a Fairlight sampler was used in an Irish studio setting and gives a prescient but alternative take on the new wave sound that came to dominate the charts soon after

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€ 22

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The New Blockaders : Etudes De Rien - LP (Coherent States, 2023)

Black vinyl. The New Blockaders are unique in the history of music and art. What, in our opinion, stands supreme in TNB’s 40-year existence is a passionate execution of their anarchistic and unconventional stance. In a biographical reference, TNB are often cited as pioneers of Noise music but for TNB themselves Noise music is not just an assault on tonality but a complex language of communication / From Luigi Russolo's 1913 Art Of Noise manifesto to TNB’s T.I.C. manifesto of 1982 and their updated Anti-Manifesto of 2014. From the unrest of Harold Bloom's "The Anxiety Of Influence" to a proverbial ease of expression alongside the fixed points of reference of the artistic world. From Fluxus and modern composition to industrial transcendence. From the fragments of Iannis Xenakis’ "Bohor" to their own unique sound. From music to anti-music, from the production of art to its rejection. From "Changez Les Blockeurs" to "Etudes De Rien" / Coherent States is proud to announce the release of TNB’s "Etudes De Rien" (Studies Of Nothing) comprising two 18-minute tracks in which we experience an inconvenient and sultry representation of the continuity of TNB's sound: rudimentary composition, improvisation, clanging metal, violent grinding, disorientating noise and electronic manipulation, everything at the threshold of collapse. An apocalyptic factory hysteria. Industrial music in the true sense of the word and the reason why The New Blockaders can genuinely be called pioneers

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€ 25

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Michael O'Shea : Michael O'Shea - LP (AllChival, 2023)

Having sold his instruments to fund a nomadic 1970s lifestyle, eccentric Irish experimentalist Michael O’Shea was forced to create his own handmade answer to the sitars and zelochords he’d become accustomed to playing on his travels around the globe. Using an old door, 17 strings, chopsticks and combining them with phasers, echo units and amplification, the new device was to become his signature sound, mixing Irish folk influences with Asian and North African sounds in a mesmerising and soulful new way that brought him to the attention of the leading improvisers of his day – Alice Coltrane, Ravi Shankar, Don Cherry and more. Out via AllChival

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€ 19

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Tolerance : Divin - 2x12" (Mesh-Key, 2023)

Audiophile pressing (45 RPM). Packaged in a deluxe, gatefold Stoughton tip-on jacket. Hi-res download included. Junko Tange’s second and final album - a minimalistic, phantasmagoric masterpiece of distant, dreamlike voices woven through pulsating, dubbed-out drum machines, synths and static, originally issued by Osaka’s Vanity Records in 1981. Did this unassuming dental student (who vanished from the music world following this release) inadvertently invent dub techno? You be the judge. Label head Yuzuru Agi said this was his favorite Vanity release, and it’s not hard to see why. Remastered by Stephan Mathieu from new transfers of the original analog tapes, this fully authorized 2LP is the definitive edition of this landmark electronic work

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€ 32

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Picture Music : Picture Music - LP (Left Ear, 2022)

Concocted in a share house in the South of Brisbane in the mid-80s, a small collective of well-acquainted musicians including Jon Anderson, Rainer Guth, Gary McFeat & Rod Owen gathered to compose film soundtracks, music for pictures, therefore ‘Picture Music’. To this end, a ‘spec’ tape of Picture Music recordings would be produced to give to potential clients and or sold to local stores. A distinct album comprising a collection of ambient, minimal-jazz and experimental music / If there is a red thread running through the Picture Music album, it is its "late night" ambience. The wrath of the sub-tropical summer heat of Brisbane is not kind on electronic equipment, which would crash regularly by day. So, all recording was done in the relative cool of the late evening, in a room only dimly lit by lamp and candle. The Picture Music collective would make music and party all through the night, departing around sunrise. They would sleep through the heat of the day, only to return in the evening for more of the same / This 2021 reissue of their self-titled 1987 cassette, was taken from the original master tapes and remains an evocative representation of the music that resulted from the late-night, dimly-lit, atmospheric-enabled environment, that sparked the creativity of a group of like-minded friends in a tiny corner of Brisbane. Dedicated to the memory Rainer Guth

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€ 26

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The Kyoto Connection : Postcards - LP (Temples Of Jura, 2023)

The original environmental album from the Kyoto Connection available on Vinyl for the very first time. The album was composed, produced and recorded by Argentinian producer Facundo Arena over the course of one month in early 2018. A self trained musician and digital synths enthusiast, for this project Facundo wanted to move out of his comfort zone and compose the album purely using plugins and sequencing software on his iPad, running the songs directly onto tape, in this case his trusted 1978 Akai GXC-70D tape recorder / Why an iPad? Facundo explains “In the 1980’s Japanese ambient producers experimented with hardware sequencers and computer sequencers on the Atari ST. Today thanks to IOS apps like Samplr, Korg Gadget and Fugue Machine it’s possible to experiment like the old days with new ways of composing and recording. Each track was recorded live into the Akai, so there were many takes to get the right result with each take recorded on the same cassette (recorded and erased over and over again) which helped to achieve an ‘old tape saturation’ effect” / The image for the album is taken from an old original 1960’s Japanese postcard featuring the famous Arashishama Bridge. The album is pressed on heavyweight 180 Gram Vinyl with sleeve design by Bradley Pinkerton

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€ 19

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The New Blockaders : Etudes De Rien - LP (Coherent States, 2023)

Crystal clear vinyl. The New Blockaders are unique in the history of music and art. What, in our opinion, stands supreme in TNB’s 40-year existence is a passionate execution of their anarchistic and unconventional stance. In a biographical reference, TNB are often cited as pioneers of Noise music but for TNB themselves Noise music is not just an assault on tonality but a complex language of communication / From Luigi Russolo's 1913 Art Of Noise manifesto to TNB’s T.I.C. manifesto of 1982 and their updated Anti-Manifesto of 2014. From the unrest of Harold Bloom's "The Anxiety Of Influence" to a proverbial ease of expression alongside the fixed points of reference of the artistic world. From Fluxus and modern composition to industrial transcendence. From the fragments of Iannis Xenakis’ "Bohor" to their own unique sound. From music to anti-music, from the production of art to its rejection. From "Changez Les Blockeurs" to "Etudes De Rien" / Coherent States is proud to announce the release of TNB’s "Etudes De Rien" (Studies Of Nothing) comprising two 18-minute tracks in which we experience an inconvenient and sultry representation of the continuity of TNB's sound: rudimentary composition, improvisation, clanging metal, violent grinding, disorientating noise and electronic manipulation, everything at the threshold of collapse. An apocalyptic factory hysteria. Industrial music in the true sense of the word and the reason why The New Blockaders can genuinely be called pioneers

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Ramzi : Hyphea - LP (Music From Memory, 2022)

Music From Memory are excited to present 'hyphea', a new album by Montreal based artist Phoebé Guillemot aka RAMZi. Featuring ten mind-melting tracks ‘hyphae’ is RAMZi’s latest sonic quest and is based around sketches she originally made as a score for a documentary about mushrooms called 'Fun Fungi' (directed by Frederic Lavoie) / Recorded between November 2021 and May 2022, writing 'hyphea' began as an attempt to transcend boredom and frustrations imposed by severe restrictions during the pandemic. For Phoebé the album was a way to reconnect with her alter ego RAMZi; who's energy brought her back to uniquely mystical feelings and hope for future magical adventures / RAMZi is a wild spirit from the forest and refers to a parallel autonomous world that keeps evolving. In Phoebé’s own words: “The music remains as a doorway to that world. It has never been about me, I always see that entity bigger than myself. The process of writing 'hyphea' was rather intuitive. I don’t think about styles of music before producing tracks. Those are more like an adventure in itself, each one set in a different ecosystem.”

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Big Daddy : Bomb Culture - LP (Offen Music, 2023)

Big Daddy are Simon Crab and Fritz Catlin. Two luminaries who left deep marks in the universe of Offen with their bands (Bourbonese Qualk, 23 Skidoo) and musicianship in Current 93 and Laibach to name a few. Debut “Bomb Culture” couldn’t have arrived at the better moment. Full of knowledge, wit, deepness and skills, it’s an album that will be what you want it to be. Enjoy!

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Tolerance : Anonym - LP (Mesh-Key, 2023)

Packaged in an old school, tip-on sleeve. Includes hi-res digital download. Legendary debut album by Junko Tange (mystery woman who showed up on the NWW list), originally issued by Osaka’s Vanity Records in 1979. Dadaesque recitations and sparse guitar, piano and electronic meanderings combine for a beguiling, hypnotic dreamworld. Officially licensed from the custodians of Yuzuru Agi's Vanity Records archives, this edition has been fully remastered from new transfers of the original analog tapes by Stephan Mathieu

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Jean-Noel Rebilly, Andrew Chalk : Tsilla - CD (An'archives, 2023)

Comes in a mini handmade gatefold jacket. On Tsilla, Jean-Noël Rebilly and Andrew Chalk pay homage to the late French writer and engraver Cécile Reims. While she may be best known as interpretative engraver for surrealist artist Hans Bellmer, and she also worked with Leonor Fini and briefly for Salvador Dali, Reims’ most powerful and enduring works were made either in collaboration with her husband, the writer and artist Fred Deux (who signed their collaborative work “cf deux”), or by herself / Later works by Reims, like the L’Elan Vitale suite, or the Histoires Naturelles series, manifest denuded, obliterated landscapes; spiralling abstractions; engravings that shiver with an unearthly radiance, where etchings of great intricacy hint at intimacy and the velocity of rapture, before opening out to aching empty spaces. The music on Tsilla is similarly evocative, a tender weaving of emotional complexity carved with the hand-held and simple tools of artisans. Much like Reims, Rebilly and Chalk enact a similar transfiguration of base materials. For Reims, natural order is made “more sinuous and curious through the rounded flow of her graver,” Kate McCrickard once noted. For Rebilly and Chalk, these seven pieces, cast under the shadow of a great artist, inhabit that sinuousness, and tease out the eternal flow of tone

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Andrew Chalk : Dreams - CD (Faraway Press, 2023)

Comes in a mini handmade gatefold jacket. Dreams, subtitled Scenes I-XV, captures imaginary scenes and sequenced into a full album of 52 minutes length at Impression Lointaine. Dreams being archaic and unpredictable in its composition, such as dreams themselves that make little sense upon waking and assembled using time limited constraints. And while immersed, and in privacy, form a thread of personal communication like a nostalgic memory-a painting of which we inhabit ourselves

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Francis Plagne, Andrew Chalk : Painter's Family - CD (Mould Museum, 2023)

Comes in a mini handmade gatefold jacket. The Painter’s Family is the first duo release from Andrew Chalk and Francis Plagne, recorded intermittently, both together and apart, over eight years, in Hull, Melbourne and various places in Japan. Eight pages from the sketchbook, sequenced into two languorous side-long suites. Mastered by Joe Talia

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Puce Moment : Epic Ellipses - LP (Sub Rosa, 2023)

Puce Moment is part of the French contemporary music scene. Their music is climatic, often inhabited by a strong emotional power. A procession of harmonic structures organized in a ritual way, sometimes close to trance. It can be written or improvised, vocal or instrumental. The electronic and electroacoustic arrangements summon new spaces and abstract landscapes, which can go from the purest sound to the most raw distortions. Vast, slower, deeper - distant echoes of half-faded things - and when we are lost, voices appear. Voices whose only reference would be the timeless SeeFeel / Nicolas Devos and Pénélope Michel are visual and sound artists, one trained at the Beaux-Arts and the Fresnoy studio national des arts contemporains and the other a classically trained cellist, singer and multiinstrumentalist. They created Puce Moment, envisaged as a sound research laboratory open to experimentation, to multi-disciplinary encounters and to decompartmentalization. Their work is akin to a fictional ethnology expressed through protean projects and mutant visual, sound and musical creations. Epic Ellipses is their 4th album / They have composed the original soundtracks of more than a dozen dance performance, fiction or documentary films, virtual reality in variable formats (Christian Rizzo, Mylène Benoit, Vania Vaneau, Benjamin Nuel, Laurent Pernot, Carolina Gonçalves). Or in the form of film-concerts including David Lynch's cult film 'Eraserhead' with which they have toured intensively since 2012 in France and Europe, and since 2019 'Koyaanisqatsi', the cult experimental documentary by Godfrey Reggio

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€ 14

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Dedalus Ensemble : Performing Brian Eno: Discreet Music / Music for Airports / Thursday Afternoon - 2xLP (Sub Rosa, 2023)

"With Discreet Music (1975), Music for Airports (1978) and Thursday Afternoon (1985), Brian Eno invented a new music genre, Ambient Music, which he defined as "able to accommodate many levels of listening attention without enforcing one in particular; it must be as ignorable as it is interesting." / These versions performed and arranged by Dedalus Ensemble, according to the musicians and the critics who listened to it, goes beyond what we expect from it. A mental base that takes us far away. One of the only music without beginning or end in which we want to stay as long as possible / Inspired by Erik Satie's furniture music, Cage's indeterminacy and La Monte Young's drones, Eno's series of compositions were based on strict formal protocols bringing the listener into an enthralling world of sounds."

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€ 22

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Domotic : Palazzo - LP (Un Je-Ne-Sais-Quoi, 2023)

Domotic - the alias used by musician Stéphane Laporte - composed and mixed this new album, Palazzo, at the invitation of Ina GRM, and it is a wonderful addition to a career full of projects and numerous releases. Recorded with his favorite analog synth, the SH01, his four-track MT4X and a Copicat tape echo unit, this electronic piece was subsequently mixed in binaural and stereo / Palazzo is a bedazzled dreamful walk along which Domotic gleans pictures, snapshots, stories and materials, which he connects like a film maker. The narration is tortuous, as if it were to reveal his course, his thoughts behind each sound, each breath, each step. First of all the mineral, the gait, the rhythm go with the aleatory; a singing bird, a rustling forest building the space and making everything imperceptible to the ear / Then the sources mix up in a controlled swarm like so many contemplation cycles, ever-evolving worlds. And always coming up in the way: worrying beats, the body that stiffens. The changing environment brings our senses to a boil. Domotic liberates, reroutes and recreates himself in his melodies. Eventually his intentions become clear in more resonant buildups: he turns into an architect. Like the final level in a video game, his Palazzo always presents you with more mysteries. From the grandiose geometry of clammy rooms to the elegant minimalism with which mirror games and reflections deform space, from tiny nooks to big ballrooms, the trajectory is deceitfully old-fashioned. Each new perspective is unsettling, each glimpse gives a new twist to reality. The limp develops and disappears, the design shows, bright and clear, and the Palazzo reveals itself to be once more luxuriant, spacious, gleaming and lyrical

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€ 18

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Tachycardie : Probables - LP (Un Je-Ne-Sais-Quoi, 2019)

On his first solo LP, Jean-Baptiste Geoffroy (the spectacular drummer of Pneu, Binidu, la Colonie de vacances among many other projects) explores a feild between contemporary music, minimalism and sound art / The first sidelong piece "1000 Fois Bonjour Depuis Le Vignemale" has been written to be played and recorded by a 17 musician orchestra. The three other pieces, also instrumentals, have been recorded solo by JB in a few days using an extremely versatile instrumentarium: motorized percussions, struck objects, oyster shells, field recordings, synthesizers, among others / Tachycardie gives the artist the scope to explore the acoustics of the world and its objects, to realize the infinitude of their possibilities, to sift through such possibilities and to offer up the gems that he finds glinting in the mesh.In 2019, Geoffroy released Tachycardie’s debut album, Probables (Un je-ne -sais-quoi 2019). A record of unprecedented richness, sumptuously produced by Brice Kartmann, it also served to launch Tachycardie on stage, both solo and as a group. For the Tachycardie Ensemble, Geoffroy is accompanied by six musicians, and for each phase of his tour, he invites between five and ten others to join him live. Tachycardie can also take the form of autonomous plastic and sound installations

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Eddie Ladoire, Pierre Bastien : Phantoms - LP (Un Je-Ne-Sais-Quoi, 2017)

Eddie Ladoire, composer and plastic artist, meets Pierre Bastien, an emblematic figure of the french experimental music scene to compose the soundtrack of an original choregraphy made of edited old movies of dancers from all times and spaces / The composer and visual artist Pierre Bastien celebrated for more of 40 years of musical and poetic inventions teamed up in 2013 with Eddie Ladoire, a musician and artist working on sound installations and soundscapes to create a show around Dance : “Phantoms”.The aim with “Phantoms” was to edit and loop old movies of dancers from all times and spaces (from African tribal dances to Frères Lumières experiments) to create an original choregraphy accompanying the music played live by the two musicians / Pierre Bastien’s distinctive sound made of motors, meccano sculptures, home-made cylinder synth, hijacked turntable and unlikely trumpet meets the keyboards and electronics of Eddie Ladoire playing alternately hectic improvisations, dark drones and light melodies. They offer us the perfect soundtrack of a Phantoms choregraphy featuring limping dancers, looped skeletons, flying Russians, ancestral rituals...

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Aviva Endean : Moths & Stars - CD (Room40, 2022)

Matte laminate and embossed sleeve, monochrome printing with insert card. Coming from a background as a performer and clarinet player, the opportunity to record my own music opened up a whole new context to think about music. Sounds are freed from being confined to one place, one time, or even one perspective. I wanted the recording to have a right-up-in-your-ear kind of intimacy - so close, that you could hear the beating of a moth’s wing, but I also wanted the listener to experience the expansiveness of the recorded space, like the vast night sky / The microphones became extensions of my instruments, getting right up close to capture the microscopic, creating tones of feedback which captivated me, or zooming out to capture multiple acoustic spaces. My recording and composing process became more intuitive and explorative, another form of play. I could start creating and see where the piece would take me, and notice how new relationships were formed as I folded multiple time/spaces in and over each other / Sometimes I would begin by gleaning sounds from my archives, and listening to how they could be reimagined and transformed alongside the discoveries my microphones and instruments were finding. In ‘Nightwork’ I wanted to find a way to revisit some microtonal humming that I had recorded for a sound design project, and then discovered the Leslie speaker as a way to spin my bass clarinet sound around the microphones, creating bass tones emerging as waves out of the densely layered pitches. Sometimes a new instrumental fascination, such as the e-bows and magnets on ‘Mirror Signals’ or the binaural microphone feedback on ‘Moths & Stars’ would call for me to find further layers of clarinets and field recordings to be woven into their story

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Martin Dupont : Kintsugi - LP (Meidosem, 2023)

In collaboration with Meidosem and Infrastition, Minimal Wave proudly presents Kintsugi, a new album by the highly lauded French group Martin Dupont. The album features lush re-works of their old songs, originally released on their highly sought-after 1980s albums. The French band is known for making beautiful, heady electronic, with striking, poetic vocals / A hard-to-classify group from Marseille with a cult following and some mainstream success, Martin Dupont has inspired some of the luminaries of the contemporary music scene crossing many genres from trip-hop to electro to techno. Kintsugi reassembles their old spirit that is colorful, enthusiastic, and delicate, yet also melancholy and mysterious. A mixture of hot and cold, light and dark. Martin Dupont’s music is considered electronic though they also incorporate guitars and clarinets. They are described by many as New Wave, though their music truly transcends genres. Listen to Kintsugi, a collection of Martin Dupont’s emotive songs that have now been reinvigorated with a larger-than-life presence

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€ 25

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Philipp Hager, Joseph Kaputt : Franconian Primitiv - MC (Otomatik Muziek, 2023)

Hager/Kaputt are Philipp Hager (Zement) and Franz Joseph Kaputt (DRNTTCKS). After their last album "Zentralcafé 3:35", which they recorded as a site-specific improvisation in the Zentralcafé of the K4 Nuremnberg shortly before it was closed, they met several times at the height of the pandemic in 2021 to explore hidden city gardens, gather in the forests around Nuremberg or public places to record their next album / The result, "Franconia Primitive", will be released on Otomatik Muziek in March and shows the duo on their way to ever greater reduction - acoustic instruments such as saxophone and steel-string guitar are the focus of the songs, which range between modal improvisations, dubbed repetition and a translation of Appalachian folk traditions. "Franconia Primitive" promises to be an immersive and deeply moving listening experience, showcasing the unique creative chemistry of Hager/Kaputt

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€ 12

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K. Leimer : Luyu - LP (Palace Of Lights, 2023)

Clear vinyl. “These things happen,” says K. Leimer of LUYU. Listen Until You Understand is a test drive through an obstacle course designed for new instruments, arrangements, juxtapositions, and real-time experiments dedicated to leaving the original impulses untouched and unadorned. Joined at times by digital percussionist Dolphie Stein, the music throws itself against itself without loyalty to genre or form, mashing granular particles into a tremulous spectrum of soundwalls, transitions, noise, distortions, and the occasional clearing. As close to live improvisation as one can get in a multitrack studio setting, LUYU takes generative techniques and drops them into short-form events by building its soundstage in thickets of shifting elements, collapsing phrases, broken signatures, and implied patterns. An outlier in Leimer’s catalog of general stillness and subtle detail, LUYU revels in the bare sound of things usually hidden in the mix / Kerry Leimer founded Palace Of Lights in 1979. Leimer’s work has also been issued by Abstrakce, Autumn, First Terrace, Les Giants, Invisible Inc., Origin Peoples and RVNG. His work is included in the Cherry Red Noise Floor compilation series and his early cassette work is featured in the critically acclaimed VOD box set American Cassette Culture. Leimer has been actively producing music since the mid 1970s—his current catalog includes twenty solo albums plus collaborative albums with Savant, Marc Barreca, and Three Point Circle. Recent soundtracks include work for video artists Cristiane Bouger and Fred Birchman, HBO’s How To With John Wilson and the Netflix documentary John Was Trying to Contact Aliens. His work is included in the collection of The British Library

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Johanna Orellana : Las Camelias, Tres Esquinas - LP (Smalltown Supersound, 2023)

White vinyl. Las Camelias, Tres Esquinas is the debut album by Norwegian-Chilean flautist and composer Johanna Orellana for the Oslo-based electronic and experimental music imprint, Smalltown Supersound. It is a collection of intimate electroacoustic compositions, flute improvisations and field recordings, augmented by the production and recording techniques of fellow Smalltown alum Carmen Villain. However, Las Camelias is also a solemn and deeply personal eulogy to Orellana’s recently deceased father, a Chilean political dissident, who escaped to Norway in the 1970s / Over five tracks, bookended by two long-form arrangements, Orellana combines a range of flutes (bass, alto and regular C-flute) with audio sourced from film recordings made by her sister in their father’s Andean garden, where he returned to shortly before his death. Carmen Villain’s close miking techniques and subtle electronic post-production create space for Orellana to dive deep into both the flutes’ dynamic capacity for rhythm and melodic repetition, as well as the meta-musical sounds usually excluded from recordings of the instrument: parting lips, deep inhalation, hand movement, finger placement, tapping, exhalation, and a range of overtones whistling, humming and screeching louder than the note generated / Occasionally, multiple flute tracks are combined and panned wide into a series of evolving sonic tapestries that recall various folk flute traditions, as well Maggie Payne, early Kraftwerk’s kosmische flute experimentation, the free improvisation of Don Cherry, or the subtle low brass meditations of Robin Hayward. Importantly, none of the flute tracks were made as overdubs but rather fused together in post-production into uncanny rhythmic parallels, capturing both Orellana’s internal clock and an overall sense of aleatoric composition

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€ 29

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Piotr Kurek : Peach Blossom - LP (Mondoj, 2023)

Polish composer Piotr Kurek returns to Mondoj with 'Peach Blossom', an album centered around sung and synthesised vocal harmonies, showcasing the composer’s gentle, uncanny approach to vocal treatments and arrangements. Pairing the vocals of Komi Togbonou and Martin Weigel (both actors of Münchner Kammerspiele) and spoken words by Chinese performer Xiangjie with MIDI and live recordings of various instruments like marimba, flutes, reeds as well as various percussion instruments, the Warsaw-based composer highlights the unique tonal and textural potential of the human voice / The title track perhaps illustrates this approach most strikingly, interweaving wordless layers of vocals that ebb and flow with natural grace. “Breathing” follows with a more abrupt, almost jazz-tinged atmosphere, whereas “Ds / The Moss Beneath'' is more orchestral, almost classical in its approach. The centerpiece of the album is the 12-minute opus “Martin Is Crying”, where the interplay between the vocal layers and glockenspiel resembles classic early renaissance music, while adding more range and harmony to the playful tone

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€ 22

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Wil Bolton : Like Floating Leaves - LP (Laaps, 2023)

Handnumbered clear vinyl. Wil Bolton is a London-based artist whose work uses synthesizers, guitars, acoustic instruments and effects to create warm and emotive melodies, fragmented and submerged among beds of droning ambient textures and environmental sounds. Wil has released albums on labels including Home Normal, Hidden Vibes, Krysalisound, Audiobulb, Hibernate, Eilean Rec, Dronarivm and Sound In Silence. He has also shown his sound and video works in exhibitions at ICA, Incheon Art Platform, Liverpool Biennial and others, and has performed at venues including Cafe Oto, Tate Liverpool and Iklectik / ‘Like Floating Leaves’ was recorded January - July 2022 in East London, using modular synthesizers, Mellotron, Yamaha PSR-6, Waldorf Micro Q, Modal Argon8, OP-1, iPhone, glockenspiel, chimes, effects and field recordings from Venice, Stockholm, New York and Tokyo

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€ 22

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Marian Zazeela, La Monte Young : 31 VII 69 10:26 - 10:49 PM / 23 VIII 64 2:50:45 - 3:11 AM The Volga Delta - LP (Superior Viaduct, 2023)

La Monte Young was born in Bern, Idaho in 1935. He began his music studies in Los Angeles and later Berkeley, California before relocating to New York City in 1960, where he became a primary influence on Minimalism, the Fluxus movement and performance art through his legendary compositions of extended time durations and the development of just intonation and rational number based tuning systems. With his collaborator since 1962, artist Marian Zazeela, they would formulate the composite sound environments of the Dream House, which continues to this day / Seeing reissue for the first time since its initial 1969 release, Young and Zazeela's first full-length album is often referred to as "The Black Record" due to Zazeela's stunning cover design, complete with the composer's liner notes in elegant hand-lettered script

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Mattias Petersson : Triangular Progressions - LP (Hallow Ground, 2023)

Red vinyl. Mattias Petersson debuts on the Swiss label Hallow Ground with »Triangular Progressions,« a suite in nine parts written entirely in the SuperCollider environment using additive synthesis. The starting point for the evocative piece is a magic number triangle that Petersson invented during his early composition studies and which has been an obsession of the artist for over twenty years, previously forming the foundation of many other of his works. By exploring the harmonic progressions found hiding within the triangle, »Triangular Progressions« at once emits a sense of introspective calm that fosters deep listening and evokes a whole spectrum of emotions, mediating between the abstract and the visceral / The Stockholm-based Petersson, also known under the moniker Codespira1 and for his long-term collaboration with violinist George Kentros as There Are No More Four Seasons, has been active as a composer of computer music as well as an artist in the realms of live coding and modular synthesis for over two decades. Originally trained as a classical pianist, he also holds a diploma in electro-acoustic composition from the Royal College of Music in Stockholm, where he currently works as an associate professor. Besides his activities as a musician and teacher, Petersson is pursuing a PhD in composition at the Luleå University of Technology. Researching modular systems comprising both human and non-human modules, he is part of the GEMM))) Gesture Embodiment and Machines in Music cluster / »Triangular Progressions« can be considered a perfect synthesis of Petersson’s academic interests and aesthetic ideas, combining a mathematical approach with artistic rigour. The magic number triangle highlights the beauty of symmetrical properties. By exploring its idiosyncrasies, the composer manages to translate them into engaging sounds. The lush melodies and harmonies of the music at times call to mind the intimate organ and drone works by label mates Kali Malone and Maria W Horn while also maintaining a unique signature sound. The addition of pure sinusoidal waves enables a deep listening exploration of the counterpoint between melodic and harmonic rhythms, chord structures and spectral harmonies that Petersson extrapolates from those magic numbers

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Material + Object : Telepath - 2xLP (Editions Mego, 2023)

Dismantling the acoustic to feed the electronic, Editions Mego presents Telepath, the new album by Material Object. Born out of a single improvised recording session with a lone Violinist, Telepath is a startling album of future electronic music, resulting in an LP of unique and timeless tracks that reimagine a classic sound for an endless future / Boldly departing from his previous canon of largely 'Ambient' work, Material Object's Telepath renders itself out as something much stranger, something more spacious, more subtle and gradual. Moments of bouncing minimalism meet moire?s of delayed pure tones phasing in and out of resolution, giving way to a series of strobing foreground gestures arranged and offset in disorienting landscapes which scatter themselves asymmetrically amongst crystal pools of reverb / Revelling in the creative dismemberment of the original source material, Material Object slowly and patiently induces the violin to undergo every category of torsion, pressure and rupture. Its vivid acoustic qualities pass over and across the event horizon of the digital domain. Shattering then crystallising into points and coordinates, intersections, disjunctions, planes and reverberant figures. An uncanny geometry perceived only between the ears, at once dissolving and reconstructing itself

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Simon Scott : Long Drove - CD (Room40, 2023)

Matte laminate, monochromatic printed and embossed sleeve + insert card. ‘Long Drove’, the title of Scott’s first edition for Room40, is a location in the Fens close to the home of British composer, multi-instrumentalist and mastering engineer Simon Scott. It is the connective pathway between two nature reserves, called Holme Fen and New Decoy, and both sites are part of a habit restoration project called The Great Fen Project and is close to where Scott grew up as a child. This area first became a location of compositional inspiration over a decade ago, when Scott created 'Below Sea Level' on 12k (later reissued on Touch). His return to the Fens has produced a number of new works, presented here on ‘Long Drove’, that are intimate sonic narratives of place and rural trauma / ‘Long Drove’ is a site-specific sound study which shifts the Anthropocene discourse from spectatorship to musical participation, accountability, and creative engagement. The near future of the Fens, with concerns of further subsidence and threat of flooding, remains a palpable concern. One can almost hear Scott’s thought processes within these five compositions, of what the Fens would sound like if submerged and flooded by water again, returning to its original marshland state as a result of climate change, as the field recordings dissipate and unfurl with melancholic washes of decaying tape loops and digitally processed textures of Fenland sonorities

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€ 16

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Brad E. Rose : Annular Silhouettes - CD (Room40, 2022)

Matte laminate and monochrome printed sleeve with custom emboss and insert card. The edition also comes with a special fold out booklet. There are many times when I’m working on a music project that, in the moment, I’m not sure what I’m really doing. I don’t believe there’s some otherworldly power guiding my hands or thought processes unless our own subconscious could be classified as such a thing. It’s mostly about trying to be present at that moment and letting the ideas and sounds unfold in a way that isn’t forced. Oftentimes, after the fact, it will become clearer to me that certain feelings or thoughts were trying to find their way out, but my brain, as is often the case, wasn’t sure how to process them and let them go. Sound has often acted as that medium for me over the last three decades; a way to channel difficult thoughts into a language I can understand / One evening as I watched the snowfall in mid-January, after thinking about what Annular Silhouettes was, it finally hit me. Recorded during the depths of 2020, during a time spent within the vicinity of where I live, it’s a bit of a love letter to the place I grew up. I live in the house that my grandparents lived in for over 20 years, that my grandfather gutted and rebuilt with his own hands. It’s the last place he ever called home and his spirit remains firmly etched into its walls. I live less than 10 minutes from my childhood home, where both my parents still live. I moved away and eventually came back. I am lucky to gain a different understanding of this place than I had growing up / Place is a strange thing in the way it can influence and shape us, for better or worse. Nearly 20 years ago, when I moved back here with my partner, she would tell me how she couldn’t get over how big the sky felt in Oklahoma. I still think about that often. For a place that is stuck moving backward in so many ways, the possibilities above us can be endless beyond the forces dragging us back into the soil. We all find our way to the dirt eventually and one circle will close, but during my time inhabiting this space, I hope to have started a few new circles along the way so that the cycle will grow

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ZA! : ZA! & la TransMegaCobla - LP (Gandula, The Indian Runners, Keroxen, Discrepant, Lovers & Lollypops, Valve, Moorworks, 2023)

Rowdy, worldly kitchen sink rock fusion by a triad of Catalan acts helmed by the prolific ZA!, touching on Gnawa trance, desert blues, psych-funk, and Catalan cobla - a traditional form of folk dance - with a playful garage punk attitude / “These elements come together with the purpose of portraying their own vision of Mediterranean music, filtered by distortion (so current in cognitive, social and identity terms) and psychedelia (so inevitable in an increasingly accelerated and saturated reality). A retro-futuristic journey from folk to free exploring the shores of the Mediterranean, claiming its power as a living core, never as a deadly border / The TransMegaCobla fuses traditional Mediterranean culture -from bulería to kopanitsa, from gnaoua to sardana- with contemporary culture to create a fictional but deeply human and festive universe. Resurrecting the Phoenician language, the octet seeks common roots to fuse and remake them with contemporary molds such as rock, punk, free jazz and conducted improvisation. A timeless orchestra ready to invent, with real elements, a science-fiction Mediterranean in a parallel reality.”

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€ 22

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Joseph Kudirka : Music Box Music - MC (Blickwinkel, 2023)

Blickwinkel welcomes Joseph Kudirka to its label with the release of his new album Music Box Music. As the title suggests, the album is entirely made with music boxes and is based on compositions which were sent to him by friends. Over the course of the several lockdowns, Kudirka carefully translated these compositions (read: punched holes) into suitable sheets for the instrument. Given the sole use of these music boxes, it’s not a surprise that the overall sound of the album has a fragile and tactile touch. However, the nature of the compositions add a modern substantial layer resulting in a surprising and refreshing take on this instrument

€ 13

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Bill Wells, Maher Shalal Hash Baz : Osaka Bridge - LP (Karaoke Kalk, 2023)

Originally released in May 2006 through the German label Karaoke Kalk, »Osaka Bridge« was an album that captured the joyful amateurism of Tori Kudo's free-spirited Japanese collective Maher Shalal Hash Baz and Bill Wells’ rich, wistful and easy sense of melody. Approaching brass band and jazz music with a knack for making playing imperfectly feel perfectly right, »Osaka Bridge« became nothing short of groundbreaking when it was released to critical acclaim, becoming an instant classic among musicians and fans alike. Coinciding with the release of the second LP of Wells’ on-going collaboration with Danielle Price on tuba, The Sensory Illusions, Karaoke Kalk makes this highly sought-after record available again on vinyl for the first time in 16 years

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€ 25

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Little Skull : Untitled - LP (Anomalous, 2023)

The LP comes in a handmade concertina style pop-out cover featuring a caged bird suspended in mid flight. First full LP of new material from Dean Brown's Little Skull project since 2019's 'A Light in the Window Will Guide Us Safely Home' on Planam. Little Skull began in the mid-2000's, shortly before Brown relocated to London. Although the trademark NZ/Aoteara underground sound is evident, comparisons to the contemporary Gothenburg underground or outliers like Richard Youngs & Genghis Cohn can also be drawn / This particular (untitled) LP began while Brown was preparing for his first London performance at the end of 2021. It's stripped-down, mainly improvised, sound was dictated by practical rather than aesthetic decisions. Despite his economy of means, Brown has a keen sense of sequencing and narrative with both his live sets and recorded output resulting in an immersive and engaging listen. The set incorporates piano, organ, saw, harp, and guitars (both ebowed and played with a screwdriver) bathed in tape hiss and amp hum / Although it's probably the darkest and most minimal Little Skull LP to date, there are still moments where the light shines through. Similar to Andrew Chalk, for example, even when Brown is in pastoral, melodic territory, his noise roots are still evident. Perhaps it's this inner tension that gives Little Skull releases such an irresistable sound?

€ 29

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Francis Plagne : Udge - LP (Horn of Plenty, 2023)

Packaged in a heavy card, hand-stickered cover with custom inner sleeve and insert. Melbourne-based Francis Plagne returns to Horn of Plenty with possibly his strongest statement to date, Udge / Since his appearance on the Australian scene in the early 2000’s Francis has pursued a unique trajectory, bridging left-field song-craft, experimental electronic composition and improvisation. In addition to solo works issued by Black Truffle, Penultimate Press, and his own Mould Museum imprint, he has worked in various collaborations with Andrew Chalk, crys cole, James Rushford, and Joe Talia. Defining the entirety of his output is the pursuit of radical autonomy, sculpting musical gestures, spanning numerous idioms, which take nothing for granted and manage, in each iteration, to declare their own territory and terms while acknowledging their place within a long continuum of musical practice / Udge takes us further along the path carved out on the Rural Objects LP. Employing a similar palette of sounds, including that wild guitar synth, and a cameo from Joe Talia on drums. The record takes the form of two untitled side-long suites built from a series of portastudio jams and miniatures. Played against bristling passages of acoustic and electronic textures, fragments of melody and rhythm thread their way across the album’s length only to be broken and undermined by interventions into the tape onto which they were laid. Similar to Teo Macero’s electric Miles tape treatments or John Oswald’s restitching of The Grateful Dead, Udge is a deceptive work of musique concrète that sits adjacent to some of the more singular prog / RIO records by Nascita della Sfera, Albergo Intergalattico Spaziale, Roberts Owen, and Look de Bouk

€ 29

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Hydromedusae : Hydromedusae - LP (Trome, 2023)

Heavy weight black vinyl, with individually screen-printed sleeves by Wim Lecluyse.Hydromedusae is the new project of long-time friends and collaborators Jessica Bailiff and Annelies Monseré. Their debut self-titled LP as Hydromedusae was patiently sketched through years and over seas, and comprises of eight minimal songs that weave darkly hypnotic melodies with drone-folk structures. On some songs the repeating vocal patterns, whispered, close-by and offset by distant guitar, create an diaphanous fog. Other tracks are harder edged, with garish keyboards and distortion. Drones form the basis on most compositions; organ, bass pulses or sustained guitar acting as a backdrop to monophonic vocals, with cello, piano and percussion drifting in and out of range / Jessica Bailiff has been recording under her own name since 1998, with albums on labels such as kranky and Morc. She has also worked in numerous other projects, including Northern Song Dynasty and Clear Horizon. This release is her first output in 10 years. Annelies Monseré has recorded since 2001, releasing long-players on Morc, Stroom and Horn Of Plenty among others. She has recently recorded acclaimed albums with the bands Distels and Luster / Throughout their careers a mutual harmony with each other's sound has been detectable; the expansive space of Annelies' 2005 CD Helder prompted reviewers to draw reference to Jessica Bailiff, and the folk influences present throughout Jessica's work has kinship with Annelies Monseré's uniquely minimal song craft. They have collaborated before, culminating in a number of live performances and a 2008 EP on Morc Records in which they re-worked pared down versions of each other's songs. As such, the haunted sound of Hydromedusae feels like an organic synergy of two artists who have resolutely pursued their own paths, only to find common ground

€ 29

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Grotta Veterano, Music For Sleep : Endless Vacation - 2xCD (Fluid Audio, 2023)

Book Editions' series. Vintage books dissected, re-assembled and re-structured into book-bound CD covers... Grotta Veterano returns to Fluid Audio in partnership with Music For Sleep. The collaboration births a contrasting passage through time and space, exploring modulation and resonance as the tracks rise to crescendo before waning into the abyss / The progression of each piece lures the listener into a kind of rhythmic reassurance, feeling secure that the artists are guiding you into territory that is familiar even if unexpected. Within the tracks, movements pulse in and out, reverberating strongly before fading into haunting suggestions. It is reminiscent of ending up at a planned destination, yet not quite knowing how you arrived there / The music evokes exploration into the twilight, vibrating harmoniously in appreciation of the coming night. The journey settles into a content quietude, as peace descends and tranquility prevails over the total soundscape. 'Endless Vacation' represents alternative directions, a distance that begins with acoustic space and a tenderness of gentle beauty. Although deep oscillations permeate the music, the return to softness and sensitivity leaves the listener feeling wrapped affectionately in safe hands as the journey comes to an end

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€ 29

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Pepo Galán : Family Harmony - 2xCD (Fluid Audio, 2023)

'Family Harmony' returns home with the ever popular 'Book Editions' series. Vintage books dissected, re-assembled and re-structured into book-bound CD covers... / As the name suggests, 'Family Harmony' blends the work of Pepo Galán with a number of collaborators, whose synergy creates an album of unique yet connected soundscapes. The ambient terrain he explores with artists including Warmth, Sita Ostheimer, Karen Vogt, Benoit Pioulard, Awakened Souls and Markus Guentner embodies an unparalleled sonic unity. Journeying from a place of nostalgia and melancholy, towards the hope promised by new beginnings, a sense of stepping into the unknown seeps through each composition / Karen Vogt’s haunting vocal in A Wave That Carries Me echoes with an intimate familiarity that serves to reassure the listener as they travel into new territory. Additional vocals that weave through the collection resonate deep within, yet simultaneously speak of something unforeseen. As in life, the loss of what was combines with an anticipation of what is to come, mingling emotions and experiences to construct unexpected perspectives. The transition process is similarly embodied in the packaging, which reconstructs vintage books into cases for a contemporary concept. The fusion of old and new is further reflected in the deluxe limited edition packaging...

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€ 29

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Fabio Orsi, Alessandra Guttagliere : Arcoiris - CD+Book (Backwards, 2022)

Comes with a A5 format deluxe booklet with drawings by Alessandra Guttagliere, printed on a sturdy cardboard. Backwards is very happy to announce a new Fabio Orsi & Alessandra Guttagliere multimedia release: a Book with an audio CD. The primary inspiration for this new four-handed work between Fabio Orsi and Alessandra Guttagliere are colors. The title ("Arcoiris") in fact means Rainbow / For the realization of this work, there was a constant dialogue between Alessandra and Fabio: while Alessandra proposed a color simply by naming it, Fabio created the sound compositions, vice versa Alessandra listening to the sound compositions let herself be inspired to create the drawings. The pictorial work is a light work, using natural colors sometimes made by the artist starting from flowers or plants. It is an organic work, in progress and in movement. Fabio's tracks are maybe his most "pop-oriented" to date, but made with the usual class by our artist

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€ 16

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Lay Llamas, JuJu : Flag Of Breeze - 12" (Backwards, 2022)

One sided 12" mailorder edition with screen printed side B, comes with A5 booklet. 'Flag Of Breeze' marks a new adventurous collaboration between Nicola Giunta/Lay Llamas and Gioele Valenti/JuJu seven years after Lay Llamas' acclaimed album 'Ostro' released in 2014 by London-based label Rocket Recordings. This mini LP is figured out like a sort of radio tuning listening session among FM stations and misterious shortwaves transmissions / The tracks come out like from an hazy ethering dimension and then melting again with alien lo-fi sounds from the unknown. Luminous and peaceful psych pop melodies meet exotic and ritual percussions recalling a strange surfers tribe on the beach around a campfire. A cosmic kraut sonic trip through the solar system to reach a Verne-sque underwater jungle. Here it talks about universal flags made of breeze, nocturnal burings, mixtures and potions for unknown fever, ancient sleeping plants. The album artwork is an esoteric maps of symbols and forms. The visual key of this sonic journey

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€ 18

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Lay Llamas, JuJu : Flag Of Breeze - 12" (Backwards, 2022)

One sided 12" standard edition with blank side-B. Silkcreened cover and two inserts. 'Flag Of Breeze' marks a new adventurous collaboration between Nicola Giunta/Lay Llamas and Gioele Valenti/JuJu seven years after Lay Llamas' acclaimed album 'Ostro' released in 2014 by London-based label Rocket Recordings. This mini LP is figured out like a sort of radio tuning listening session among FM stations and misterious shortwaves transmissions / The tracks come out like from an hazy ethering dimension and then melting again with alien lo-fi sounds from the unknown. Luminous and peaceful psych pop melodies meet exotic and ritual percussions recalling a strange surfers tribe on the beach around a campfire. A cosmic kraut sonic trip through the solar system to reach a Verne-sque underwater jungle. Here it talks about universal flags made of breeze, nocturnal burings, mixtures and potions for unknown fever, ancient sleeping plants. The album artwork is an esoteric maps of symbols and forms. The visual key of this sonic journey

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€ 16

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Fabio Orsi : Il Ricordo Improvviso Dell'Assoluto Stupore - 12" (Backwards, 2022)

Mailorder edition with signed insert. New limited edition of the one-sided vinyl picture disc originally available with the Fabio Orsi's same-title box set with book. Including a small insert / The vinyl has a long track that is a sort of "summa" of Fabio Orsi musical world: like his early releases, "Il Ricordo Improvviso Dell'Assoluto Stupore" is deep drone ambient track, with distant guitars and a nostalgic touch. Hypnotic and melodic at the same time... Perfect complement and completion to his photos

€ 18

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Fabio Orsi : Il Ricordo Improvviso Dell'Assoluto Stupore - 12" (Backwards, 2022)

New limited edition of 200 copies of the one-sided vinyl picture disc originally available with the Fabio Orsi's same-title box set with book. Including a small insert / The vinyl has a long track that is a sort of "summa" of Fabio Orsi musical world: like his early releases, "Il Ricordo Improvviso Dell'Assoluto Stupore" is deep drone ambient track, with distant guitars and a nostalgic touch. Hypnotic and melodic at the same time... Perfect complement and completion to his photos

€ 15

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Fabio Orsi : Di Lumi E Chiarori - 4xCD Box (Backwards, 2020)

Comes in an elegant matt finish Box. With four cardboard wallet inside and one insert. Backwards is really pleased to present the new Fabio Orsi release / This time Fabio offered a monumental work: eight long tracks contained in a huge box set with four compact discs. Musically it stands on the new course of the artist: together with the classic ambient and drone atmospheres that we know well, the work has more dynamic parts with rhythms and pulsations, and more melodic parts. A perfect meeting between ambient music and berlin-style electronics, between intimate and dreaming atmospheres and epic soundscapes

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€ 25

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Pier Alfeo : Works 2016 - 2018 - 12" (Ricerca Sonora, 2019)

White vinyl, single sided 12". Gatefold poster cover (oversized: 60 x 90) para-graphic score of the composition "All That Fall". Including an insert. Work presented during the personal exhibition of Pier Alfeo (well know also for his moniker Dubit) "Incisione su Silenzio" at the gallery Doppelgaenger of Bari, Italy (22 February - 22 May 2019). Works produced and composed during the studies of electronic musical composition at the "N. Piccinni" Conservatory of Bari. The compositions have been realized through algorithmic programming using the Wolfram Language of the Mathematica and CSound software / Description: the collection "WORKS 2016-2018" includes the first three electro-acoustic compositions created during the academic years, a period in which the algorithmic computer programming technique was learned using the Wolfram language in the domain of the Mathematica software. This technique involves the construction of sound on a mathematical-computer level taking into account the structural parameters of the sound itself, such as: attack times, duration, intensity, height, envelope and spatialization, using granulators, additive synthesis and subtractive synthesis. The system consists in the creation of data matrices which are then appropriately interpreted by the CSound software which renders them in audio format, a material that was subsequently organized and edited for composition purposes / The intent during both programming and composition was to arrive at a sound that preserved a certain warmth, a certain organicity (contrary to the coldness of the technique itself), this was possible by intercepting a series of trends and classes of numbers that exhibit a fluid behavior, reflecting the internal motions of nature. The plays and influences that led to the creation of these works are by composers such as Karlheinz Stockhausen, Pierre Schaeffer, Luigi Nono, Bruno Maderna, Iannis Xenakis, Igor ’Fedorovic Stravinsky, Gyorgy Ligeti, R. Murray Schafer, etc... In "All That Fall" a single sample of origin was used, the recording of a crackling fireplace, while in "The Never Spoken Words" all sound generations were created by processing only recordings of voices and vocalizations

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€ 16

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Hanakiv : Goodbyes - LP (Gondwana, 2023)

Strictly limited edition clear vinyl, printed in heavy-weight coated board sleeve including a double-sided printed insert plus digital download code. Artwork and design by Daniel Halsall. Gondwana Records announces ‘Goodbyes’, the debut album from Estonian-born, London-based sound artist and pianist Hanakiv. A deeply beautiful, meditative piano album featuring special guest Alabaster deplume. “This is an album about healing. It is about saying your goodbyes to everything that doesn’t serve you anymore. Each of these songs has a little goodbye in it. So, these are very beautiful and necessary goodbyes” / Hanakiv is a young composer and musician from Estonia (now based in London) who creates meditative piano-based ambient music with elements from classical and electronic music. ‘Goodbyes’ is her debut recording and draws on influences as diverse as Tim Hecker, Björk “Vespertine”, Kara-Lis Coverdale, Arvo Pärt, Erkki-Sven Tüür and Aphex Twin as well as her own cultural heritage. Music has an important part in Estonian culture, especially choir music and its traditions, but Hanakiv also draws on her love of nature – the beautiful Estonian seaside and forests - and on her time in Iceland / However, it was moving to London that gave her the freedom to make her own music: “London gave me the freedom and courage to really be who I am (as a person and musically)” and her heritage and her new home both offer inspiration to Goodbyes, as Hanakiv moves between these two opposite places, a bustling metropolis and a small country full of nature, drawing inspiration from both as she sculpts her own voice

€ 25

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Various Artists : Unknown Pleasures Zone - 2xMC Box (MSCTY_EDN, 2023)

Debut release on the newly-launched MSCTY label, the first in a series of highly collectible, very limited and lovingly designed physical releases. This is a state-of-the-art double cassette boxset complete with 12-page booklet and limted to only 100 copies

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€ 59

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Marcus Vergette : Tintinnabulation - 12" (Nonclassical, 2023)

Limited edition 12" vinyl - includes bonus tracks "Wax and Wane". With beautiful cover sleeve of the Angelsey bell and illustration by Penny Klein. At the centre of this release are Vergette’s Time and Tide bells: handmade instruments which create sound with the rising sea levels. One of the bells is ringing at any given time of day as the tide wraps around our coast, retreats and returns again. There are eight bells currently scattered across the UK’s coasts, each existing as a democratic artwork owned by the local community / Sounds from these bells are collaged with field recordings from the coast and fragments of instrumental improvisation, including Vergette himself on double bass. The result is a collection of dark and dramatic soundscapes, capturing the tumultuous nature of our waters. The title track ‘Tintinnabulation’ explores the idea of a world with birds, and a world without birds, playing with the interaction between the bells and birdsong. In ‘Ferry’, a small group of instrumentalists respond musically to a projected film of the Torpoint Ferry as it crosses the water, with field recordings from the boat audibly intertwined throughout the track. The bells are perhaps most prominent in ‘Wax and Wane’, buoyantly weaving between vocal fragments and field recordings / Vergette’s creative practice is rooted in the duality of being both a sculptor and musician. One of Vergette’s core principles is democratising art, and he has worked extensively in creating public sculptures. Alongside his sculpting Vergette is also an active freelancer as a jazz bassist, performing regularly throughout the UK. Tintinnabulations will be launched with a live performance at Nonclassical’s climate themed event the greenhouse effect in the Barbican Conservatory on Sunday 12 March 2023

€ 22

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Tomas Niesner : Becvou - LP (Warm Winters Ltd., Kabinet, 2023)

Cyan blue vinyl. Becva is a river located in the Eastern part of Czech Republic. In September 2020, several chemical leaks into the river caused the poisoning and subsequent death of 40 tons of wildlife in the waterway – an unprecedented catastrophe. Growing up in Prerov, Becva was an ever-present part of Tomas Niesner’s youth and this environmental disaster affected him deeply. In an effort to understand the river better and inspired by Werner Herzog’s ‘Of Walking in Ice’, Niesner set out on a journey from the spring of Be?va to its confluence with river Morava, a journey of over 100km. It was a romantic quest in wholly unromantic circumstances, an attempt to expiate the irreversible / Becvou, the album, is a travelogue of sorts, an aural chronicle of this journey. Arranged and composed around field recordings from the river banks, it also features Tomas Niesner on guitar, zither and modular synthesizer, unlike many of his previous releases where he’d zero in on one instrument. Combining elements of fingerstyle guitar, musique concrete and drone, it’s an elemental tapestry of enveloping textures, shimmering guitar motifs and soaring synth sounds. At one moment reminiscent of the meandering improvisations of East of the Valley Blues, at others calling to mind the ecstatic minimalistic compositions of Caterina Barbieri and oscillating between moods like dread and hope throughout, Becvou is Tomas Niesner’s most complete statement to date, fascinating in both concept and execution

€ 25

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OZmotic, Fennesz : Senzatempo - LP (Touch, 2023)

Full colour artwork & photography by Jon Wozencroft. The music of 'Senzatempo' moves in balance between composition and improvisation. It is a symphonic work for an imaginary orchestra in which melodies, counterpoints, dynamics and sonorities define a structural breadth reminiscent of classical music / Austrian guitarist, composer, and electronic musician Christian Fennesz is recognized as the key figure and one of the most distinctive voices of electronic music today. His wide international reputation has been consolidated through his substantial overall contribution to new musical expression / OZmotic is a multidisciplinary artistic project, deeply fascinated by the dynamics of contemporary society, by architecture, cities and vast uncontaminated spaces. OZmotic creates world sounds characterized by an intense tonal variety and a refined rhythmic research. The interaction between electronic music and digital visual art in real time is an essential trait of OZmotic aesthetic

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€ 26

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Richard Youngs : Modern Sorrow - LP (Black Truffle, 2023)

The endlessly prolific and unpredictable Richard Youngs returns to Black Truffle with Modern Sorrow. As any Youngs fan knows, one of the great pleasures of following his career comes from not being able to predict what the next entry in his inexhaustible string of releases will bring: Unaccompanied voice? Country songs? Shakuhachi? Guitar pieces played with his feet? Shredding fuzz bass over the top of hyper-speed distorted drum machine beats? Continuing in the grand Youngs tradition of exploring new techniques, instrumentation and approaches while bringing to all of them his idiosyncratic touch, Modern Sorrow serves up two sides of twistedly elegiac, radically stark takes on contemporary pop production

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€ 22

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Natalia Beylis, Eimear Reidy : She Came Through the Window to Stand by the Door - LP (Nyahh, Eiderdown, 2023)

Recorded at St Georges Church, Carrick On Shannon, Leitrim on a cold early January with a William Telford Organ. Built in 1846, it is reputed to be the second oldest organ in Ireland. 'Pour Upon The Sky' is a story told by the two voices of cello and organ. Influenced by the rhetorical style of 18th century vocal music, the inspiration for this piece came naturally to Eimear who has a background in early music and has performed alongside the organ in a variety of settings from chamber works to Bach's larger orchestral works such as St Matthew Passion. In 18th century music, the cello & organ perform a role as continuo players / Traditionally the cello and organ are both intertwined and interdependent, playing the bass line and harmonies together and providing a foundation for the rest of the ensemble while soloists come in and out. In 'Pour Upon The Sky', Eimear and Natalia play within and without of this traditional form. Freed from the need to hold the solid ground for an ensemble, the cello and organ playfully explore the space as they pass the role of solo and continuo back and forth / 'The Whistling Dust' is a slow steady study of the microscopic flutters of the organs and the organ. The heart of the Telford rattles and breathes as the cello dances in and out. When Natalia & Eimear began working on these pieces in the cold January, the Telford, which seemed like it had been sitting quietly for quite some time, shook and trembled as its insides were awoken. 'The Whistling Dust' speaks to the moment when the instrument moved alive, every opened stop knob of the pipes bringing the feel of the microsounds of the machine closer and closer as the cello offers utterances of encouragement

€ 25

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One Leg One Eye : .... And Take The Black Worm With Me - LP (Nyahh, 2022)

Colour vinyl, each one different. As a founding member of Dublin experimental folk group Lankum, Ian Lynch explores submerged leylines of music and song. Forging a musical path that is all at once dark, mysterious and foreboding, but ultimately transcendental. His new solo project One Leg One Eye sees him taking a fresh approach to musical arrangement culminating in a sound that is more rooted in the raw aesthetics of second wave black metal than contemporary folk / The project was born across 2021, a period in which Lynch was able to enjoy the freedom of experimenting and explorating different paths of sound design without expectation or pressure. Seeking out interesting settings to record music and gather field recordings, there are several environments, external and interior, whose respective essence have seeped into the spirit of the music and come to represent Lynch’s artistic approach and development with this singular debut album, …And Take The Black Worm With Me

€ 29

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Gunnar Gunnsteinsson : A Janitor's Manifesto - LP (Futura Resistenza, 2023)

Gunnar Gunnsteinsson is an artist and composer, living and working in Reykjavik. His work includes (sound) installations, film scoring and musical education. A Janitor's Manifesto, Gunnar's second studio album, musically describes and fictionally revises a real time in Gunnar's life when, next to his composition work, he was employed part-time as a janitor within an Amsterdam-based, communal, artist's housing complex, in which he also lived. The album was recorded and produced in Amsterdam and Reykjavik between 2017 and 2021

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€ 22

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Bananskolen, Goodiepal : The Pruttipal Index - 2xCD (Futura Resistenza, 2023)

Comes in a deluxe gatefold case, with artwork by Pruttipal and Bananskolen booklet. What is - or rather: what could be - a "Pruttipal Index"? In books, libraries and databases, an index is usually a concise overview or inventory. It suggests that this album could be a mini-encyclopedia of the work of its makers. In economics, indexes are measurements of the current state of an economy; which, in the case of this album, could be a vitality metrics of the Goodiepal & Pals/GP&PLS/BananSkole collective that produced it. In semiotics, an index is a sign that functions as a trace (like smoke as an index of fire). Because of their technology, vinyl records are indexical (with their grooves being indexes of sound waves), but in addition, this album could also be seen as a series of sonic traces, or footprints, left by the various activities of GP&PLS and Pruttipal over the eight years of their collective existence / On this album, these traces can be heard literally: in references to the collective's anti-racist refugee activism on the borders of the European Union and activist dance moves (from which many of the melodies on this album have been taken), their open and non-hierarchical school BananSkole, their lived friction with the institutional art system (which escalated during their residency at Copenhagen's contemporary art institute Den Frie), as sometimes casual field and home recordings, and sometimes as highly produced studio recordings, featuring the voices of many of the collective's members, including the children / There is, audibly, an eclectic stylistic mix of theater, group improvisation, choirs, folk music and children's songs, campy-ironic modular synthesizer electronics, highly-produced art rock and no wave jazz, heavy metal, techno, punk and catchy Scandinavian dance pop tunes interspersed with mock-conspiracy podcasting. Much of it could be called functional music derived from collective social performances to be reused for new collective social performances

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€ 16

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Genesis P-Orridge, The Hafler Trio : Dream Less Suite - 2xLP (Cortizona, 2023)

Genesis P-Orridge and The Hafler Trio: do these 2 legends still need any introduction? Genesis P-Orridge was the founding person of COUM Transmissions in 1969, Throbbing Gristle in 1975, Thee Temple ov Psychick Youth and Psychic TV in 1981 / Andrew McKenzie started The Hafler Trio (together with Cabaret Voltaire’s Chris Watson) in 1982 and since then released all his work under this moniker and collaborated with William S. Burroughs, Autechre, Jóhann Jóhannsson, Nurse With Wound and Jónsi from Sigur Rós, to name a few. And he constructed the first kit Dreamachine in 1989 together with Brion Gysin / The impact and influence of these pioneers of the industrial underground,visionary thinkers and open minds, anti heroes of the misfits and the outcasts is hard to underestimate. On ‘Dream Less Suite’, the first new album by The Hafler Trio since 2016, Andrew McKenzie unearths, resurrects and completed recordings he made through the years with Genesis P-Orridge. This 2LP features soundtracks to unfinished films, live performances and the real versions of tracks you know and love, released for the very first time and mastered from the original reelto reel tapes. Expect the unexpected and be prepared for the unprepared

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€ 26

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Four Tet : Sixteen Oceans - 2xLP (Text, 2023)

Repress. Four Tet’s music is a perhaps too-easy-to-understand yet still a perplexing perennial concern. With ’Sixteen Oceans’ he reels off 10 tracks of signature, lilting rhythmelodic cadence at an unhurried pace, including his ‘Teenage Birdsong’ tune

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€ 29

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Four Tet : Morning / Evening - LP (Text, 2023)

Repress. Morning/Evening is the eighth album by British electronic musician Kieran Hebden, released under his alias Four Tet in 2015. “Maybe his best, certainly his most psychedelic in a while” / Produced by Kieran Hebden between August 2014 and February 2015. This music was created on a laptop computer using the Ableton Live software to control and mix VST synthesizers and manipulations of found audio recordings

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€ 25

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Mich L. : Air Near Silence - LP+CD (Cortizona, 2023)

Vinyl edition of the debut album 'air near silence' by Mich L. LP includes CD with extra track E.C. and inserl with liner notes. Truly intrigued as a kid by the weird sounds his DIY electronica building kit could make, Mich L. (aka Mich Leemans of Paper Hats and curator of AB Salon) never stopped his quest for more beauty in hidden frequencies and harmonics of modular synths and old tape recorders / His search into the deep mysterious sound spectrum unexpectedly made a surprising u-turn after a seizure of increasing tinnitus and enduring nausea. The concept of listening, as stated by Pauline Oliveiros as 'the involuntary nature of hearing and the voluntary, selective nature of listening' took focus in his being / These new insights, together with a studio rearrangement and the purchase of the EMS Synthi A are the keystones which shaped the contours of his debut solo album 'air near silence'. A precious, fragile and ultra personal sonic exploration of the inner self translated in carefully constructed synth and tape compositions : a microscopic auditive dissection of time and soul. Slow burning stripped down shifting patterns, patched and wired straight from the heart, crawling steadily under your skin, with no plans to leave. Hushed analogue splendor for patient music lovers who dare to be surprised

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€ 23

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Monde Bruits : Purgatory - LP (Urashima, 2023)

Monde Bruits is a Japanese experimental noise project formed in the early 1990s, from the brainchild of Iwasaki Sh?hei. The sound has been compared to other experimental noise acts of the time, such as Merzbow, Hijokaidan or Incapacitants. However, Monde Bruits' approach to noise is distinct, incorporating elements of musique concrète, industrial, and free improvisation which raw and bristly aesthetic. "Purgatory" cassette, released on the G.R.O.S.S. Japanese tape label, founded and run by Akifumi Nakajima, in 1992, is a significant document of Japanese experimental noise music from the early '90s. The cassette's limited release on a legendary Japanese tape label adds to its underground and obscure appeal, making it a sought-after collector's item for fans of experimental noise music / Skillfully remastered at Audio Dissection from the original audio master by Emanuele Bonini, exclusively for this vinyl version, and released in a limited edition of 199 copies with original artwork and double insert with original credits and complete interview by Satoru Higashiteto translate in English by David Hopkins (RIP) originally published on Bananafish magazine. This is a must-listen for fans of noise, industrial, and avant-garde music

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€ 24

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Violent Onsen Geisha : Wagamama Na Ofukuro - LP (Urashima, 2023)

Violent Onsen Geisha's "Wagamama Na Ofukuro" has been reissued on vinyl for the first time in high-quality remaster of the original recording and comes in an inside-out sleeve featuring the original artwork by Nakahara Masaya with scattered collages added and includes a printed insert on felt-textured on both sides paper. Limited to just 299 copies, the reissue is a prime example of Violent Onsen Geisha's confrontational and irreverent approach to music, and the vinyl format allows for a deeper and more immersive listening experience. Whether you're a longtime fan or a newcomer to the world of noise or experimental music, this vinyl release is not to be missed

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C.C.C.C. : Reflexive Universe - LP (Urashima, 2023)

Reflexive Universe was reissue for the first time in vinyl in a limited edition of 199 copies with added an amazing live performance on other side, recorded one month before Reflexive Universe at Donzoko House in Kyoto with all four member. The vinyl is housed in a deluxe sleeve with a glossy finish using original pictures by Hidenobu Kaneda and an insert with a photo of the band performing live. Whether you're a longtime fan of C.C.C.C. or a newcomer to their unique brand of noise music, this vinyl reissue of Reflexive Universe is an essential addition to any record collection

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Axolotl : Abrasive - LP (Souffle Continu, 2023)

Carefully remastered from the master tapes by Gilles Laujol. Graphic design by Stefan Thanneur. Includes 8 page booklet. In 1981, encouraged by Jac Berrocal, Axolotl (Etienne Brunet and Jacques Oger on saxophones and clarinet, Marc Dufourd on electric guitar) recorded an album of French-style free music as iconoclastic as it was unsettling: free improvisation, jazz, no wave, contemporary, punk… a dance of labels which leaves plenty of place for the direct expression of a monstrous trio of regenerated agitators! / The axolotl is a species of salamander native to Mexico, living in a state of larva and having the capacity to regenerate damaged organs. This brief introduction doesn’t tell us if the axolotl sings. But, for the one that concerns us here: yes indeed. In Paris, at the end of the 1970s, Etienne Brunet and Marc Dufourd would improvise regularly, inspired by some other saxophone-guitar duos: Claude Bernard-Raymond Boni firstly, then Evan Parker-Derek Bailey. When Jacques Oger (a saxophonist whom Brunet had met at a workshop given by Steve Lacy at the Châteauvallon festival in 1977) joined the duo Brunet-Dufourd, Axolotl was born / Iconoclastic, the trio was bound to please Jac Berrocal, and he proposed to record their first album on the label ‘D’avantage’. In spring 1981 three days were just enough for Oger (tenor and barytone saxophones), Brunet (alto saxophone, bass clarinet and ‘things’) and Dufourd (electric guitar) to complete Axolotl, the first album by a group which would record … two

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Video-Aventures : Musiques Pour Garçons et Filles - 2xLP (Souffle Continu, 2023)

Carefully remastered from the master tapes by Gilles Laujol. Graphic design by Stefan Thanneur. Includes 8 page booklet. After the experience of Camizole, Dominique Grimaud began a new (and different) adventure in 1979 with Monique Alba. Alongside Gilbert Artman (Urban Sax), Guigou Chenevier (Etron Fou Leloublan), Jean-Pierre Grasset (Verto) and Cyril Lefebvre (Maajun), Vidéo-Aventures is composed of instrumentals capable of reconciliating Captain Beefheart, Henry Cow, Suicide and… John Barry. All with the backing of Rock In Opposition, which enabled this Musiques pour Garçons et Filles to become known worldwide / “Let us enter your hearts”: is the request made by Vidéo-Aventures, and how can we refuse? Especially as Musiques pour garçons et filles, recorded by Dominique Grimaud and Monique Alba fifty years ago along with handpicked colleagues, is as fresh as ever. 1979: having improvised a huge amount (and how!) with Camizole, Grimaud tried his hand at composition and studio recording with Alba. Their first instrument was the AKS synthetiser, with which the duo recorded the instrumental tracks that were then offered to their comrades Guigou Chenevier (Etron Fou Leloublan), Gilbert Artman (Lard Free, Urban Sax), Jean-Pierre Grasset (Verto) and Cyril Lefebvre (Maajun) / At the end of the year, they all came into the studio for a week to record the eight tracks of this mini album that Chris Cutler would issue a few months later on his label, Recommended. In France it was the beginning of the agitation around Rock In Opposition, to such a point that Musiques pour Garçons et Filles would rise to second place in the NME independent Charts. And this is hardly surprising…

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Zander Raymond : Secrets From A Squirrel - LP (Florabelle, 2023)

After a series of impressive collaborations and increasingly assured solo releases, multimedia artist Zander Raymond now shares his first LP, Secrets From A Squirrel. Inherent in these pieces is a true sense of exploration, playfulness, and intimacy, all of which come together in a quietly delightful manner / As a neurodivergent person, Zander pursued a process here that was both personally challenging and artistically rewarding. Sounds that are often unpleasant to him--doing dishes in the sink, the din of the Chicago L--were intentionally used as compositional tools alongside his now-familiar elements of synthesis, chance, and melody. There’s an uncommonly beautiful tactility in the results, which can be found in the album’s first amoebic rustlings and continues to be felt in its final, bubbling notes. Certainly part of what makes Secrets From A Squirrel so successful is its flow from one piece to the next, but it also evokes a kind of circulatory system—and the title of one track, “You Could Almost Hear It Sighing,” is an apt description of the album as a whole / Zander’s visual art exists on its own but complements his music in ways that only underscore the strengths of both. Layering and light; collage and repurposing; tonality and humor—no matter the medium, his work is searching and gently generous, like the smile of someone who really understands you. To honor this side of Zander’s practice, an 8-page full color booklet featuring his collages accompanies the album. Additionally, for those interested in a little more zhuzh, a small run of artist editions is available, with each LP containing a unique risograph print by Zander and handwritten liner notes

€ 29

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Kali Malone : Living Torch - LP (Portraits GRM, 2023)

Black vinyl repress. Living Torch, through its unique structural form and harmonic material, is a bold continuation of Kali Malone’s demanding and exciting body of work, while opening new perspectives and increasing the emotional potential of the music tenfold. As such, Living Torch is a major new piece by the composer and adds a significant milestone to an already fascinating repertoire / Departing from the pipe organ that Malone’s music is most notable for, Living Torch features a complex electroacoustic ensemble. Leafing through recordings from conventional instruments like the trombone and bass clarinet to more experimental machines like the boîte à bourdon, passing through sinewave generators and Éliane Radigue’s ARP 2500 synthesizer. Living Torch weaves its own history, its own genealogy, and that of its author. It extends her robust structural approach to a liberated palette of timbre / The French label-partner Shelter Press is proud to continue the collaboration with GRM, which Peter Rehberg of Editions MEGO set the foundation for in 2012

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Michèle Bokanowski : Musiques de Concert - 4xCD Box (Sonoris, 2023)

This 4 CD box edition collects all concert musics by Michèle Bokanowski, a composer of electroacoustic music living in Paris, France. Passionate about music from childhood, it wasn’t until later, at the age of 22, after reading À la recherche d’une musique concrète by Pierre Schaeffer, that she decided to study composition. After classical training in harmony, she met Michel Puig, a pupil of René Leibowitz, who taught her writing and analysis upon Schönberg Theory / In 1970, she began a two-year internship at the Research Department of the ORTF under the direction of Pierre Schaeffer. Between 1973 and 1975, she took part in a research group on sound synthesis, studied computer music at the University of Vincennes as well as electronic music with Éliane Radigue. She mainly composes for concert and for cinema (music for Patrick Bokanowski’s short films and for his feature films L’Ange and Un Rêve solaire). She has also composed for television, theatre and dance. In her music, often infused with a mysterious atmosphere, she uses evocative and poetic concrete sounds, with a mastery of looping and feedback techniques and with an art of cinematic editing / “Why musique concrète is so attractive to me, as opposed to written music… To write music implies that an idea or a thought is at the origins of the composition and that the final thing is the sound rendering of this thought. The sound is at the end of the line, in other words. Musique concrète is the exact reverse of this process: you start from sounds… sounds that will perhaps lead you to a constructive thought. Here, it’s the material that induces the thought, or the writing. The possibilities of finding or inventing new sounds and, therefore, new forms are tremendous, infinite… Moreover you can use chance to a much greater extent.” (Excerpt of an interview with Michael Karman for Asymmetry Music Magazine 2007)

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Peter Christopherson : Live At L'Etrange Festival 2004 - The Art Of Mirrors (Homage To Derek Jarman) - LP+12" (Black Mass Rising, 2018)

White black splash vinyl repress / Three sides of music (side 4 is blank) composed by Peter "Sleazy" Christopherson for the 10 year anniversary of Derek Jarman’s death. The music accompanied three short films, and s previously unreleased

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Mecánica Clásica : Filtraciones de Luz - LP (Abstrakce, 2023)

Finally a vinyl edition of the first release by Valencian electronic experimental band Mecánica Clásica. A very limited edition of just 200 copies. Originally released on cassette in 2019. Eight tracks of early electronic experimentation, meandering rhythms, minimal modular ambient passages and bleeping synth sequences. From Cluster to Craig Leon, from K. Leimer to Marc Barreca. A journey to the inner reaches of the sound modulation

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Christian Love Forum : Naked Light - LP (The Death Of Rave, Live Adult Entertainment, 2023)

‘Naked Light’ is the first album from the mysterious Christian Love Forum, which, incredibly, was discovered by the Live Adult Entertainment label as a dusty CD lying in a Greek thrift shop in 2021 and has amassed a cult following since. This beguiling collection of avant-synth jams haunted by spectral field recordings is reissued with a new tracklisting and artwork by The Death Of Rave

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Nozomu Matsumoto : Immunotherapy - 12" (The Death Of Rave, 2022)

Single-sided, violet vinyl 12". For fans of Caterina Barbieri or Kara-Lis Coverdale is this short, beautiful suite of electronic ambience from Japanese artist Nozomu Matsumoto. Evoking new age, classical and even liturgical music in its six pieces stretching across twenty-two minutes, ‘Immunotherapy’ explores the same concepts as Matsumoto’s previous works ‘Climatotherapy’ and ‘Sustainable Hours’

€ 24

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Adela Mede : Szabadság - LP (Night School, 2023)

Slovak-Hungarian musician Adela Mede explores the interplay between voice and technology with field recordings. She sings in three languages (Slovak, Hungarian and English). Intimate ambient utterances with themes of spiritual growth accompanied by experimental electronics with a wide scope of influences; from minimalism to folklore. Initially released in early 2022 to universal acclaim on digital and cassette, Night School is extremely excited to share Szabadság on vinyl. Mastered by Rupert Clervaux for vinyl, the clearer format teases out new nuances in the music, revealing a physicality and permanence to Mede’s first masterwork / "Szabadság is a navigation. This debut by Adela Mede, recorded in her family home on the Slovakian border with Hungary, searches through the personal, familial, cultural, folkloric and geographic of her past and present / Examining both the vulnerability and determination of her voice - as it leaves the lips, raw, and in the ways it can be transformed with digital processing - the embodied memories of language, of utterance, are explored. Airy, open sound worlds and tentative strings of improvised naked vocal transform themselves into insistent repetition. Fizzing, sparkling electronics are set against the beautiful grainy depth of field recordings. The locations, these places, are found and lost - home is found and lost - in a dance of fragmented vocal harmonies. Three languages (English, Hungarian, Slovak) weave a song of spring, nature, forgiveness, togetherness and rebirth

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Andrzej Korzynski : Diabel - LP (Finders Keepers, 2023)

Wipe your blade clean. The bloodline of Eastern European kosmische and groundbreaking, grinding cinematic psych rock finally emerges from fifty years of forbidden forestland to fill your thirsty grails. Poland’s prime progressive provocateurs Zulawski and Korzynski finally expose the jagged roots of Possession and The Silver Globe and give the devil his due via this historical vinyl release / If an opening strapline that reads “Forget everything that you thought you knew about the history of psychedelic rock and horror movies” appeals to you, then further potentially hyperbolic phrases like “Lost Grail” and “Banned Forever” will surely clinch the deal, leaving the hugely significant wider context of this dream come true release surplus to requirement. But as we hope you have come to expect from Finders Keepers releases “The devil is in the detail” and the fact that any mention of the perpetually elusive original master tapes to a 1972 project entitled Diabel and the phrase “Holy Grail” have become synonymously associated only adds the twisted irony that surrounds this genuine masterpiece of both aforementioned fields / For those fastidious enough to pursue the hunt, these unearthed recordings represent the crowning glory of the lifelong unison of Maestro Andrzej Zulawski and filmmaker Andrzej Korzynski, two genuine mavericks of Polish experimental cinema who challenged artistic and societal norms, on both sides of a politically restricted regime and on an international artistic stage, without compromise. Friends since childhood, Korzynski and Zulawski may have become divided by limelight and geography (Zulawski the intrepid emigre), but they remained united in their kaleidoscopic creative vision, resulting in a fractured stream of troublesome and mind-bending golden era collaborations such as Possession, The Silver Globe, and Third Part Of The Night. This long-awaited liberation of the psychedelic masterpiece known as Diabel finally completes the duo’s full vista with what many consider the most vital piece of the prism

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Grand River : All Above - LP (Editions Mego, 2023)

On her third album, Berlin-based Dutch-Italian composer and sound designer Aimée Portioli, aka Grand River, asks what guiding forces might be driving, enticing, and affecting us. “All Above” is rooted in her deeply personal philosophy as an artist, blurring the boundaries between electronic music and acoustic music and sculpting familiar ambient forms into personal themes painted with rich emotional colours / Written painstakingly over the last two years, the album is the most ambitious and divergent set of music Portioli has assembled so far, with a wide variety of instrumentation (including voices, strings, organs, guitars, and synthesisers) focused around the piano. She‘s keen to assure listeners that while that instrument isn‘t always heard, it‘s constantly at the forefront of the album, shepherding its emotions and anchoring its mood. It makes sense then that on the opening track ‘Quasicristallo’, the acoustic piano is the first element we hear, recorded closely, so its characteristic rattle and creak can speak as loudly as the familiar tones themselves. When the music blooms into abstraction and processed electronics, it‘s almost imperceptible: reverb mutates into ghostly vapour trails, and distortion forms the keys into another instrument entirely

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Turquoise Days : Further Strategies - 2xLP (Minimal Wave, 2023)

Black vinyl repress / Back in 2009, Minimal Wave Records took a deep dive into the short-lived career of Jersey's finest 1980s new wave band, Turquoise Days, via a fine compilation entitled "Alternative Strategies". A decade on, they've decided to repeat the trick with "Further Strategies", a fine double-vinyl set that backs the tracks featured on that compilation with a wealth of previously unheard songs and demo versions. As you'd expect, it's really rather good, with the collected tracks delivering the kind of emotion-rich, melodic and occasionally dancefloor-friendly goodness more readily associated with early Depeche Mode

€ 32

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Cucina Povera, Ben Vince : There I See Everything - LP (Ecstatic, 2022)

Purple vinyl. Centred around Maria Rossi aka Cucina Povera’s muzzy vocal loops and the faintest melodic motifs, London-based composer and multi-instrumentalist Ben Vince accompanies on saxophone, synth and piano, shrouding Rossi's vocals in swirls of dimly lit psychedelic smoke. As a newcomer to London, Rossi was "caught up in a sort of wondrous overwhelm” - a feeling that seeps through every movement of the almost hour long album. Working mostly at the Roundhouse, the pair find a musical confluence between Rossi's words - "fluid, dreamy, hazy ideations" - and Vince's shadowy renditions / Vince's plasmic echoes and Rossi's aerial delivery form a poetic union, twisting and painting each sound in pearlescent shades. Rossi's folk roots shine through like cracks of dawn sunlight on 'Sumu Puistossa' ("fog in the park"), reverberating over organ and dream-zone sax; her words tip into muted surrealism thanks to the controlled chaos of Vince's bleak treatments. His grasp of jazz is transfixing: bending sax motifs like ghostly memories of music from another timeline, smudging them into the soundfield. It’s most effective on 'Siellä Näen Kaiken' ("there I see everything"), where sickly, dissonant notes flicker like an almost-extinguished candle alongside motorised furniture music courtesy of a Disklavier / Born out of wonder, daydreaming innocence and creative discovery, 'There I See Everything ‘ is the sound of two exploratory collaborators swimming into each other's ideas. From the Terry Riley-esque transcendence of '?' to the sacred incantation of long-form closer 'Pikku Muurahaiskeko' ("little anthill"), the pair expose a new layer of creativity with each turn, gradually zooming out from discreet, vulnerable beauty to encompass a gently orchestrated chaos of sustained, sublime tension

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Kitchen And The Plastic Spoons : Screams To God - LP (Dark Entries, 2022)

Repress. Kitchen And The Plastic Spoons formed at a basement rehearsal studio in Stockholm, Sweden during the spring of 1980. The band consisted of Anne Taivan (vocals), Helena Lönnqvist (synthesizer), Iggo Karlsson (synthesizer), Jackie Pazda (bass), and Mats Wigerdal (drums). After a few concerts, Kitchen booked some free studio time and recorded their first single "Serve You!" in two days. Six months later Patrik Lindvall (guitar) joined the group and the band recorded their second single "Ice Cream To God" in early 1981. Kitchen's sound was getting darker and heavier and so was the mood in the band. Anne shortly left and was replaced by Iodine Jupiter on vocals. This new line up recorded a few songs for local compilations. The band broke up in November 1981 before recording their debut LP / "Screams To God" collects the group's two 7" EPs, two compilation tracks as well as three demos from 1980 never before released on vinyl. Kitchen And The Plastic Spoons were part of the new DIY generation starting bands, making self-produced singles and rapidly breaking up. Their sound echoes the speedy chaotic energy with the synthesizer as its driving pulse. Anne's vocals have a sense of urgency. They didn't' sound like any other band in Sweden at the time, having more in common with American bands, Devo, The Screamers and Pere Ubu. All songs have been remastered for vinyl by George Horn at Fantasy Studios in Berkeley. The vinyl comes housed in a full color spot gloss jacket with a photo of Anne with bright magenta hair. Although the group burned out after a year, this compilation shows their energy and attitude to be just as liberating and unusual today

€ 22

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Mecánica Clásica : Danza Sin Nexo - LP (Abstrakce, 2023)

A new mutation on Mecánica Clásica's sound, preserving the essence of previous works: ambient inspired by electronic pioneers such as Craig Leon, K. Leimer, Marc Barreca, Jon Hassell or Cluster. Continuing with their contemporary update of these sounds, this new delivery evolves to more rhythmic tracks, oriental influences and percussive sequences that bring it closer to leftfield vibes, with a wide range of textures and details that appear and disappear. The title of the album "Danza Sin Nexo" refers to this: a rhythm that forms and deforms without an apparent link, but ends up forming a coherent whole

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Sentuhlà : El Pasaje del Aumento - LP (Abstrakce, 2023)

Die-cut sleeve with printed inner sleeve. "El Pasaje del Aumento" is a collection of syncopated rhythms for hypnotic slow dance. An accident of oppressive atmospheres with a humorous sense of rhythm and composition, which moves between downtempo, African rhythms and dub. With a certain oriental softness, it introduces you into a state of enchantment, spell... a hypnotic and mysterious restlessness, almost uncomfortable. Sentuhlà squeezes his Yamaha Rm1x on this second album, creating rhythms that you would never believe possible with a single synthesizer. He spins, twists and strangles it to the limit, til getting the last drop of frequency and oscillation / Without too obvious references, it recalls the rhythms of Toulouse Low Trax or Wolf Müller, the experimentation of Muslimgauze, the repetition of Huerco S... But if you ask Sentuhlà himself, he will also mention Fela Kuti, Sun Ra, Can, Cabaret Voltaire, Tom Zé or Lee Scratch Perry...

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€ 19

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David Cunningham : Grey Scale - LP (Piano, Superior Viaduct, 2023)

David Cunningham was born in Ireland in 1954. His work ranges from pop music to gallery installations including several collaborations with visual artists. His first significant commercial success came with The Flying Lizards’ single “Money,” an international hit in 1979. Originally released in 1976, Cunningham’s first solo album Grey Scale has become a landmark statement of DIY minimalist composition – continuing in the vein of the wild explosion of arthouse experimentation from the early ’70s. Cunningham, then a student at the Maidstone College of Art in Kent, drafted fellow student non-musicians and (using whatever instruments available) crafted an endlessly shifting sonic palette with an improvisor’s keen sensitivity to space, texture and tone / As Cunningham states in the liner notes, his approach was to “pursue something (which may appear trivial or meaningless) so rigorously or relentlessly to the point that it reveals something new.” / Cunningham was influenced by live performances he was attending at the time by English composers Cornelius Cardew, Gavin Bryars and Michael Nyman as well as free improvisors Evan Parker, Derek Bailey, David Toop and Paul Burwell. The inaugural release on Cunningham’s own Piano label, Grey Scale was indeed “something new” in 1976. The artist quickly integrated his experimental sensibilities to produce art-rock pioneers This Heat, whose debut appeared on Piano in 1979. His popular success performing as The Flying Lizards (with two electro-punk albums on Virgin during the New Wave era) was presaged by this seminal work of fascinating sound collage and tonal freedom. First-time reissue

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Human Inferno : To Piss Warm And Drink Cold - LP (iDEAL, 2023)

Norwegian party boys Human Inferno is like a collision between the rougher parts of drug infected British ragga, 80s industrial harshness, out there synth and their very own sound sickness. Human Inferno does not sound like much in this world. And maybe we are not worthy. Whatever. Just get your fix here, ok / DG was in Anal Babes and Astroburger and plays with No balls. The other dudes are true underground men but TFW can be experienced while dj'ing jungle and other hot things at bars in Oslo. Bless them

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€ 22

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Cisser Mæhl : Innemuseum - LP (Sonic Pieces, 2023)

Fulltone artwork with spot varnish and printed inner sleeve. Innemuseum is the debut album by Danish composer, singer and multi-instrumentalist Cisser Mæhl. The 10 fragile compositions for vocals, sparse electronics and a myriad of instrumentation illuminate a hushed charm unlike few other Sonic Pieces releases to date / The album sparked off while Cisser was working in a mountain lodge in mid Norway during summer 2019. On her spare time she would find herself recording mountains, rivers, stones, plants and animals in the beautiful scenery. After moving to Oslo shortly after, she rented a studio to further work on her own music, songs and sound processing. Through some friends she met Norwegian artist Jenny Hval who became an inspiration as she started taking solo classes with her. Jenny then pushed to contact producer Lasse Marhaug to work together / This became the last piece of the puzzle for Innemuseum to come to fruition as Lasse ended up putting the final touches on the album. When Cisser returned to Copenhagen after 7 months in Oslo, the album was finished. The title “Innemuseum” refers to both the dark months in Oslo and the retraction towards the inner self. An inner museum - music from within, both as a person and as in physical places. This is undeniably a very personal record that sounds like the musical embodiment of Cisser herself. She sings in Danish in a close-miked way like she's sitting right next to you, all while gentle rhythms and soft strings together create a sort of bright, minimal chamber music with hints of pop sensibility. It almost feels like a Scandinavian reflection of Colleen's work in her more quiet, vocal periods. A music box of weightless compositions for the conscious mind

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€ 26

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Tomoyoshi Date : 438Hz As It Is, As You Are - LP (Laaps, 2022)

Handnumbered gold vinyl. Since 2008, "438Hz As It Is, As You Are" is "only" the third solo release from Tomoyoshi Date. The last one dates from 2011. Less is more. In parallel, from 2013 to 2021, he has recorded some releases in collaborations with Toshimaru Nakamura, Ken Ikeda, Stijn Hüwels, Asuna and Federico Durand / "This record was recorded on Diapason's upright piano made in the 1950s at the house of his maternal grandmother's sister (*). The piano has moved and tuned many times, and now it has arrived at my living room. It was a pre-mass production piano with a thick board and good sound, but I couldn't tune it without replacing the screws and the weakened base. After consulting with the tuner, I decided to tune the whole tune to the sound of the strings wound around the loosest and most inseparable screws. "As it is"

€ 22

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Yosuke Tokunaga : 8 Quadrants - LP (Vaknar, 2023)

Not much is really known about the production process behind the sprawling works of Japanese composer Yosuke Tokunaga, nor about the artist himself. Yet this might be his most accomplished work to date, with 8 Quadrants yielding unique soundscapes that lunge and retreat in near mechanical movement, while warm volleys of low flung claps and thumps disperse over a bed of textural hums and lingering chords / At times, Yosuke’s work manages to somehow form an atmosphere that can both feel airy and yet dense simultaneously; it is this juxtaposed mélange of sonic fabric that is at the core of his unique creations, and once again this is beautifully displayed on Yosuke’s latest outing, ‘8 Quadrants’, where he continues his unique practice of figuratively interpreting language through a sequence of delicate sonic sculptures

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€ 22

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Japan Blues : Meets The Dengie Hundred - LP (DDS, 2023)

Transparent orange vinyl. Taking its inspiration from early-20th Century Min'yo folk and experimental dub, Howard Williams returns under his Japan Blues moniker for some more deep dive stuff. Not quite sure about early-20th Century Min'yo folk? No worries, that's not necessarily important, with the NTS DJ and label chief taking those sources and feeding them through a very 21st Century tapestry of field recordings and hauntingly spatial sounds / The result is something that is steeped in atmosphere and vivid aural imagery waiting to be transposed into something visual, in the mind's eye at least. Noises and sounds and captured bits of something that happened meet strange, often otherworldly instrumentation, using enka and minyo recordings from 2018 studio sessions with London-based singer Akari Mochizuki and Tsugaru shamisen master Hibiki Ichikawa to exceptional and unexpected effect

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€ 26

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Muellie Messiah, Punk Not Punk : Exq I - LP (Faitiche, 2023)

Faitiche presents the album Exq I by Berlin underground techno legends Muellie Messiah & Punk not Punk, mainly known under their 100Records moniker. Weighing in at 36 minutes, the track was recorded in 2010, effortlessly intermingling dub, drone and collage, a blend achieved thanks to the duo’s jazz-inspired approach to improvisation / 100records is one of the last undiscovered treasures of the Berlin underground of the 1990s and 2000s. Like Elektro Music Department, 100records is unthinkable without techno and the club scene, but with a few exceptions the duo’s tracks are not aimed at the dancefloor. With a claim to universality and a broader frame of reference, 100records developed a more extensive understanding of sound that rests on three pillars: the understated analogue drums of the Roland TR-808, a blurred, dubby sound, and improvisation / On first hearing, Exq I has little in common with the groovy, detailed, variation-rich sound usually associated with100records. Recorded at the end of a highly productive decade, it is an echo speaking of exhaustion in which dub, drone and collage converge to form something whose jazz sensibility makes it readily identifiable as the work of 100records. 100records was founded in 1994 by Muellie Messiah (Dirk Budde) and Ekki 808 (Ekkehard Rau), who were joined in 1999 by Punk not Punk (Martin Osti). Around 2002, Ekki departed, leaving Budde and Osti to continue as a duo. Since then, their relationship has shaped 100records: Budde is the driven lone genius doggedly pursuing sounds, Osti the pragmatist who turns ideas into music

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Matthias Puech : Mt. Hadamard National Park - LP (Hallow Ground, 2023)

White vinyl. “Mt. Hadamard National Park” is the Hallow Ground debut by composer, programmer, and instrument designer Matthias Puech. Informed by mathematical and artistic approaches that aim to both contemplate on and control complexity, the eponymous five-part composition explores natural and mystical forces through what he calls “audio-naturalist noise” / The composition is complemented by two further pieces that follow similar concepts: “Suspension” emulates the chemical phenomenon of the same name, while “Imperceptible Life” hinges on the musical possibilities of stridulation. Over the course of the entire album, Puech’s singular take on electro-acoustic and electronic music creates unique sonic spaces as much as it pays its dues to the unpredictability of the world that we inhabit

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€ 22

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Kassel Jaeger : Shifted in Dreams - LP (Shelter Press, 2023)

François Bonnet's new album, more vaporous, immersive and evocative than ever, explores a wide range of sound sources and techniques to blur musical codes and leave room for memory imprints / Franco-Swiss composer François J. Bonnet, aka Kassel Jaeger, returns to Shelter Press with his new solo album, Shifted in Dreams. Over the years, Bonnet has been working closely with Shelter Press on different projects, whether as a musician (Zauberberg, Swamps / Things), a theorist (The Music To Come) or as Director of parisian institution INA GRM (SPECTRES, Recollection GRM, Portraits GRM). The common axis of all these actions is the exploration of the deep causes of music, its own potential and its possible appearances / Shifted in Dreams is a continuation of such research but takes a somewhat deviated path. If we use the metaphor of music as a paradoxical mountain—an unreachable "Mont Analogue", then this record tries to opens up a way that at first seems simpler and marked out by the distinct presence of familiar harmonic and temporal elements. This path, however, is simple only in appearance, for soon it becomes less clear: its contours get blurred, drowned in the mist. Silhouettes form in the distance, like uncertain shadows. We grope our way forward, in this infra-sensitive thickness of the world outside of signs. The recognized markers disappear, giving way, at best, to reminiscences, but increasingly making way to qualities, occurrences, events. We leave the known world of musical codes to join that of sound apparitions, their memorial imprints and the impressions they produce

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€ 26

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The Space Lady : The Space Lady's Greatest Hits - LP (Night School, 2023)

Blue vinyl repress. Night School issue an essential collection from US Synth dreamer The Space Lady. Armed with only a Casio synth and her voice, she manages to conjure a haunting immediacy with a sound that seems a precursor to the work of American underground synth explorers on labels like Not Not Fun. From the electronic troubadour majesty of ‘Ghost Riders In The Sky’, to the psychedelic ‘Slapback Boomerang’, there is much to recommend here for fans of Peaking Lights, Maria Minerva and their peers

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€ 22

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Kiln : Holo - LP (Keplar, 2023)

»Holo« by the US-American three-piece Kiln, first released in 1998, is one of those rare records that managed to carve out a niche of its own while also building bridges to variety of genres like Chicago-style post-rock, the ambient mysticism of projects like Rapoon or the music made at the intersection of shoegaze, and electronic music in the late 1990s. Lush textures, subtle rhythms, jazzy inflections and electronic experimentation seamlessly blend into each other over the course of the eleven tracks. This reissue through the German label Keplar makes the fully revised version, self-released by the group in 2007 under the name »Holo [re/lux],« available on vinyl for the very first time. »Twenty-five years later this newly mastered vinyl edition is evidence that the sound of ›Holo‹ continues to attract like-minded listeners,« says member Clark Rehberg III. »Which on many levels means that our mission was successful.«

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€ 22

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Imaginary Softwoods : The Notional Pastures Of Imaginary Softwoods - LP (Field, 2023)

Time bends for Imaginary Softwoods, the solo guise of producer, songwriter, and synthesist John Elliott. Though he’s working on new recordings daily, Elliott’s process for the construction of his albums moves at a much different interval, stretching out over months of considerate listening, revision, and waiting patiently for the right combinations and clashes of elemental forces to materialise on their own. The Notional Pastures of Imaginary Softwoods continues Elliott’s practice of zeroing in on what he wants to say with an album over the course of countless sessions that span multiple years, this time paying even more attention to locating the emotional through-line that connects the various pieces / The eleven-piece album vibrates at a low, unbroken cycle through all of its articulations. The bubbling neon dots of “North of Roswell,” double vision stumble of “Mr. Big Volume,” underwater music box trickle of “Portable Void,” and clear headed Arctic daybreak drones of “Diagram of the Universe” are all linked by a gentle, fluid hum. The brief moments of anxiety and long stretches of calm both feed back into the same center of gravity, becoming conjoined reflections of one another as they cycle through / After bending to find this specific universal frequency, time evaporates altogether, and longer zones like the glimmering “Almond Branch” become indistinguishable from Elliott’s signature miniatures, some of which stick around for less than a minute. The Notional Pastures of Imaginary Softwoods is a document of the universe as we comprehend it, designed to vanish as soon as it is felt

€ 22

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Jan Jelinek : Zwischen - LP (Faitiche, 2018)

Faitiche is delighted to release a short version of the radio play Zwischen (German for ‘between’). Devised and produced by Jan Jelinek for German public broadcaster SWR2, Zwischen brings together twelve sound poetry collages using interview answers by public figures. Each collage consists of the brief moments between the spoken words: silences, pauses for breath and hesitations in which the interviewees utter non-semantic sound particles. These voice collages also control a synthesizer, creating electronic sounds that overlay and merge with the voices to make twelve acoustic structures / We all know the speaker’s fate: you falter, you mispronounce, there are breaks, silences and false starts. This results in delays, a language noise compared by Roland Barthes to the knocks made by a malfunctioning motor. Such gaps can be disconcerting, standing as they do for a failure of the speaker’s rhetorical skills. But what happens when they become a constitutive, poetic factor? / Zwischen consists of twelve answers to twelve questions. The answers were all recorded in interview situations. From the speech of the interviewees – all eloquent public figures – the pauses are extracted and edited together. The result is a series of sound collages of silence. But this silence is deceptive, as it is only meaning that falls silent. What remains audible is an archaic body language: modes of breathing, planning phases, seething word particles in search of sense that can break out into onomatopoeic tumult or drift off into sonorous noise

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€ 20

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Eliane Radigue : 11 Dec 1980 - 2xCD (Important, 2023)

Issued in slim double jewel case with 4-page insert. On December 11, 1980 Eliane Radigue performed live on KPFA. Her full performance is included here, remastered, on two compact discs. Upon hearing these performances for the first time in many years Radigue declared them to be the best versions she'd ever heard. Included are full in-studio performances of Chry-ptus and the world premiere of parts one and three of Tryptych

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€ 18

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Tony Rolando : Shared System - MC (Cassauna, 2022)

Side A is two tracks created on the Make Noise Black & Gold Shared System Plus. Side B is two tracks created on the Original Make Noise Shared System, the exact instrument used by Richard Devine, Alessandro Cortini, Robert AA Lowe, Keith Fullerton Whitman, and Surachai in creating the original series of records. Here is the original text that accompanied the release of those 5 records: / "The Shared System Series compiles the separate recordings of several artists utilizing the same electronic musical instrument, the Shared System. At times it feels as though electronic music has become an overly automated form driven by simplified genre specific apps and software. What happens when the signal path is not pre-defined or optimized for a popular result? The Shared System is a modular synthesizer developed by Make Noise. It has no pre-determined signal path, and is not designed for any particular musical destination. In limiting the artists to this one instrument, we hope the Shared System Series of records will purely illustrate the intentions of the artists."

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€ 13

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Terry Fox : Labyrinth of The Inner Ear - CD (Auf Abwegen, 2022)

6 panel DVD-style digipack, embossed sleeve. For the exhibition “Sonambiente", I will produce a new audio work for compact disc. The title of this work will be “Labyrinth of the inner ear" and it will be recorded in Berlin on the 14th and 15th of April, 2006. The compact disc will be produced directly after the recording process and presented, during Sonambiente, in a room of the former Polish Embassy / This will be a kind of “drone" work consisting of the repetitive tapping of a sightless person (the artist, Siegfried Saerberg) navigating his way through an urban environment and finally returning to the place where the walk began. The sound of the cane, either tapping or sweeping back and forth, would be a constant in this composition. It would cease only when Siegfried stops walking for some reason, for example: an interesting acoustical space, a ride in a public transport, etc / Location interpretations could be ascertained by the sounds surrounding the steady central position of the cane; an alley, a busy shopping district, the relative quietness of a back street a park, and so forth. This walk would, itself, finally return to its place of origin. Terry Fox, Köln 2006

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€ 19

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Edward ODowd : F(our)-Ward - CD (13, 2023)

Packaged in trifold sleeve. Describing his ideas behind "F(our) Ward", Edley ODowd notices that the combination of sound and visuals were “essential to delivering a message”- points out Edley talking about his foray into new territory. “I wanted to create something of nightmares and bliss” explains EdleyODowd when asked to discuss the combination of visuals and sound presented on his latest solo release "F(our) Ward" / ODowd, a long-time veteran of various musical scenes, has collaborated and performed with many musical luminaries (Genesis P-Orridge, Deborah Harry, LeneLovich, Tony Conrad, Shilpa Ray), as well as being a member of Toilet Boys, Psychic TV, Kylesa and his brand-new death rock band Scorpion Tea / Initially released as an ultra-limited cassette release via Flesh Prison/DeathBed Tapes, "F(our) Ward" is coming out in the rest of the world via 13, as an extended version featuring three bonus tracks and expanded artwork by ODowd. “I am proud to present what I consider to be the complete version of this art and music”, stresses Edley, talking about the unity of two inseparable components of his creativity. “The video clips that accompany these songs are designed to be trance-induced launchpads for the audio and vice-versa” – admits ODowd: “A world within our own, in which we can see and hear new and exciting things”. The videos accompanying the release of "F(our) Ward" were shot on various locations in Mexico and Colombia, ODowd’s goal was to present a visual environment one could listen to the music within

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€ 8

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Lucia Baldini, Arlo Bigazzi, Flavio Ferri : Alfabetiere Majakovskij! - CD+Book (13, 2022)

"Alfabetiere Majakovskij!" is another piece in the trans-media (and also trans-publishing) project conceived by Arlo Bigazzi and dedicated to the futurist poet. Initially conceived as a musical reading with and for the actress Chiara Cappelli - who edited the translations from Russian - it then became the double album "Majakovskij! Il futuro viene dal vecchio ma ha il respiro di un ragazzo" (Materiali Sonori), which includes a CD with the theatrical sequence in which, among others, musicians such as Blaine L. Reininger, Mirio Cosottini, Mirko Guerrini and Guido Guglielminetti took part, and one with instrumental versions of some of the pieces / Subsequently, the book "Majakovskij! Cantata per Vladìmir Vladìmirovi?" (Editrice Zona) was published, containing the text of the play, short essays on Majakovskij by authors such as Francesco Forlani, Luciano Del Sette, and Mirco Salvadori, two graphic novels drawn by Riccardo Cecchetti and Monica e Zeoli, and five poems that were not included in the play. As other pieces of this ever-changing work, eight videos published on the web and even two t-shirts and six art prints from the graphic novels were made / With the participation of the photographer Lucia Baldini, the "Alfabetiere Majakovskij!" was created for Silentes, interweaving Bigazzi's original project with the Alfabetieri published by the photographer: real self-produced art creations for her “domestic publishing house”, In Alto Edizioni, artist's books produced in limited editions, numbered and signed

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€ 19

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Taka Noda, Rod Modell : Glow World - 2xLP (13, 2023)

Orange black swirled vinyl, handnumbered / This collaborative album from Rob Modell (Deepchord) and Taka Noda (Mystica Tribe) presents a brand new and compelling East-West dialogue in the mode of noir ambient dub. It also provides ample opportunity for these two greats of the genre to take a break from the monikers and operate under their own names - reflecting this one's specialness. Unlike the straight-up kick-centric and transcendentally meditative focus of either artist's solo releases, the pair have here conjured up something entirely beatless and a little more melodically advanced. Expect hurt, rainsoaked, and swamped soundscapes over a long four pieces

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€ 32

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Like The Snow : As Leaves Fall - CD (St.An.Da., 2022)

Packaged in 6-panel digisleeve / "Gathering its most vivid elements, and drawing inspiration from the most emotionally touching mixtures of electronic synthesizers, driving rhythms - always 'clever' and sober - and melodic para-ambient offshoots, Like The Snow (Luca Mazzariol) creates an album with almost 'epic' connotations, for its ability to involve and for the intensity of the emotions it is able to convey. At times sweetly melancholic and introspective, at times 'charged' with irresistible dynamic energy, but always 'measured' and refined in its form, sound and solutions, this new release by Like The Snow goes far beyond the previous album published in 2020, touching heights that rarely musical projects of a similar genre have been able to reach"

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€ 10

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Richard B.Lewis : Blue Horizon - CD (St.An.Da., 2022)

Packaged in 6-panel digisleeve. Third work for Richard B. Lewis, who, with "The Blue Horizon", takes us on a journey through the whirlpools of mental disorder that blur the unreachable blue horizon like a thick fog. Sounds that penetrate inside and leave you naked in a bond between nature and dream. Drones and noises that keep you suspended in an oppressive limbo but let you see the light... You can't touch it, but it seems to be there waiting to welcome you. With "The Blue Horizon", Richard B. Lewis makes a big leap in quality and substance. An essential starting point for new experiments and a fundamental chapter in his research

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€ 10

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Taka Noda, Rod Modell : Glow World - 2xLP (13, 2023)

Black vinyl / This collaborative album from Rob Modell (Deepchord) and Taka Noda (Mystica Tribe) presents a brand new and compelling East-West dialogue in the mode of noir ambient dub. It also provides ample opportunity for these two greats of the genre to take a break from the monikers and operate under their own names - reflecting this one's specialness. Unlike the straight-up kick-centric and transcendentally meditative focus of either artist's solo releases, the pair have here conjured up something entirely beatless and a little more melodically advanced. Expect hurt, rainsoaked, and swamped soundscapes over a long four pieces

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€ 28

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Lt.Murnau, Maurizio Bianchi : Tapes 1980 / 1981 - 2xCD (St.An.Da., 2022)

In the "Tape Network" universe of the early 1980s where everything seemed possible, Maurizio Bianchi meets Lieutenant Murnau in two obscure but historical postal collaborations, originally released in a strictly limited edition for the British tape label Flowmotion (It Should Be Used Only Once) and for the German Litanic (Techno-Logy). Two of the best known promoters of the Italian experimental scene create two surreal experiments that anticipate the mash-up vogue, hybridising radical industrial noise, romantic soundtracks from the films of Friedrich Wilhelm Murnau and mocking 'plagiarist' field recordings. The digipack contains graphics created by M.B. at the time of the original relases and images from the Lt. Murnau fanzine, with an introduction by Vittore Baroni

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€ 14

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Fabio Orsi, TeZ : OT/OT - CD (St.An.Da., 2022)

Packaged in 6-panel digisleeve. A collaboration between Fabio Orsi and the Italian interdisciplinary artist and independent researcher Maurizio Martinucci (aka TeZ), mostly known for his collaboration with Adi Newton in Clock DVA. Together they have created a work as dense as it is intense, with cosmic traits that are aptly depicted in the images featured on the artwork / A work in which the experience of its two authors reaches a unique climax where you can only let yourself loose without placing any limits on your senses. A creative partnership, devoted to the alchemy of electronic weavings that pulse, dig, transform, dare, reinvent. We find ourselves in the presence of two veterans of avant-garde experimentation and ambient noise that drive out hidden horizons by intercepting them in the space-time folds of the sound dimension. Deeply immersive electronic patterns, field recordings and variable frequency drones. Ltd x 200 copies in a 6-panel digisleeve with printed vellum cover

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€ 10

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Marco Bertoni : Live In Trentville - CD (13, 2022)

Unlike the distant "18/8/81" or the more recent "Wrong Ninna Nanna", this new solo work contains no piano or other instrumental parts. In this release, which occurred like all truly welcome things in an unexpected and unsought way, I have collected some of my own compositions created only from sound material recorded around or taken from other recorded music. Such material has been mutated with various sound processings, and assembled by multiplying layers in both digital and analog environments. The time passing in this music is the result of a search for sensory fulfillment and expressive freedom. - Marco Bertoni

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€ 8

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Witcyst : Real Folk - Lathe Cut Singles 1993-1997 - 4xCD Box (Pica Disk, End Of The Alphabet, 2017)

4 CDs, 40 tracks, more than four hours of material, 3 booklets totaling 72 pages, including first time in-depth interview with Witcyst and almost 100 colour photos and artwork, CDs in individual colour wallets reproducing the artwork of each 7” single, limited edition of 300 copies - we have 50 copies for Australasia, for the Northern Hemisphere, please see our friends at Pica Disk. A bona-fide underground legend, Witcyst has been creating completely unique noise music from the isolation of smalltown New Zealand since the late eighties / For three decades Witcyst has been an infamous prol yet mysterious force of the deep noise underground, sharing handmade cassettes, lathe cut singles, CDRs and art objects via the post, but never touring or appearing live. Witcyst’s mysterious career is marked by a complete absence of live performances and a massive prolificness in recordings wrapped in his own hand-made day-glo collaged artworks and assemblages. His music is the freest of free music. Unhampered by arch design or advanced technique, his work stands as an ever-surprising, unmatchable feast for the ears and eyes / With the release of “Real Folk” Pica Disk and End of the Alphabet hope to break the long-held secret of Witcyst and bring his glorious visions to a wider audience. The 4xCD boxset collects 40 tracks from 20 self-released 7” lathe cut singles from the mid-nineties (all from legendary New Zealand lathe-cutter, Peter King), that were originally released in editions of 10 to 20 copies, so rare most of them have never appeared on Ebay or Discogs. The box-set also includes three booklets of artwork, photos and an extensive first-time home interview of Witcyst himself by Noel Meek

€ 39

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John Cage : Variations VII - CD (Epicentre Editions, 2021)

Gatefold sleeve and booklet in french and english. Design by Studio Punkat. Recorded live on August 15th, 2020 as part of the 8th edition of Le Bruit de la Musique festival at Domeyrot (Creuse, France) / Variations VII was created by John Cage to be performed at a special event, 9 Evenings, Theatre & Engineering, held from 13th to 23rd October 1966 in New York and in which a team of engineers, led by Billy Klüver, worked with ten artists from the American “avant-garde”, with the aim of enabling them to extend their exploration of the possibilities of electronics in their own art. Here is how John Cage described this piece in the programme for the event: / « It is a piece of music, Variations VII, indeterminate in form and detail, making use of the sound system which has been devised collectively for this festival, further making use of modulation means organized by David Tudor, using as sound sources only those sounds which are in the air at the moment of performance, picked up via the communication bands, telephone lines, microphones together with, instead of musical instruments, a variety of household appliances, and frequency generators. »

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€ 12

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Menstruation Sisters : Glass Walking - LP (Pica Disk, 2015)

Pica Disk is proud to release “Glass Walking” – an LP of recently unearthed recordings by the infamous Australian noise band Menstruation Sisters. Over the years the Menstruation Sisters have through a selective, but incredibly varied output of albums steadily built a reputation among music fans as a unique band. It was never a secret who the members of Menstruation Sisters were, yet the band’s aura was shrouded in mystery and confusion, possibly because they would completely reinvent themselves with every new recorded statement. As a fan of the Menstruation Sisters you had to abandon everything you knew with each new piece of the puzzle / And now we can go back to the beginning, the birth of the Sisters, as by pure luck early previously unreleased material from 1995 was recently discovered in the vaults in Perth’s Endless Studios archives. On these recordings the band was the duo of Oren Ambarchi and Nik Kamvissis, but with producer Anthony Maher assisting and performing on some tracks. Ambarchi and Kamvissis would continue as a duo until Brendan Walls joined in 2001. The material heard on “Glass Walking” has a different flavor to the albums that would follow. Fans will immediately be struck by the almost total absence of drums and guitars, as the music on “Glass Walking” is built around electronics and vocals / This makes the music feel more immediate, urgent and desperate. Tracks like “Give Blood” and “Don’t Fuck” reveals the missing link between Hanatarash, Maurizio Bianchi and the monkeys in the Evolution Revolution band. This is noise music history in reverse. The album also contains the first Menstruation Sisters live concert, which documents that the band’s ferocious performance antics were also fully developed from the very first time they set foot on stage. This is the complete set, all glorious 9 minutes and 35 seconds of it. “Glass Walking” will only be available on vinyl and comes with liner notes and archival photos that explains everything

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€ 16

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Le Un : Méandre(s) – An experience in spontaneous, collective creating - CD+DVD (Les Presses Du Réel, 2023)

A sound and music experience along the Dordogne river, with Le Chant du Moineau and the Ensemble UN orchestra, and a group of invited researchers (with a composition by Lionel Marchetti on CD and a film by Camille Auburtin on DVD) / Le UN is an improvisation society which brings together musicians, a lighting artist, and a performer. Le UN is a polymorphic mass that preserves the individual and their practices without hindering the space of the collective. Méandre(s) took place between the 24 and 26 June 2021. After much location scouting, Le UN and its guests (Olivier Chadoin, sociologist, Éric Chevance, teacher, Antoine Devillet, philosopher, Vincent Fleury, biophysicist, and Anne Steiner, sociologist) stayed, paddled and played during the fi rst two days along twenty or so kilometers of the Périgord section of the river Dordogne, between Carzac and Vézac. The various results were gathered into images and sounds, and on June 26th a public event was put on at the stopover at Carsac with conferences, sound projections, food and a concert

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€ 20

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PBK, Jim O'Rourke : Unidentified Again - 2xLP (Pica Disk, 2015)

All music by Phillip B. Klingler (PBK) and Jim O’Rourke, 2014-15. About “Unidentified Again” : “I first met Jim O’Rourke in 1989. We corresponded by mail and would talk on the phone frequently. Jim was in college at that time and he was very excited about music. He sent me mixtapes, we would talk about his love of Van Dyke Parks, his work with KK Null or Henry Kaiser. I also remember he sent me Godflesh’ “Streetcleaner” album which he likened to King Crimson’s “Red” / Jim’s soundwork was always special and I released one of his compositions on my Assemblage” compilation tape in 1990. We talked about collaborating, but then my situation changed suddenly and in 1992 I moved to Puerto Rico with my family. My life got complicated and I fell out of touch with a lot of friends while there. By the time I got back to the States things had changed for Jim as well, and he was in a nomadic phase, drifting around, performing a lot of concerts around the world, but a letter I sent to his parents’ address eventually reached him and in 1997 he wrote back and replied that he was only able to finish about ten minutes of electronic music a year. Still, the interest in collaboration was there, though Jim was very busy and things did not materialize in the collaborative direction for us / Not too long after that, Jim and I were in contact again. Rather suddenly Jim surprised me with source material I could use. I immediately went to work on it, with the idea that approximately 40 minutes would just about be ideal for an LP project. The sound material Jim sent was likely composed on his Serge modular synth. Jim sharing his love of Roland Kayn’s expressive work and I’m always going on about David Tudor. I built audio environments for his sounds to live in, and they do sound alive, like synthetic landscapes with birds or animals of some primitive, or alien, origin and, of course, also huge drones that could be electrical storms. I sent Jim my own sources and he came up with two beautiful mixes, each quite different from the other. I’m very pleased we finally got to do our collaboration – even if it took a quarter of a century to make it happen.” Phillip B. Klingler, April 2015

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€ 25

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Bjørn Hatterud, André Hardang Borgen : Dalstrøka Bortafor - LP (Pica Disk, 2017)

Kraft paper cover. Bjørn Hatterud and André Hardang Borgen have been staples of the Norwegian experimental music underground for 20+ years. Individually they have been active with numerous projects – spanning from post-ironic queernoise and decontructed folk plunderphonics to cloudy guitar psychedelia and hard hitting avant boogie – both musicians have wandereed the kind of adventerous artistic paths that starts to make sense when viewed in hindsight, revealting continuous multidisciplinary lines of ideas / Despite being long-time collaborators Dalstrøka Bortafor is Hatterud and Borgens debut album as a duo. It’s also a record that took 13 years to make. Not that the twosome were aiming to making an album, Dalstrøka Bortafor slowly fell in place through numerous recording sessions that accumulated and eventually took the shape of an album. (You can’t rush magic) / The six tracks that make the album are dream-like electronic excursions, with layers of synth, guitar, percussion, viola and found sounds the duo weaves a sonic tapestry that hints at a kinship to 1970’s German electronic music pioneers. This is probably not accidental, as Hatterud collaborated with Conrad Schnitzler in the years before his passing. But there’s more to it, the Norwegian title translates to The Valleys Beyond – and this is music that brings you deep into Norwegian folklore, with trolls, draugen and other mythical creatures lurking within the forest. But, Hatterud and Borgen are there to guide you through the mysterious landscape, making sure that you come out at the other end unharmed

€ 16

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Atom™ : Nacht - 12" (Raster, 2023)

Atom™’s new four tracker »nacht« contains some highlights as well as some unreleased titles from the »neuer mensch« album. Both »nacht« and »geometrische einheit« are previously unreleased compositions, while »sprechender raum« and »selbst« appear on the previously mentioned album, yet are presented as alternative versions here. the EP’s track selection was made having the emerging meta-techno dancefloor in mind

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€ 19

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Atom™ : HD - LP (Raster, 2022)

„HD“ can be described as Atom™‘s electronic quintessence: a blend of pop, electronic abstraction and powerful grooves - an invention Atom™ stands for and which was popularized through previous releases, classics in the electronica genre, such as „Pop Artificielle“ and others

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€ 22

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Blank Gloss : Cornered - LP (Kompakt, 2023)

Curacao vinyl. Sacramento, CA duo Blank Gloss’s third album, Cornered, is an exquisite statement of pop ambient starkness, an album that oscillates between lush beauty and spare melancholy. It follows from their 2021 debut for Kompakt, Melt, an album that saw Morgan Fox (piano, synths) and Patrick Hills (guitar) aligned, loosely, with the cosmic pastorale of the ‘ambient Americana’ movement. Cornered feels like a significant step forward, though – by peeling back the layers of their music, they’ve revealed both its restful core and its solemn gravitas. It is unendingly lovely, but with something disquieting at its centre

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€ 22

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Phill Niblock : Four Full Flutes - 2xLP Box (Blume, 2022)

Deluxe wooden box with velvet lining. Double LP on red vinyl, audiophile pressing, housed in Nagaoka anti-static record sleeves. Also includes an original LP-sized extensive booklet and a 60x90cm iconic poster designed by Bruno Stucchi/Dinamomilano / Joining their broad efforts in building networks of context and understanding, spanning historical and contemporary territories of adventurous sound, Blume Editions is thrilled to announce the long-awaited first-time vinyl pressing of the New York based composer Phill Niblock’s seminal “Four Full Flutes”, restoring the album to the format for which it was originally conceived / Created in collaboration with the flutists Petr Kotik, Susan Stenger, and Eberhard Blum toward the end of the 1970s, the album’s four compositions - “P K”, “S L S”, “P K & S L S”, and “Winterbloom Too” - belong to Niblock’s radical rethinking of the possibilities and terms of tape music and microtonalism, the effects of which continue to ripple across the field of experimental to this day. Created in full collaboration with the composer with newly commissioned liner notes by Bradford Bailey, David First, few artefacts of minimalism’s second wave have proven to have had such an enduring effect

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€ 95

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Joe McPhee : Nation Time - LP (Superior Viaduct, 2019)

It’s been nearly five decades since Joe McPhee assembled a group of musicians to perform the weekend concerts that would become Nation Time, his debut LP. It was December 1970, thirty-one-year-old McPhee was inspired by Amiri Baraka’s poem "It’s Nation Time," and the students at Vassar College didn’t know what hit them. "What time is it?" shouted the bandleader. "C’mon, you can do better than that. What time is it?!" / The music on Nation Time came out of the fertile, but little-known creative jazz scene in Poughkeepsie, New York, McPhee’s home base. Two bands were deployed, one with a funky free foundation featuring guitar and organ, the other consisting of a more standard jazz formation with two drummers and the brilliant Mike Kull at the piano. Across the concert and the next afternoon’s audience-less recording session, the band was ignited by McPhee’s passion and his gorgeous post-Coltrane / post-Pharoah tenor. On "Shakey Jake," they hit a James Brown groove filtered through Archie Shepp, while the sidelong title track is as searching and poignant today as it was during its heyday / Originally released in 1971 on CjR, an imprint started expressly to document McPhee’s music, Nation Time has a sense of urgency and inspiration. Additional material from those December days would later appear on Black Magic Man, Hat Hut’s first release. In fact, the first four records on this seminal Swiss label all featured McPhee

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€ 29

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Rainforest Spiritual Enslavement : Water Witches - 6xCD Box (Hospital Productions, 2023)

Water Witches collects all the early tape and vinyl works of Rainforest Spiritual Enslavement which paved the way to the deforestation of Green Graves. Water Witches includes the following previously released titles which have been meticulously remastered and presented on CD for the first time in this sturdy box set with spot gloss varnish wallets: Fallen Leaves Camouflaged Behind Tropical Flowers, Green Amulet Crafts Supernatural Qualities, Taking Place In The Foyer, Jungle Black Magic And Highlands Green Sorcery, Papua Land Where Spirits Still Rule, Black Magic Cannot Cross Water, The Plant With Many Faces, Folklore Venom, Water Rose Above The Head. Includes digital download code

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€ 75

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Bitchin Bajas : Bitchitronics - LP (Drag City, 2013)

"Bitchitronics, is ready with the quickness we expect from the Chi-based duo -- which is funny, since their area of expertise and mastery is in the area of synthetic ephemeral sonic languid-ity known more instinctively, inclusively (and let's face it, irresponsibly) as drone music. They make slow music at a fast pace is what we're saying / Now these guys are paying attention to this on the micro-level because that's where their fun is, so how will you react when we tell you that the sound of Bitchitronics was a change so extreme they considered changing their name? Ha. Yeah, us too. They were revamping a bit on this one though, it isn't just about turning on the keyboard and getting cozy. This time, the concept was: use tape techniques to create and then solve problems -- but mainly, loops and edits were there to make things fun and the music great in the style of experimental tape pioneers upon whose shoulders the Bajas play / In keeping with the (unspoken, unacknowledged by the band) concept of catching air with tape, Bitchitronics is the first Bitchin Bajas record made as a trio, blending the blowing of flute into the mix of electric keys and posthuman tones and loops of tape atop other loops of tape, with the final result coming to us with all the ebbing and flowing of a breeze -- wind on wind, even! A veritable index of gases! Let the power of Bitchitronics fall over you; another green world of music made Baja fresh by the wandering ears and care-filled creations and re-creations of Bitchin Bajas."

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€ 26

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Bitchin Bajas : Bajas Fresh - 2xLP (Drag City, 2017)

Over seven tracks that span 80 minutes, the expansive, looping, shifting synths and rhythms of Bajas Fresh mark the trio’s most diverse and ambitious record. Cooper Crain once crystallized the Bitchin Bajas ethos with a simple question: “If you find a good loop that can hold its own musically, then why not use it?” That philosophy has served his group well for going on seven years, and has recently proven just as effective in collaboration. On their second album, Bajas Fresh, Bitchin Bajas continue in long-form mode, filling 80 minutes with just seven tracks—including their longest to date, the 23-minute and 3-second “2303.” But this one is less about homage than exploration / Though no track is a radical departure, Bajas Fresh is the group’s most diverse and ambitious record so far. Part of that diversity comes from wider instrumentation. Five guests are credited on Bajas Fresh—including veteran Ghost guitarist Masaki Batoh—and each track has its own distinct tone and atmosphere. Perhaps this expanding sonic horizon is a byproduct of recent collaborations, but Crain, Rob Frye, and Daniel Quinlivan have also widened their field of vision naturally over their discography. The more music they’ve made together, the more comfortable they’ve gotten with introducing new elements into their sturdy approach / The best example might be the one song on Bajas Fresh that the trio didn’t write themselves. Their cover of “Angels and Demons at Play,” the title track from a Sun Ra album, takes the original’s bubbling rhythm and massages it into a meditation, turning Marshall Allen’s soaring flute into a slo-mo flutter. This transformation from jazz swing to minimalist loop is remarkably smooth, and that kind of easy confidence permeates all of Bitchin Bajas. It’s in all the rotations of “Jammu,” the field-recording-like rattling of “Yonaguni,” and the calm horn sounds of “Chokayo.” Even during “2303,” the record’s longest and most drone-heavy track, the band’s assuredness keeps everything in constant motion

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€ 29

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Charles Manson : Live At San Quentin - LP (Survival Research, 2022)

Following his 1971 conviction for the murder of seven people, including the actress and model Sharon Tate, the notorious cult leader, Beach Boys associate and failed singer-songwriter Charles Manson was sentenced to death, later commuted to life imprisonment. Recorded with just an acoustic guitar in his jail cell, Live at San Quentin dates from 1983 and is probably the most poppy of Manson's improvised far-out folk songs ever committed to tape, with flushing toilets and background conversations adding to the gritty low-fi realism. If you like the Lie album, you need this one too -- Manson fans will not be disappointed!

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€ 29

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Bill Nace : Both - LP (Drag City, 2020)

Free guitar for the new age: improv with intention, construction and destruction, all with the grain and air of performance captured and telescoped in a sonic particle collider. Makes sense, and not just because of the chaotic times. With Both, terminal collaborator Bill Nace (Body/Head, Thurston Moore) has found a stimulating, chiaroscuro-stubbled path back to the electric guitar's anarchic promise, drawn through eight colorful pieces that are equal parts sound, noise and music

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€ 32

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Arthur Russell : World Of Echo - 2xLP (Audika, 2021)

“In outer space you can’t take your drums- you take your mind” -Arthur Russell 1987 / Unavailable for over fifteen years, Arthur Russell’s most extraordinary work, “World Of Echo” is finally repressed by Audika Records. Newly remastered from Arthur’s pristine original 1/4" sequenced masters, “World Of Echo” sounds like nothing you have heard or will ever hear. 18 tracks are featured including drumless versions of his Disco classics “Let’s Go Swimming”, “Tree House” and “Wax The Van” along with four previously unreleased tracks from “Sketches From World Of Echo” / Originally released on LP in 1986, “World Of Echo” is a deeply intimate and meditative work of awe-inspiring grace and remains a timeless work of sublime beauty. Arthur’s aim was to achieve what he calls “the most vivid rhythmic reality”, with just cello, voice, and echoes. Arthur achieved all of this and more on one of the most amazing albums you will ever hear

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€ 39

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Quiet Voices : Hantologies - 12" (Sähkö Recordings, 2023)

Quiet Voices is a collaborative musical and sound art project, mixing ambient & electronic music, cinematic atmospheres & spoken word, founded by Jean-Yves Leloup, featuring musical pieces he composed with Hélène Vogelsinger, Villeneuve & Morando, Wild Anima, François-Eudes Chanfrault and Maxence Cyrin. Most of the composers involved in this project are all working in the field of cinema, composing music using electronic and acoustic instruments / All these musicians are also working in the field of modern classical, ambient and electronic music. Through the use of spoken voices (some of them coming from films), the Quiet Voices project can be heard as a tribute to the power and emotion of cinema. Each track can be heard as a short film, or a scene, fostering the listener's imagination. All the pieces from the record are dealing with the themes of time, memory, death or loss, and often dealing with the idea of an imaginary intermediate dimension between life and death / Jean-Yves Leloup is a Paris-based french sound artist/DJ, curator and music writer. He is the curator of various music exhibitions (Electro at Paris Philharmonie, London Design Museum and Düsseldorf Kunst Palast) and the author of various books such as " Digital Magma ", " Global Techno ", " Techno 100 ", " Music Non-Stop " and t " Ambient Music : avant-garde, new age, chill-out & cinema " (2021). He teaches sound in cinema at Paris Esra cinema School, and has released four albums with the RadioMentale duo

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€ 19

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Santaka : Santaka EP - 12" (Sähkö Recordings, 2023)

Written and produced by Manfredas Bajelis and Marijus Aleksa from Lithuania. Driving Vladimir Tarasov influenced percussionist jazzfunk

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€ 18

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Various Artists : 7Ai9 - LP (Sähkö Recordings, 2023)

A compilation of old cassette demos from the beginning of 80's plus few new tracks. All very exclusive and maximally random. Compiled by a 80-90-2000-influencer, punk zine maker and record collector Piitu Lintunen / Some notes: tracks A1, A2, A3, A4, B2, B3 and B4 are mastered from 1980's demo tapes that Piitu got from the artists. Piitu exchanged letters and tapes actively with artists in punk, industrial and experimental scenes from all over the world. Some of the tapes we had to leave out from this compilation because we couldn't reach the artists. The three new tracks among the older ones underline the principle of infinity and immortality of music

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€ 20

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Various Artists : MMXX Complete Bundle (20 x Etched Crystal Clear LPs + Printed Plexiglass Box) - 20xLP Box (Matière Mémoire, 2020)

Limited edition of the complete bundle of Matière Mémoire's incredible MMXX Series with a printed plexiglass box - commissioning 20 artists to produce 20-minute works to be issued across 2020 - is a truly stunning body of sound. Comprising of brand-new works by Phill Niblock, Kassel Jaeger, Stephen O'Malley, Hampus Lindwall, and Mauro Lanza - each issued on single sided crystal-clear vinyl, with a laser engraved artwork on the other, accompanied by a print created by the artist - stand among the most exciting records we've heard all year. This special bundle collects all the twenty releases in the third batch of the MMXX Series with a printed plexiglass box

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€ 450

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Deborah Walker, Phill Niblock, Stephen O'Malley : Nurturing Exhibitions by Mathieu Copeland - 2xCD+Book (Matière Mémoire, 2023)

An exhibitions book including 2 CDs with new pieces by Phill Niblock performed By Stephen O'Malley, Deborah Walker, Kasper Toeplitz, Franck Vigroux, David Maranha and many others. Six musical compositions by Phill Niblock, soil and cutting tree of Amanatsu orange from Masanobu Fukuoka Natural Farm, wooden pedestals, speakers, wooden benches, wooden planter, acrylic case, water, sunlight. An exhibition by Mathieu Copeland / Nurturing Exhibitions was one of two concomitant exhibitions that formed Exhibition Cuttings at Le Forum / Fondation Hermès in Tokyo, Japan between April 23rd and July 18th 2021, a time of closed borders when lives were mainly mediated through screens amidst various lockdowns / A rich and fleeting ecosystem of new hybrid organisms nurtured by an environment in constant evolutionary motion, adapting in time, Nurturing Exhibitions consisted of an Amanatsu tree temporarily transplanted to the gallery space. Combined with the music of Phill Niblock that was played continuously, at times to a closed empty gallery, the photographs that compose this book portray the exhibition's entire lifespan, from a composition being recorded to a ripe fruit being picked

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€ 36

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The Orphanage Committee : A Significant Change - LP (EE Tapes, 2022)

The Orphanage Committee is the solo project of Orphan S.C. Wallace, residing in Sint-Niklaas (Hellgium). On his long-awaited debut LP, he delivers fresh and playful soundscapes, often with a spastic beat, but mostly with a serious twist, undoubtedly! / Put this record on, loud as it will play and enter the challenging playground of The Orphanage Committee. Strongly recommended for your mental moves! / 'All music is equally abstract, but some music is more equally abstract than other' - Orwell S.C. Wallace

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€ 20

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The Orphanage Committee : The Seven Sacraments - CD (EE Tapes, 2023)

The Orphanage Committee is an ever-changing sound art project. Has Orphan S.C. Wallace now become religious? Not likely, but you have to admit that 'The Seven Sacraments' is a damn fine topic to expand your mind! This wonderful soundwork collects two lengthy compositions interpreting the Sacraments and being powered by real organ sounds. A true easy/uneasy listening experience to reach your personal Eargasm! Hell yeah!

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€ 11

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The Orphanage Committee : Continuities Vol. I - CD (EE Tapes, 2022)

Standard edition in black & white jewel case. EE Tapes proudly present the new brainchild of Orphan S.C. Wallace from our hometown Sin City, Belgium. Due to Covid-19 restrictions, his debut LP from 2021 - A Significant Change - has still been delayed at the pressing plant....maybe this year? / Instead, we present his different face first: ambient / drone constructions created spontaneously as homage to EE Tapes' 35 years of electronic obscurities! All sound and vision by Orphan S.C. Wallace. His floating drones are like a film between the ears. 3-2-1....relax now and let the earplays take off!

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€ 11

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The Orphanage Committee : Continuities Vol. I - CD (EE Tapes, 2022)

Very limited CD in coloured box version. EE Tapes proudly present the new brainchild of Orphan S.C. Wallace from our hometown Sin City, Belgium. Due to Covid-19 restrictions, his debut LP from 2021 - A Significant Change - has still been delayed at the pressing plant....maybe this year? / Instead, we present his different face first: ambient / drone constructions created spontaneously as homage to EE Tapes' 35 years of electronic obscurities! All sound and vision by Orphan S.C. Wallace. His floating drones are like a film between the ears. 3-2-1....relax now and let the earplays take off! / CD in standard jewel case limited to 100 (only 65 for sale). First 35 copies (only 20 for sale) come in a coloured box (yellow, blue, green or red)

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€ 11

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Ryoji Ikeda : Ryoji Ikeda EP - 12" (Sähkö Recordings, 2021)

Ryoji Ikeda is one of the most influential minimal electronic musicians and sound artists of our time. He also works as a cutting edge visual atist. He creates poetic art reducing the elements to extremes. Ryoji Ikeda was born in 1966 in Gifu, Japan. He lives and works in Paris, France and Kyoto, Japan. These two tracks are taken from his first and third album from early/mid 90's and are previously never released on vinyl. Space was newly mixed by Ryoji Ikeda for this EP

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€ 19

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Eiko Ishibashi, Darin Gray : Ichida - LP (Black Truffle, 2018)

Connoisseurs of improvised music can rejoice at the release of Ichida by Japanese multi-instrumentalist Eiko Ishibashi and contemporary American composer Darin Gray. Adroitly mixed and recorded by experimental musician Jim O’Rourke, the Black Truffle (Oren Ambarchi) release is an organic meld of dark energy and oneiric atmospheres. Opening with a duet which layers Ishibashi’s flute against the upright bass of Gray, Ichida meanders confidently into conventional territories before defiantly pulling back to ensure the overall impression remains fresh and unpredictable. Originally performed at Tokyo’s Super Deluxe in 2013, the release champions fine examples of Ishibashi’s piano technique and stunning electronic work by both members of the duo

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€ 29

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The Dead Texan : The Dead Texan - LP (Kranky, 2022)

Eighteen years after its initial release, The Dead Texan’s eponymous LP has received the vinyl treatment. The only record released by the duo of Adam Wiltzie (Stars of the Lid) and Christina Vantzou, this 2004 album is a dreamy, unhurried delight which moves back and forth between ambient and post-rock stylings. We’re glad to see ‘The Dead Texan’ again

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€ 29

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Eliane Radigue : Triptych - CD (Important, 2009)

Three works created wholly on the ARP 2500 synthesizer in 1978, Triptych proffers yet another piece of the (archival) puzzle that informs the deft Ms. Radigue's vital body of work. A drone crone long before such terminology ran rampant in the journalistic marketplace, Radigue's music is a marvel of economic means, utterly unflinching in its unsaid maxim that less can truly be more. The pieces herein were originally commissioned for live dance (though one's imagination can grapple with how anyone could in any way gyrate to the gentle hum, curdle and swoosh on display) but remain standalone works on their own right, regardless of context

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€ 19

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Léonore Boulanger, Jean-Daniel Botta : Un lièvre était un très cher baiser - LP (Slouch Hat, 2022)

Pour leur cinquième album, "Un lièvre était un très cher baiser", Léonore Boulanger & Jean-Daniel Botta avec le percussionniste Laurent Sériès ont composé et décomposé un ensemble de fragments de la poésie d'art brut d'Ernst Herbeck du centre Gugging en Autriche. Des petits formats pour le mouvement, chantés en allemand comme dans un jardin d'enfants Krautrock. Boîtes à musique, médiévalisme r'n'b, motets et madrigaux futuristes montés comme des marelles, mathématiques byzantines

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€ 19

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Lem : Vanitas - LP (Slouch Hat, 2022)

Dans la maison LEM, les murs ne sont pas tous parallèles. Et si certaines pièces sont bien sombres, d’autres sont puissamment éclairées. Les trois musiciens y déambulent en rythme syncopé, au son d’arpeggios synthétiques et d’une basse puissante qui fait parfois trembler les murs. La voix s’élève et résonne dans la bâtisse, elle chante les vanités du monde, l’amour, ah l’amour ! Et raconte des drôles d’histoire d’animaux, de personnages qui ne doivent pas se retourner, d’êtres farouches, de bombes sonores. Mais c’est le groove qui anime toute la maisonnée, et qui entraîne les trois comparses et tous les visiteurs dans une danse frénétique. C’est VANITAS, le troisième et nouvel album de LEM qui se fait entendre !

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€ 18

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Laszlo Umbreit : Pas de Regrets - LP (Sub Rosa, 2023)

Laszlo Umbreit's album Pas de Regrets combines electronic sounds with recorded memories and various materials to create a unique listening experience. The album features complex soundscapes and techniques of layering and editing, drawing on Umbreit's experience as a sound designer for films. Pas de Regrets is an immersive and rich listening experience, with a narrative quality that places it between prospective electronics and experimental radio / Laszlo Umbreit (°1986) is a Belgian sound designer and musician based in Brussels. Laszlo's work is anchored in sound research yet usually dialogues with the moving image, whether as present or absent. His musical practice mixes improvisation on electronic instruments, field recordings and a long meticulous editing and mixing process of sonic materials

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€ 14

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Don Bradshaw-Leather : Distance Between Us - 2xLP (Distance, 2023)

Don Bradshaw-Leather is a mysterious cult artist active on the London scene in the early 1970s, releasing just the one ambitious double LP on his own label in 1972. There has been speculation as to who this guy was. Some saying he looks like Robert John Goddfrey of The Enid, and also because of similarity in the title and some of the music, it was touted that it could have been Adrian Wagner’s prequel to his “Distances Between Us” – both not true. Don Bradshaw-Leather was, in fact, his name, born as just Donald Bradshaw I believe, and (according to Jay who was a regular in the basement of Honest Johns, Rhythm Records in Camden Town) was seen around a lot in the area in the early 1970’s busking and at small gatherings and concerts. He would hock his records around the local stores just to cover his expenses, and never sought any proper distribution / At least two versions exist of this, one with a laminated cover, the other standard matt card. In the late 1970’s it was still possible to find copies of this, in fact, Honest Johns in Goldhawk Road still had new ones in 1979. I and my brother Steve used to buy every copy we could find in Record & Tape Exchange’s various bargain basements in London, copies from as little as 10p, and we had dozens – but we never ever found a good pressing, even ones that were supposedly new! / It’s a magical record really, if you can stand the usual record noise (a real annoyance when some parts are so spacious and close to silence), with just 4 tracks, each a slightly different mood, involving drums, percussion, piano, Mellotron, and voice, amongst sundry other things, lots of big reverb, clever layering / multi-tracking. Almost Krautrock in its attitude, it’s wanton abandon, and for the heck of it, experimentation makes it one that peels off the delights layer by layer, drawing the listener into the ritual

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€ 38

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Muslimgauze : Emak Bakia - LP (Other Voices, 2023)

Gold vinyl. Emak Bakia – long out of print masterpieces from 1994. Even in the huge Bryn Jones' discography Emak Bakia really stands out of albums from the period due its rather unique (house-music related) sound and short, by the standards of Bryn Jones, tracks. Like a crossmix between Psychic TV (circa Towards Thee Infinite Beat) and Muslimgauze's trademark percussion and eastern vibes. Re-mastered and with new stunning artwork

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€ 25

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Muslimgauze : Emak Bakia - LP (Other Voices, Kontakt Audio, 2023)

Picture disc LP housed in special die-cut sleeve. Emak Bakia – long out of print masterpieces from 1994. Even in the huge Bryn Jones' discography Emak Bakia really stands out of albums from the period due its rather unique (house-music related) sound and short, by the standards of Bryn Jones, tracks. Like a crossmix between Psychic TV (circa Towards Thee Infinite Beat) and Muslimgauze's trademark percussion and eastern vibes. Re-mastered and with new stunning artwork

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€ 29

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Muslimgauze : Khan Younis - LP (Other Voices, Kontakt Audio, 2022)

Black vinyl. Brilliantly remastered black vinyl LP with new stunning artwork! Unique tribal dub-trance music influenced by arabic culture with a touch of post-industrial. Hypnotic rhythms mixed with with eastern vibes. Muslimgauze at it's best!

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€ 25

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Eden Ahbez : Wild Boy: The Lost Songs Of Eden Ahbez - LP (Everland Psych, Ebalunga!!!, 2022)

Yellow green vinyl. "Wild Boy …" is a reissue of the well-known 2016 release curated by Brian Chidester, renowned researcher and biographer of Eden ahbez. Especially for this album, Brian wrote an interesting text about ahbez's life, which definitely became the decoration of the release. With the new 2020 re-release, we went a little further and kept what is commonly referred to as studio cuts. It’s a few more minutes in the studio with ahbez himself, full of emotion and life. In addition, to the delight of fans, the edition includes an additional composition Nature Boy (Mantovani Orchestra) / Especially, it is worth noting the outstanding mastering prepared from practically decomposed tapes by the Grammy-nominated Jessica Thompson, which guarantees the deepest and warmth possible sound. Jessica a huge ahbez fan and we're highly appreciated for what she has done to save his music for the future. Eden Ahbez is definitely at the origin of psychedelic music and this release can be taken as further proof. Over the past twenty years, the iconic figure of the world's first hippie Eden ahbez has become famous primarily for his 1948 song "Nature Boy", praising universal love, and his amazingly solo album from the 1960s called "Eden's Island" - one from the first concept albums in the history of music and probably the first psychedelic music album. "Wild Boy: The Lost Songs Of Eden Ahbez" deepens understanding of the origins of the psychedelic movement in the 1950s

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€ 28

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Klaus Wiese : Qumra I - CD (Infinite Fog Productions, 2022)

Klaus Wiese (1942-2009) was a German musician and sound researcher. Wiese brought the teachings of Sufi Hazrat Inayat Khan to Germany from his travels in the East. His album "El-Hadra, the Mystik Dance," which he created with Mathias Grassow and Ted de Jong, made him famous in the genre. Under his own name, From 1981 until his unexpected death in 2009 he released upwards of 60 recordings, not including collaborations(with Oophoi, Mathias Grassow, Ted De Jong, Jim Cole, Al Gromer Khan... to name a few). Wiese’s music exists at the nexus of several overlapping modes - ritual, dark ambient, environmental - yet new age exerted an influence as well, most audibly on these late 1980s outings / On his recordings, Wiese used Persian stringed instruments, Tibetan singing bowls, bells, voice, and other exotic instruments. "Qumra" duology was released in 1986 and 1987 by a German label Aquamarin Verlag and reissued on small run cd-r by Gianluigi Gasparetti (Oöphoi) on his own label Umbra. Since then both parts became extremely rare items and top-wanted albums for searchers of spiritual ambient music. "Qumra II" was included in the 20 best new age albums ever recorded, by FACT magazine. "Qumra" is one of the most beautiful ambient recordings I have ever heard. A sweet stream of otherworldly music dissolves time and space and brings you to a place of perfect and endless tranquility. This is a sound of a moment that is equal to eternity / Being in love with the albums for many years, the idea of reissue always bothered us, and finally, with the help of our friends The Fact Of Being, we're blessed to release it first time on a CD and hope these 2 small beautiful plastic circles, like a right puzzle, will take its place in your heart and collection

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€ 14

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Klaus Wiese : Qumra II - CD (Infinite Fog Productions, 2023)

Klaus Wiese (1942-2009) was a German musician and sound researcher. Wiese brought the teachings of Sufi Hazrat Inayat Khan to Germany from his travels in the East. His album "El-Hadra, the Mystik Dance," which he created with Mathias Grassow and Ted de Jong, made him famous in the genre. Under his own name, From 1981 until his unexpected death in 2009 he released upwards of 60 recordings, not including collaborations(with Oophoi, Mathias Grassow, Ted De Jong, Jim Cole, Al Gromer Khan... to name a few). Wiese’s music exists at the nexus of several overlapping modes - ritual, dark ambient, environmental - yet new age exerted an influence as well, most audibly on these late 1980s outings / On his recordings, Wiese used Persian stringed instruments, Tibetan singing bowls, bells, voice, and other exotic instruments. "Qumra" duology was released in 1986 and 1987 by a German label Aquamarin Verlag and reissued on small run cd-r by Gianluigi Gasparetti (Oöphoi) on his own label Umbra. Since then both parts became extremely rare items and top-wanted albums for searchers of spiritual ambient music. "Qumra II" was included in the 20 best new age albums ever recorded, by FACT magazine. "Qumra" is one of the most beautiful ambient recordings I have ever heard. A sweet stream of otherworldly music dissolves time and space and brings you to a place of perfect and endless tranquility. This is a sound of a moment that is equal to eternity / Being in love with the albums for many years, the idea of reissue always bothered us, and finally, with the help of our friends The Fact Of Being, we're blessed to release it first time on a CD and hope these 2 small beautiful plastic circles, like a right puzzle, will take its place in your heart and collection

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€ 14

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Muslimgauze : Khan Younis - LP (Other Voices, Kontakt Audio, 2022)

Picture disc housed in special die-cut sleeve. Brilliantly remastered picture LP with new stunning artwork! Unique tribal dub-trance music influenced by arabic culture with a touch of post-industrial. Hypnotic rhythms mixed with with eastern vibes. Muslimgauze at it's best!

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€ 29

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Gabor Szabo : 1969 - LP (Ebalunga!!!, 2023)

Ebalunga!!! is coming back with a new long-awaited reissue of LP by the famous Hungarian guitarist. The album was released in August 1969, initial reviews were positive. Cash Box raved that Gabor Szabo 1969 “is magnificent music, and an album that deserves great success” while Record World called it “luscious guitaring” that features “lots of contemporary material, which he makes completely his own.” Gabor Szabo 1969 never did find the success it was seeking. But it remains a lovely listening experience that finds the guitarist at his melodic best at an important crossroads in his recording career." / "Gabor Szabo exploded onto the American jazz scene in the early sixties. His unusual approach and unique sound brought something startling and new to jazz. With Chico Hamilton, Charles Lloyd and Gary McFarland, Szabo offered something few in jazz had ever heard before: guitarist as enchanter and conjurer and musician as storyteller and mesmerist. Once Szabo declared his independence in 1966, he also proved how seamlessly jazz can blend the Beatles and Bacharach with Latin and Indian styles. The guitarist released a string of albums on Impulse that challenged many assumptions about jazz and stand out today as some of the most radical, yet appealing music of the period / But the times were woefully a-changing. Szabo biographer Károly Libisch considers the year 1969 a “turning point” for the guitarist. The spell Szabo weaved in the press was beginning to wane. The blizzard of coverage he generated in the previous few years began to trickle off. Perhaps the rise of rock – and rock-guitar heroes – tamped down the guitarist’s exotic allure and faddish charm. Then, too, Szabo’s erratic behavior started attracting poor notices and hastened the demise of his storied quintet, featuring guitarist Jimmy Stewart and percussionist Hal Gordon, in late 1968. Now, both Gabor Szabo, the artist and businessman, needed a hit. 1969 was his response to the call of 1969

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€ 26

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Muslimgauze : Lo-Fi India Abuse - LP (Other Voices, Kontakt Audio, 2023)

Picture disc LP housed in special die-cut sleeve. Originally released in 1999 via BSI Records (BSI 1999-3). All tracks recorded by Muslimgauze 1998. Some tracks are re-mixes from Systemwide’s “Sirius” album. Re-mastered by Viseslav Labos. Sleeve by Oleg Galay / This disc was recorded in 1998, some tracks are "pure" Muslimgauze and some are re-mixes of tracks from Systemwide's "Sirius" cd. Nearly all of the tracks have hand percussion in varying tempos and intensities and at least 1/2 make use of electronic noise surges. The sound is very crisp and clean, extremely well produced, recorded, and nicely varied throughout the length of the disc

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€ 29

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Muslimgauze : Lo-Fi India Abuse - LP (Other Voices, Kontakt Audio, 2023)

Black vinyl. Originally released in 1999 via BSI Records (BSI 1999-3). All tracks recorded by Muslimgauze 1998. Some tracks are re-mixes from Systemwide’s “Sirius” album. Re-mastered by Viseslav Labos. Sleeve by Oleg Galay / This disc was recorded in 1998, some tracks are "pure" Muslimgauze and some are re-mixes of tracks from Systemwide's "Sirius" cd. Nearly all of the tracks have hand percussion in varying tempos and intensities and at least 1/2 make use of electronic noise surges. The sound is very crisp and clean, extremely well produced, recorded, and nicely varied throughout the length of the disc

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€ 25

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Jacqueline Nova : Creación De La Tierra: Ecos Palpitantes De Jacqueline Nova - Música Electroacústica E Instrumental (1964-1974) - 2xLP (Buh, 2023)

Includes a booklet with extensive information written by Ana María Romano G in spanish and english. Jacqueline Nova (Ghent, Belgium, 1935 - Bogotá, Colombia, 1975), a representative figure of Colombian avant-garde music, developed important work within the field of electronic and instrumental music, as well as in interdisciplinary forms. This album « Creación De La Tierra: Ecos Palpitantes »¸ under the curatorship and research of the Colombian composer Ana María Romano G., recovers Nova’s most important electroacoustic works: Creación de la tierra [Creation of the Earth] (1972), Oposición-Fusión [Opposition-Fusion] (1968) and Resonancias 1 [Resonances 1] (1968-69), as well as the music for the film Camilo el cura guerrillero [Camilo the Guerrilla Priest] (1974), composed during her stay at the Centro Latinoamericano de Altos Estudios Musicales (CLAEM), of the Torcuato Di Tella Institute, in Buenos Aires, as well as in the Study of Phonology of the University of Buenos Aires / The compilation also includes the instrumental works Omaggio a Catullus (1972-1974), Transiciones [Transitions] (1964-1965), and Asuimetrías [Asymmetries] (1967), in which she explores randomness, timbre possibilities or the encounter between acoustic and electronic media. The interest in experimenting with the human voice, and interdisciplinary work involving visual arts, were some of the aspects that have defined Jacqueline Nova's work. Ana María Romano has written: “Nova lived in an environment hostile to change, to debate and discussion, hostile to her being an autonomous and lesbian woman. She undertook feats that make her a pioneer, even though she did not set out to be taken as one, but only as a result of the commitment, dedication and passion of a creator with her society / Jacqueline Nova died in Bogotá of bone cancer. Her tragic and early death not only cut short a career in full creative force, but also directly affected the development of electroacoustic music in the country. After her death there was a great silence —close to 15 years— in musical creation with electronic means. Nova challenged a conservative milieu and survived alone, working in a field thought to be exclusively masculine. But it was a woman who strengthened the use of technology in Colombian music. A risky bet that sadly represented a high cost: Nova was relegated during her lifetime, but her noises managed to shake and question the comfort zones of the Colombian musical establishment”

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€ 39

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Gaussian Curve : The Distance - LP (Music From Memory, 2023)

Possibly one of the greatest ambient/downtempo projects of recent years, the trio of Jonny Nash, Young Marco and Gigi Masin return to MFM with a brand new album. The Distance expands on the vision of their last album, Nash’s delicate guitar work yet again serving as the perfect accompaniment to Masin’s now legendary piano and synth textures. An unlikely pairing, the three met one weekend in Amsterdam a few years back and holed up in a temporary studio space to collaborate and lay down their esteemed Clouds debut. These new recordings feel slightly different, perhaps a second round of studio time allowing each musician to fully explore their role. Luckily the atmosphere remains just as introspective!

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€ 19

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Gaussian Curve : Clouds - LP (Music From Memory, 2023)

Music From Memory's fourth release sees the Amsterdam based label taking an exciting sidestep with the release of “Clouds”, an album of contemporary music recorded in spring 2014. “Clouds” is the debut album of Gaussian Curve, a collaboration between Italian ambient pioneer Gigi Masin, Land Of Light’s Jonny Nash and Marco Sterk (also know as Young Marco) / Each of them established in their own rights, the three musicians from Italy, UK and the Netherlands, came together during a weekend long recording session in April of this year.Without preconceived ideas and developed around often purely intuitive improvised jams, the eight tracks on the album are all 'one take' live recordings. With Gigi Masin on Rhodes and piano, Jonny Nash on guitar, melodica, synths and trumpet and Marco Sterk on synths, rhythmic structures and production duties, the three of them succeed in developing a musical language all of their own / Recorded in the heart of Amsterdam's Red Light district, the album reflects the unusually warm Spring and the buzz from the open windows that filled the derelict downtown studio space during that particular weekend. Whilst on the more introvert late night compositions the music quietly soars, reflecting the brooding melancholy of an evening in that particular part of the city. With a heartfelt simplicity “Clouds” is a record of an inspired meeting of unique souls and unique surroundings

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€ 19

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Nenad Jelic, Laza Ristovski : Opera - LP (Soundway, 2023)

Soundway Records reissues a limited 1000 copy run of Nenad Jelic and Laza Ristovski's seminal experimental Serbian album Opera originally released on the former Yugoslavian state record label PGB / RTB in 1986. Combining Balkan and South American percussion and rhythms with synthesisers, vocal samples, and at times unexpected acoustic instruments (zither and harmonica), the album has slowly become a cult classic amongst fans of fourth world and avant garde music and is a kaleidoscope of contrasting moods and inspirations / The recordings were the brainchild of Nenad Jelic: one of the most original artists to appear on the Serbian music scene in the late 1970s onwards. Jelic played in a wide variety of former-Yugoslavian contemporary jazz, modern classical and rock / pop outfits throughout the 80s until the present day, including the two, classic early 1980s LPs recorded by the Lala Kovacev Group: Balkan Impressions Volumes 1&2. A percussionist obsessed with melody and silence, and a multi-disciplinary instrumentalist, Jelic teamed up with the famous Serbian keyboard player Laza Ristovski in 1985 to help him arrange and realise his vision for the record. The year before its conception, Jelic had moved to Portugal and it's evident in the compositions that the musical waves that blow back and forth across the Atlantic Ocean had melded with the various Eastern European, Mediterranean and Balkan traditions that he had grown up with

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€ 22

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Roberto Musci : Tower Of Silence - 2xLP (Music From Memory, 2023)

Music From Memory returns with their penultimate release of 2016, this time bringing together a compilation of works by the Italian composer and musician Roberto Musci. While studying guitar and saxophone in his hometown of Milan, Musci developed a deep fascination for non-western music and set out to travel across India, Asia and Africa, which he would do extensively between 1974-1985. During his many journeys Roberto would become deeply embedded in each unique world of rhythms, scales and approaches to making and performing music. Throughout this period of travel he would make many field recordings as well as collect and study many traditional and indigenous instruments that he would then later combine with synthesizers and electronics on his return to Italy / Combining personal documents of music and sounds deeply connected to the history and cultures of those lands, with his own explorations and experiments with cutting edge sound technology Roberto Musci would develop through his music a very unique and at times wholly mystical space, where ancient and modern would evolve into a new musical language. As well as making his own music, during the 1980’s and 1990’s Roberto would also regularly broadcast radio shows of experimental and indigenous music on Italian radio stations such as Rai and Radio Popolare. Deeply connected to the arts he would also compose and perform numerous pieces of music for theatre, dance and performance art pieces as well as soundtracks for film and television / ‘Tower of Silence’ brings together a double LP of material from Roberto Musci’s solo recordings commencing with the Loa of Music sessions from 1984 up until later very recent works. The compilation also includes a number of collaborative pieces, many performed and written in collaboration with Giovanni Venosa, such as material taken from their ‘Water Messages On Desert Sand’, which as an album was Grammy-nominated in in the UK in 1987. A unique and at times intensely mesmerising musical world ‘Tower of Silence’ offers an introduction to the work of a unique and visionary artist

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€ 26

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Neo Zelanda : Mix Zelánea - LP (Munster, 2023)

Debut album by Ani Zinc, member of the Spanish experimental duo Diseño Corbusier and co-founder of the iconic record label Auxilio de Cientos. Originally released in 1986, this record is a showcase of her radical blueprint, comprising sound collages and voice experiments, and also welcomes the use of conventional instruments such as drum machines and keyboards, resulting a richer and more diverse outcome. First time reissue of this much sought-after record on the highly collectable Spanish experimental label Auxilio de Cientos

€ 22

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Genji Sawai : Sowaka - LP (Glossy Mistakes, 2023)

Genji Sawai’s classic LP “Sowaka”, featuring Midori Takada and Bill Laswell, reissued for the very first time. Sowaka, recorded in 1984, displayed an innovative sound that went beyond genre – mixing dub, world, jazz, electro, hip-hop and avant-garde. A perfect match of some of the most experimental artists of that time resulting in an extremely sought after and singular piece of music of the golden Japanese era. A talented crossover / In 1984, working with Bill Laswell, Michael Beinhorn and Midori Takada would be unlike working with anyone else Genji Sawai had before, pulling him out of the J-jazz experimental scene he was based on. Rather than work off written music, they’d build songs like cooks. Genji might supply the ingredients, perhaps the tonal choices – sax, FM synths, drum machines, and Bill would task himself to do the “cooking”, creating the overall image of the song. It’s the use of imagery to have a conversation with each other, musically, that just felt so different to Genji

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€ 29

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The Dead Mauriacs : Paravents Et Miroirs, Une Cérémonie - LP (Calax, 2023)

The Dead Mauriacs is the project of French artist Olivier Prieur, and "Paravents et miroirs, une cérémonie" is a live The soundtrack will be issued as an LP.The Dead Mauriacs describe their music as "Exotica Concrete". The Dead Mauriacs' music is composed of field recordings he made on a daily basis, as well as a diverse collection of sounds, including piano, Indian harmonium, violin, ukulele, didgeridoo, pieces of wood, glass, paper, and metal plates. The album is also a spectacular 40-minute sound collage, assembled by sampling Exotica music represented by musicians and arrangers such as Les Baxter and Arthur Lyman, who were active in the 1950s / "Exotica is a musical genre or sub-genre that emerged in the 1950s in the United States with musicians and arrangers like Les Baxter or Arthur Lyman. It is an extraordinary music because it is false: bird calls imitate bird songs, you can hear the sound of the waves, it is a Western fantasy, particularly North American, of a world and an imagery that never existed. It is a music associated with mass tourism, mass entertainment, consumerism. Arthur Lyman recorded about 30 records in 10 years in Waikiki. With his band, they played and recorded under a geodesic aluminum dome / The dome belonged to the owner of the hotel he played for every night. They did this at night to avoid noise. It's music that is both profoundly naive and totally flawed. In this, it is seductive and intellectually interesting. It is music that could easily be criticized today, but it is an imaginary in itself, like the Italian film music of the 1960s and 1970s." (Excerpt from the calax's interview). The Dead Mauriacs are not only involved in music, but also in a wide range of other creative endeavors, including video and painting. The Dead Mauriacs also did the artwork of this LP. The inside of the product is also accompanied by an 8-page interview with Mauriacs and compiled his amazing artworks

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€ 22

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David Toop, Peter Cusack, Steve Beresford, Terry Day : Alterations - LP (Sub Rosa, 2023)

Never released before recordings from Logos Foundation live sessions at Logos Foundation, Gent, Belgiumon January 3, 1981 / The music is free-improvisation - that is we make our music co-operatively while playing : by listening, reacting, throwing in new ideas, not by following preplanned schemes. At its simplest the group's intention can be said to be to play together as well as possible and to enjoy ourselves while doing so. We are very interested in the result and intend that the audience is as well. As well as the musicians reacting to each other the music itself is pretty reactive to context. In other words room acoustics, background noise, audience response have a strong effect on what happens / This is particularly true of the audience. We have done performances where conversation has broken out with some audience members. There is much to see as well as hear - this is partly to do with the instruments. Together Terry, Steve and David have hundreds, all sizes, all sorts, most colours. They completely cover the floor. Many of these are non-western. The wide range of instruments means that an extremely broad sound spectrum is covered, from sudden bangs to very quiet low notes, from squeaks to normal guitar sounds. This is what fixes the overal group sound

€ 16

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Nurse With Wound : The Devil's Interval (Alienation) - LP (Vasopressin, 2023)

Black vinyl housed in a pro-printed jacket, with outer silk-screened PVC sleeve. A visionary artefact from the mind of Steven Stapleton under the guise of Nurse With Wound, drawing some of the best of the project's recent output back into the light, Vasopressin delivers the first ever vinyl edition of "The Devil's Interval (Alienation)", comprising two stunning works of minimal, atmospheric experimentalism, that stand among the most striking and immersive to ever have been created by the project. A stunning and radical rethinking of the terms of ambient music, responding to an ever-darkening world, it's an absolute must for every NWW fan, new and old / “The Devil's Interval (Alienation)” was created and recorded in 2017 during one of Nurse With Wound’s sleep concerts - long form events instigated by Steven Stapleton, within which he inter-splices elements of the project’s back catalog while audience enters a restful state - at Burren College of Art, Ireland. Originally issued in 2020 on a 3” CD that accompanied a 50-page book by Octave Mirbeau published by the French imprint, Lenka lente, this is the first time the work has appeared on vinyl or been available as a stand-alone work of audio / Remarkably minimal, the outcome stands among the most subtle and atmospheric of all the many works produced by Nurse With Wound. For roughly half of the work Stapleton spins immersive resonances from gong-like tonalities, weaving in Aurélie Lierman’s extended technique vocalizations, before pushing the piece into the other realms with a series of lower harmonic drones and the bristling textures of electronics

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€ 27

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Aus : Until Then - 10" (Flau, 2023)

Clear green vinyl housed in pvc sleeve. LA based, London found label all my thoughts join forces with FLAU of Tokyo for a collaborative release, featuring FLAU label founder aus, who producers original cut ‘Until Then’, with Seb Wildblood stepping up to remix the track. The release represents an exchange of sounds and perspectives and is the first collaboration of its kind for both labels / The original works from aus arrives as a rich blend of instrumentation coming from a plethora of global influences. Unique vocals partner with deep synth swells and a chugging percussive groove. Seb Wildblood follows upping the energy with rolling hi hats and added synth work before sprinkling a dusting of acid as the remix evolves further onto the dance floor

€ 19

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Various Artists : River of Revenge: Brazilian Country Music 1929-1961, Vol. 1 - MC (Death Is Not The End, 2022)

The first volume in a survey of a form of Brazilian country music known as música caipira ("hillbilly music") - a stripped-back forerunner to música sertaneja, the Brazilian equivalent to US country & western which in it's contemporary form has come to dominate the domestic music industry in recent decades. This collection covers some of the earliest recordings made by the pioneering folklorist Cornélio Pires at the end of the 1920s, through to records from the 30s, 40s & 50s and the beginning of the 60s / Somewhat rooted in Portuguese troubadour folk traditions, música caipira is typically performed by a duo singing in parallel thirds and sixths, drawing upon a Portuguese-Brazilian style known as moda de viola - with the viola being the viola caipira, a Brazilian-style ten-string guitar that is the core instrument of the music. Born out of the "outback"-style region in north-eastern Brazil, these songs tell stories of pain, love, loss & betrayal - often backed by homemade guitars using invented tunings. Away from the polished pop country & western-stylings of the sertaneja, these recordings could be viewed as the Brazilian equivalent to the roots music of the American dustbowl or Appalachia

€ 16

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Lukas Traxel : One-Eyed Daruma - LP (We Jazz, 2023)

White vinyl. Swiss artist Lukas Traxel releases his powerful debut album One-Eyed Daruma on We Jazz Records, March 10. The trio features Traxel on double bass, Otis Sandsjö on sax and Moritz Baumgärtner on drums. Compact, deep, and organic to the bone, Traxel & co's sound echoes the innovations of rhythmically driven avantgarde jazz while keeping things moving at all times. There's both drive and freedom to this sound / One-Eyed Daruma features eight new compositions by Traxel, who crafted the outline for the album while dealing with the loss of his father. The group came together after an open invitation from the Zurich jazz club Moods to present a new group. The trio of Traxel, Sandsjö and Baumgärtner creates a full, symphonic, and powerful body of sound despite the instrumentation without a harmony instrument. The trio functions as a collective where the boundaries between composition, melody, and accompaniment are in flux, while keeping the common goal of creating new music together in sight at all times / Traxel reports that after playing bass in various groups with guitar and/or piano, he wanted to create a counterpoint of sorts with his new group and specifically go about it with a more sparse setup. As One-Eyed Drama proves, the idea behind the trio dynamic is a strong one and the unit makes use of their extra space in creating evocative, moody, swinging creative jazz with a distinguishable fingerprint of its own

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€ 25

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Takeshi Terauchi : Eleki Bushi 1966-1974 - LP (180g, 2023)

Gatefold 180g heavy vinyl LP, reverse board print. Comes with extensive liner notes by Japanese pop culture writer Julien Seveon (Cinexploitation) / It's time we gave more attention to Takeshi Terauchi, one of Japan's many guitar greats, whose chops have yet to receive enough recognition elsewhere in the world. Light In The Attic chart Terauchi's best reworkings over the years here, remarking on the artist's wondrous ability to tinker with famous traditional folk songs, in a time when the cultural fallout of World War II left many in the nation hungry for a new style, Rokabiri. Hypnotic filmic groovers such as 'Tsugaru Jongara Bushi' blend effortlessly with slick, bluesy and uptempo freakouts like 'Dannoura', making this an all-time great in the instrumental rock canon

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€ 29

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Various Artists : East Africa Highway - LP (No Wahala Sounds, 2023)

No Wahala Sounds are proud to present this latest compilation of rare recordings of the early 1980s from the vaults of Audio Productions Limited, Nairobi, Kenya. The bands featured are from Kenya (Kangundo 'D' Boys, Kyanganga Boys Band, The Lulus Band and Gem Lucky Jazz); Tanzania (Founders International Band and Orch. Bima Lee) and the Democratic Republic of Congo (Orch Moja One) / These songs were originally released on 7" single on the APL imprints of Nyalando, Sound of Music, Boxer, Mlima and Julus, all overseen by producer Babu Shah. The early 1980s were the golden age of benga and rumba, and these tracks are being released for the first time outside of Kenya. Our previous releases have been featured on BBC 6Music and BBC3's Late Junction, as well as being reviewed in Songlines and Mojo

€ 25

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Bolt Ruin : Ehkta - LP (Infinite Machine, 2022)

Black vinyl. Infinite Machine is proving again it’s a label that refuses to sonically sit still. Having released everything from code-based compositions to bass-heavy techno in 2022, the imprint is readying the release of the black metal-tinged Ehkta by Bolt Ruin later this month. A musician whose work has been described as ‘apocalyptic’ more than once, on this new mini-album, the Belgian producer blends field recordings, twisted samples and rave signifiers with an eerie tonality born out of his nocturnal production sessions and time spent absorbing the silence of his studio garden / Bridging the gap from his previous record to this one, ‘Sktone’ is a cinematic opener that unfolds like a bad dream in slow motion. Warped samples of Bulgarian choirs glide over synths wired in closed-circuit loops which feed back on themselves, degrading for infinity. Texture and space is added via field recordings of waves crashing over the ruins of Brighton West Pier. This track exemplifies the unexpected influence Bolt Ruin took from the wildlife he witnessed in the garden of his urban studio when working on Ehkta. Adapting to the material at their disposal, weasels and blackbirds create nests from organic waste and human trash - an astute metaphor for the Belgian producer’s compositional approach

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€ 22

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Wave Temples : Another Night In Peru - MC (Possible Motive, 2022)

Pro dubbed C–30 black cassette with 4–colour pro printed inlays / Six years after landing at the Isle Enchanted in 2016, and after much inland exploration, native assimilation, and deep study in the pure duality of nature - not long after recent years of chasing the ancient mysteries hidden in the wood and cresting the highs towards Oceana 4D - we suddenly find ourselves... without explanation... Another Night In Peru

€ 12

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Chandra Shukla, Carl Michael Von Hausswolff : Travelogue: Bali - CD (Touch, 2023)

DVD-style case with full colour artwork and photography by Jon Wozencroft. Travelogue [Bali] is the second in an ongoing series of collected international audio diaries (Travelogue [Nepal] was released by Touch in 2020). The premise is quite simple: the two meet at a mutually agreed upon destination along with the facilitation of something to record audio of these experiences on. The intent is to capture and augment these sonic documentaries of their travels which then are sculpted into soundtracks. This is done by sourcing the culture, environment, persons or events that make their voices available / In February 2020, CM von Hausswolff and Chandra Shukla met in Bali, Indonesia, over the course of 9 days. Recordings were made at Pandawa Beach, Green Bowl Beach, Melasti Beach Ungasan, Uluwatu Temple, Pasar Senggol Gianyar, Pengosekan Kaja Ubud, Badung Market, Kintamani and Mt. Batur, Puri Saren Agung Ubud, Mandala Suci Wenara Wana (Sacred Monkey Forest Sanctuary) Ubud, Pura Tirta Empul Tampaksiring, Pandan Beach and Kelingking Beach Nusa Penida / Special thanks to Dewa Alit and Salukat Gamelan, Dewa Sakura, Elisa Faires, Ivan Seng, Shannon Batten, Kecak Uluwatu, Made Surya and Dewa Aji Mangku. Also thanks to Ulrich Hillebrand and Gregor Krause

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€ 16

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Pan American : In Daylight Dub - LP (Foam On A Wave, 2023)

Black vinyl. First compilation of obscure ambient dub/dub techno compositions from Pan American, from the turn of the century, with cover sleeve created from his photographs from the same era. Restored from original copies of x3 EPs, remastered and cut by Grammy-nominated en gineer Frank Merritt @ The Carvery, London. Our fourth release comes in the form of a collection of rich, pulsating ambient/dub techno from Pan•American - the solo project of post-rock trio Ladbradford's front man Mark Nelson. Drawn to the incredible depth and texture of these tracks, we hope to shine a light on Mark's more exploratory electronic work, reminiscent of Jan Jelenik, Fennesz and Vladislav Delay / Through the Pan American moniker, Mark has been able to embrace the possibilities of sampling and other musical technologies in order to exercise his interests in more remote genres like dub and techno. This collection comprises Mark's dreamiest, most sumptuous and blissed-out tracks taken from 3 obscure releases on labels traversing Zedelgem, Lon don and Portland - (K-RAA-K)³, Veritcal Form and BSI Records. Across these imprints, their output spans IDM, electronica, lo-fi, experimental dub and beyond and have been a music al home to the likes of Pub, Muslimguaze, and King Jammy and more / Mark's work sits at a confluence of these broad influences, shedding the sound of his post rock past for a more rhythmic, computer-based approach, which culminated in 2002's The River Made No Sound. As ever, the music is an emotional outpouring, progressing slowly through phases between stillness and movement, darkness and light. With a string of recent releases on Longform Editions and his long-term home Kranky, Mark continues to write and perform worldwide at festivals and prestigious venues such as London's Cafe Oto and Public Records in Brooklyn, NYC. The increasingly personal and reflect ive nature of his music has seen him come full circle to a more organic sound, as exempli fied by his latest LP, The Patience Fader

€ 29

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Peach Banquet : Rubber Leaves - MC (Kit, 2022)

'Rubber Leaves' pro-dubbed to tape, with risograph printed artwork by Jonathan Palmer. Limited to 50 cassettes. We're proud to present the debut album by East Sussex-raised, London-based guitarist, composer and producer Peach Banquet (aka Jonathan Palmer) / 'Rubber Leaves', a collection of looped solo guitar improvisations, broken and bent through chains of guitar pedals and modular synths, invokes the feeling of jumping into a cool river in a heat-fogged daze. Palmer's meandering guitar lines, inspired by Matsuo Basho's minimalist travelogues, and John Frusciante's 'To Record Only Water for Ten Days', bubble and multiply like frogspawn before evaporating immediately into the ether / Recommended if you like the warped new age aesthetic of Devendra Banhart and Noah Georgeson's 'Refuge', or the sedative labyrinth of Knobs' youtube guitar pedal demos

€ 12

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Various Artists : Imaginary Landscapes - 2xLP (99CHANTS, 2023)

chant#11 is the first VA compilation by David August's imprint featuring KMRU, Yu Su, Kareem Lotfy, Hadj Sameer, Sara Berts and more. Including also two new projects by August himself, Asa (with jazz-noise vocalist Cansu Tanrikulu) and Madra (with Carnatic vocalist Sushma Soma). Observing how the world is continuously transforming, an idea of motion comes to mind. Inspired by Plato's concept of movement ("Nothing ever is, everything is becoming"), 99CHANTS has invited artists to create an "imaginary landscape." What does tomorrow sound like? / With creativity an increasing part of our daily lives, we must consider how we navigate the changes this contemporary environment brings. This means thinking through our responsibilities as a label, but also the role of music at this particular moment in time. We believe creativity and looking within our interior worlds can set hope and action in motion. We are curious to further explore music's ability to create gateways to such inspiration. With humility and gratitude, we hope this compilation can be a small contribution to a larger picture / Since we started 99C in 2018, the safeguarding of the environment has been paramount to our existence. Considering the possibilities of tangible impact, we thoughtfully considered the act of compensation and decided that all proceeds will go directly to the non-profit organisation ONETREEPLANTED. Founded in 2014, OTP works with partners around the globe to plant trees in areas affected by deforestation. With 10 million trees planted as of 2020, biodiversity has been stimulated, jobs have been created, and while multinational conglomerates and energy companies produce the vast majority of global CO2 emissions, areas destroyed in the name of profit can once again flourish with life

€ 29

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The Ano Nobo Quartet : The Strings of São Domingos - 2x12" (Ostinato, 2022)

In the small inland town of São Domingos on Cape Verde's Santiago Island, The Ano Nobo Quartet delivers a fresh take on Koladera, a guitar-driven, subtly rhythmic sound of a lighter spirit. Their sound tells a global story with Cape Verde at its center, a creole melting pot in the middle of the Atlantic attracting the best from four continents: hypnotic, haunting Koladera guitars inflected with twangs of Salsa Cubano, Spanish Flamenco, Brazilian Samba Canção, Jamaican Reggae, Argentine Tango, Mozambican Marrabenta, and finished with a dash of Black American Blues. It’s all here. Absent percussion, the quartet’s sound still drips with rhythm. Rich, raw acoustic music you can dance to / This album was recorded in early 2021 in three locations on Santiago Island: at homes, by the ocean, and on the volcanic hills of Cape Verde. Each location used a mobile recording studio equipped with different mics placed near and far to capture both the Spanish and Chinese-made guitars and the natural environment that shapes the saudade, a melancholic longing, of Koladera. Each space has its own atmosphere heard in the interludes / A double LP pressed at 45 RPM for an even silkier listening experience and packaged in a luxurious matte-laminated gatefold with a high quality 12-page booklet

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€ 19

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Elodie : Clarté Déserte - LP (La Scie Dorée, 2023)

New 10 track studio album by Andrew Chalk and Timo van Luijk, recorded 2020-2021 at Impression Lointaine and Kulta Saha

€ 20

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Timo van Luijk, Kris Vanderstraeten : Autour du Lac d'Asselt - LP (La Scie Dorée, 2023)

Playing with Kris always reminds me of doing expeditions in a lake. Some kind of under water sound fiction observing sonic creatures. This album is a live recording (28-01-2012, Kunstencentrum Belgie, Hasselt, Belgium) which to me always felt like one of the best concerts we did. As with our previous album Arrêt au Lac Chimère Vincent de Roguin put his heart in editing and mixing the recordings, extending the dimensions of exploration to the deep bottom of the lake

€ 19

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Nikolaus Utermöhlen : Karlsbad - LP (La Scie Dorée, 2023)

Thrilled to announce the reissue of Nikolaus Utermöhlen’s ‘Karlsbad’ album, originally released in 1989. Utermöhlen was a founding member of Die Tödliche Doris and this is his sole solo release. A collection of 23 witty oddball compositions for clarinet, accordion, percussion, recorder, violin, guitar, organ. It definitely has a Doris dose but even more so it shines for its totally singular mélange of tribal dada chamber folk, dilettante dissonant poetry, hard to compare with anything else. A slice of flamboyant wellness. The recordings of this album were made for the ‘Georgette Meunier’ film by Tania Stöcklin and Cyrille Rey-Coquais. Issued from the original master tapes and includes the 8 page booklet with engravings from the Karlsbad spa era

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€ 21

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Elodie : Clarté Déserte - LP (La Scie Dorée, 2023)

Special edition of 100 copies on clear vinyl, handmade Faraway Press sleeve, with signed and numbered fold-out litho insert and original stamp

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€ 59

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Gijs Gieskes : DUF - LP (Futura Resistenza, 2023)

Gijs Gieskes’ creations bridge the divide between innovative modules in Eurorack format and stand-alone art-gallery installations. Fuelled by barely tamed electricity and informed by a high-tech junk yard aesthetic, they seem to possess a life of their own, like a new breed of insect androids / Some of them are electro-mechanical-acoustic and some are purely electronic. In action, they exude the kind of clumsy and lonely autonomous machine helplessness you get from a Survival Research Laboratories video (if less violent) or something like the film Der Lauf der Dinge by Peter Fischli and David Weiss. Gieskes breaks down common household items or toys and interfaces them with the rest of your Eurorack modules: a toy speech-recorder; a clock (no, a real alarm-clock); hard-disk motors; an hourglass interacting with a laser beam. His ‘VU-Perc(ussion)’ module is a good example of his aesthetic packed into a compact product: the needle of an old-fashioned VU-meter is triggered by external gates to jam into a copper strip welded on to a piezo-microphone element and amplified / Each one assembled by hand, they are all different, and plugged in and amped, they will make the acoustics of your entire Eurorack case come alive with a resounding thunk! Suffice it to say he has an instantly recognizable aesthetic that is all his own. The music on this record is rather old, first appearing on a self-published CD-R: “When I made these recordings I didn’t make as many machines myself. Now I often build a device and record a track with it. Then I start on the next machine. The recordings are mostly demos now, but I do record them as a finished track, so they have to be beautiful on their own as well, without necessarily knowing where the sound came from

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€ 28

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Efrain Rozas : Still - LP (Futura Resistenza, 2023)

Have you noticed that Western music emphasises linear time? Melody is a continuous sequence of sounds. Harmony and rhythm follow a progression from beginning through climax and resolution. Is it possible to have an art that is based on non-linear time? Can we even experience non-linear time? / Efraín Rozas’ Still posed this question in the form of an installation made for quadraphonic sound, architecture and light. Still was first developed at Queenslab as part of a one-month residency with The Kitchen, New York City in April 2021. This album is a live, stereo room recording of Still as it was presented over three one-hour viewings / Efraín Rozas is a Peruvian interdisciplinary artist working with Latin American music, robotics, sculpture and installation. He holds a PhD in composition and ethnomusicology from New York University, and is a 2023-2024 Jerome Hill Artist Fellow. He has published Fusión: a soundtrack for Peru, a publication, video documentary, and music compilation; and has released several albums internationally via Names You can Trust, the Ethnomusicology Institute of Peru, the Embassy of Spain and Buh Records

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€ 20

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Mike Majkowski : Coast - LP (Fragments Editions, 2023)

Mike Majkowski is an Australian double bassist and music-maker based in Berlin. Active across a wide range of contemporary, improvised and experimental music since the early 2000s, Majkowski has developed a highly innovative playing style, extending and refining technical possibilities for the double bass. His musical work ranges from purely acoustic to electro-acoustic to electronic and explores relationships between stillness and pulse, spectral qualities of resonance, duration, and perceptions of listening

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€ 21

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Oroskällan : Inspirationsfestivalen - LP (Förlag För Fri Musik, 2023)

New album from Oroskällan, recorded in Gothenburg 2022. Screenprinted covers on re-used old record sleeves (expect some minor defects)

VG+/M

€ 25

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Troth : Uncut Flowers - CD (Fördämning Arkiv, 2023)

Digipack including a 8-page booklet with liner notes, photos etc. Mastered by Joakim Karlsson. Artwork by Charlott Malmenholt / Hot on the heels of their third album Forget The Curse (Mammas Mysteriska Jukebox, 2023), Fördämning Arkiv presents a Troth anthology compiling early non-album material and other odds and ends from the Australian duo. A massive 15-track retrospective, Uncut Flowers consists of the tracks from the Our Opaque Wreath cassette (Moontown Records, 2019), The Optimist (Essential Minerals, 2019), the Garland And Gauze 7" (Altered States Tapes, 2020) as well as various compilation contributions. 74 minutes

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€ 14

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Agustí Fernandez : Suite Nofres / Interseccions. Música I Arts Escèniques (1985-1990) - 2xLP (Urpa i Musell, 2022)

Urpa i musell is pleased to present our sixth record. We have joined paths with pianist Agustí Fernández on a double disc that includes both the reissue of the LP Suite Nofres (released in 1987) and Interseccions. Música i arts escèniques (1985-1990), a set of previously unreleased works recorded during this period at various performances / Agustí Fernández is a seminal figure in the improvised music scene. Few musicians in Spain enjoy such international fame and respect, being able to play with Peter Kowald, Derek Bailey, Lawrence D. "Butch" Morris, Evan Parker, Barry Guy, Mats Gustafsson and Peter Evans, among many others. At a young age, Fernández settled in Barcelona immersing himself in the musical avant-garde of the moment while receiving very diverse commissions. One of them was to play in the dance classes of the Institut del Teatre. Thanks to this, he took charge of the music for a contemporary ballet by dancer Ramon Oller. Suite Nofres is the recording of the music that Agustí played live in the show / Three years later, "El mar" was recorded, a video-dance work that he and the dancer Àngels Margarit produced for Glasnost, the fringe TVE2 program directed by Lulu Martorell. This short piece was reinterpreted in Les nenes no en tenen mai prou, a theatrical show for piano and five voices, one of them Lulu herself. The second album of this release, Interseccions, includes these pieces, as well as unpublished extra material from Suite Nofres. This double disc brings forth the opportunity to rediscover and dive into the first flowering period of Agustí Fernández’ unmistakable character

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€ 32

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Ubaldo : Casa - LP (Urpa i Musell, 2020)

In the past six months, I’ve become more conscious of the dust settling on my bookshelves and windowpanes. Not that I didn’t notice it before, but with the additional time spent in my apartment, it is hard not to become more aware of your confines—all the small cracks in the cupboards and droplets of white paint on the wood floorboards eventually reveal themselves / Contained and simple, Casa, the third album from Catalan multi-instrumentalist Ubaldo (Andreu G. Serra), is constructed of broad, expressive ambient strokes, with understated inflections of guitar, voice, saxophone, and piano. The soundscapes on Casa seep into you like morning light through a sheer curtain and illuminates the room. Ubaldo does not build separate worlds on Casa, but instead, he highlights the one we know. Like water, Casa takes the shape of its container, filling whatever space you feel most stable in / Generally, my philosophy is that stagnation is dangerous. Until recently, I think I have been too naive, privileged to acknowledge how comforted and strong being settled can make one feel, and how important it is to appreciate stillness in the rare times it’s available to us. Casa has been my reminder

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€ 21

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Joseba Agirrezabalaga, Mikel Vega : Lepok - LP (Urpa i Musell, 2023)

The very unique Basque scene of sound experimentation has had two main hubs for more than twenty years: the highly regarded and sorely missed Larraskito in Bilbao, and the iconic and resilient Matadeixe / Matadero in Azkoitia (Gipuzkoa). Mikel (Conteiner, Killerkume, Loan, Orbain Unit) from Bilbao and Joseba (Autoa, Fernalia, Paezur) from Azpeitia are two fundamental pillars in this great story, thanks to their multiple musical projects, their skills as listeners and also their work as faithful members involved in the daily operations of the venues: a warehouse in the Errekalde neighborhood in Bilbao and an old residence once used as a slaughterhouse in Azkoitia converted into catalyst shelters of sonic exploration. Located in very different realities, multiple dialogues between both spaces have been constant throughout the years. The collaboration we present here is a perfect exponent of this long-standing cross-pollination / The album consists of improvisation from a duo, in which both musicians play guitar and effects. Joseba and Mikel are good friends and know each other very well but, at the same time, they had never played together before. This mutual ambivalent (un-) knowledge creates an unrepeatable situation of intimate distrust. They interact vigilantly, very close to one another, neither artist able to flee. Compact tension crosses the album and its content friction takes them to irrepressible eruptions. In doing so, their interplay becomes arid. Lepok drags us with them until we are irremediably buried

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€ 22

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The Detroit Escalator Company : Soundtrack [313] + 6 - 2xLP (Musique Pour La Danse, 2022)

Expanded edition w/ 4 bonus tracks, japanese obi, a 72 photography collage of the many people who inspired this music and liner notes by composer Neil Ollivierra aka The Detroit Escalator Company. Sirio Ultra Black debossed sleeve 400gsm. Half Speed Mastering / Sublime and perfectly produced cutting-edge ambient techno masterpiece made in 1996 by unsung Detroit hero Neil Ollivierra, an album as underrated as it is essential. 25 years after its original release on UK label Ferox Records, Soundtrack [313] still provides a deeply futuristic aesthetic experience, warm and emotional electronics, along with glistening melody lines that create a peaceful, relaxed environment. This album possesses a formidable aptitude to always instill its listeners with a life-affirming feeling of serenity. A true timeless and unique classic that exists within its own genre and which still pushes the envelope of electronic music that transcends the club experience / This expanded release includes 4 bonus tracks (6 tracks on CD / digital), a liner note by the artist, and valuable photographic footage from his personal archives. This reissue has been mastered from original files by Sidney Claire Meyer at Emil Berliner (former Deutsche Grammophon studios in Berlin), using the half speed mastering process, and pressed on heavy vinyl at 45rpm. 25th anniversary audiophile edition. For fans of Detroit Techno, Global Communications, Black Dog, Manuel Goettsching, Tangerine Dream, Susumu Yokota, und Klaus Schulze

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€ 29

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Jon Hassell : Psychogeography: Zones Of Feeling - 2xLP (Ndeya, 2023)

Gatefold 2LP with spot gloss cover and printed inner sleeves. Available on vinyl for the first time. Sleeve notes contain commentary from Hassell and new interviews with some of the other musicians involved, alongside archival images from the period and download card for the full album / Part of a series of three new archival releases from Ndeya that showcase Jon Hassell and group in the late 1980s exploring a radical tangent on his Fourth World sensibility. Psychogeography (subtitled 'Zones Of Feeling') is a situationist re-thinking of the 1990 City: Works Of Fiction album, a carefully edited sequence of alternate takes, demos and studio jams put together by Jon Hassell in 2014 using Debordian philosophy as his guide / This irreverent approach to the music reflects some of the key influences: specifically Public Enemy on the City album itself - Jon professed his love of the hyper-collaged sampledelic barrage of the Bomb Squad’s productions - and also the radical tape splicing that Teo Macero brought to his work with Miles Davis. The resulting sonic stew is a kind of futuristic sci-fi funk with an appropriately melted production aesthetic – instruments and samples jumping to the forefront then disappearing in the manner of the best dub records

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€ 29

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Jon Hassell : The Living City: Live At The Winter Garden 17 September 1989 - 2xLP (Ndeya, 2023)

Part of a series of three new archival releases from Ndeya that showcase Jon Hassell and group in the late 1980s exploring a radical tangent on his Fourth World sensibility / The Living City captures the Jon Hassell Group in September 1989 performing as part of an audio-visual installation inside the World Financial Center Winter Garden in New York City, with Brian Eno mixing the band live. Eno had designed an audio-visual installation in the 10-story glass-vaulted pavilion, inspired by the hunting, ceremony, animals, and weather sounds of the Ba-Ya-Ka pygmy tribe from Cameroon gathered by Louis Sarno / Jon Hassell and his then band, the musicians who had recently recorded the City: Works Of Fiction album, played in the Winter Garden Atrium over the course of three nights, with Eno mixing the band live with the installation sounds. The audio presented here is an edited selection from the performance on the second night, available on vinyl for the first time, cut across four sides by Stefan Betke aka Pole. Gatefold vinyl edition includes download card and extensive sleevenotes

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€ 29

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Pärson Sound : Pärson Sound - 3xLP Box (Subliminal Sounds, 2022)

New limited edition deluxe tri-fold sleeve 3LP set of these legendary recordings. A spectacular, and now revised and updated, archival package of primitive drone and minimalist rock/trance/psych from the Swedish underground, believe the hype as follows; one of the most memorable audio documents ever / Defying the world to ignore the psychedelic shamanism and intense spirituality of their music, the battle cry of late 60s Stockholm underground quintet Pärson Sound was “We, Here and Now!”. Unfortunately, up to now their music has been a well-kept secret, despite such high profile appearances as supporting The Doors, and being personally invited by Andy Warhol to open his 1968 exhibition at Stockholm’s Museum of Modern Art. Compiling unreleased live and studio recordings, Pärson Sound is an astonishing find that successfully buckles all notions of how rock, jazz and experimental music should behave

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€ 59

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The Necks : Travel - 2xLP (Northern Spy, 2023)

The 19th studio album by Australian improvisational trio The Necks, documents their recent practice of starting each day in the studio with a 20-minute trio improvisation. The recordings offer some of their most ecstatic and captivating music cut to tape / As bassist Lloyd Swanton puts it: “It’s a really nice communal activity to bring us together in focus each day, and some lovely music has resulted from it.” Although a straight “live” improvisation has never been recorded in the studio by the band, these tracks (save for some light overdubs and post-production) feel closest to their 30 years of celebrated live performances. In 2017 Stephen O’Malley’s Ideologic Organ label released the band’s lauded Unfold, which first offered up this uncharacteristic studio work: four sub-20-minute pieces - instead of the typical 60+ minute arc for which the band is known - along with an obfuscated track list which leaves play order to the listener’s hand

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€ 36

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Phauss : Audiodrome - CD+Book (Room40, 2023)

44 page perfect bound book featuring photographs, artwork and documents from CM vom Hausswolff and Erik Pauser's creation of Audiodrome. CD is monochrome printed with matte laminate, insert card and embossed / Phauss is Carl Michael von Hausswolff and Erik Pauser. Formed in the early 1980s, Phauss operated amidst of generation of uncharacteristic Swedish artists concerned with reshaping the edges of practices in sound, light, performance and vision. It was a monumentally fertile period for Sweden in that a confluence of factors allowed artists to dedicate themselves to the relentless excavation of ideas, drilling down to the absolute core of their interests and ways of making / Audiodrome collects together two discreet works that sit somewhere between field recording, chance composition and experimental soundscape. Both pieces pre-date the widespread arrival of field recording as a creative practice, and expand outward the work that had been developed by musique concréte and other experimental music approaches concerned with the intersections of found sound and composition. Both works were devised using the same working methodology, whereby an alarm would sound every few days and wherever and whenever it sounded the pair would start recording their surroundings. Those raw material became the basis for the pieces

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€ 21

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Andrzej Korzynski : The Devil Tapes - 7" (Finders Keepers, 2022)

Red vinyl. People are not over-egging it when they try and tell you that Polish composer Andrzej Korzynski was an exploratory artist. Words like 'mind-bending', 'cosmic', and 'immersive' are often used in the same sentence as any reference to his name, let alone musical output, which remains some of the most sought after among fans of what can only really be described as staunchly experimental psyche / For many, The Devil Tapes is the holy grail of Korzynski. Made to score Andrzej Zulawski’s film, The Devil, by this point the pair had already worked together on the movie soundtrack to Possession, and cracked the collaborative process. Having been asked to make music that was "totally unique, like something from another planet", the composer took his initial taped experiments and pulled the vari-speed down, then layered hallucinatory effects over the top, resulting in something that's beyond a mere accompaniment, and very much integral to the film itself

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€ 22

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Phauss : Nya Sverige - Nothing But The Truth - CD+Book (Room40, 2023)

32 page perfect bound book featuring in conversation by Lawrence English with CM vom Hausswolff and Erik Pauser, plus exclusive photographs and documents from the creation of Nya Sverige - Nothing But The Truth. CD is matte laminate, insert card and embossed / Phauss is Carl Michael von Hausswolff and Erik Pauser. Formed in the early 1980s, Phauss operated amidst of generation of uncharacteristic Swedish artists concerned with reshaping the edges of practices in sound, light, performance and vision. It was a monumentally fertile period for Sweden in that a confluence of factors allowed artists to dedicate themselves to the relentless excavation of ideas, drilling down to the absolute core of their interests and ways of making / Between Industrial and Concrete-Music. "Consists of recordings made during a concert tour in USA during 1990 and sounds brought over from Sweden for this series of performances. This is the soul of America, the state of the states, the regeneration of a Serbo-Croatian mastermind and the penetration of a Swedish "Karolin" army destined to bring back order in the colonies. Order is Divine."

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€ 21

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Dame Area : Toda La Mentira Sobre Dame Area - LP (B.F.E Records, Màgia Roja, 2022)

The essence of Dame Area – the project of Barcelona-based duo Silvia Kostance and Viktor L. Crux – is formidable, volatile, unpredictable. Across two albums and several EPs for the likes of Mannequin Records, B.F.E Records and Màgia Roja, Dame Area have executed an eclectic, discerning form of contemporary industrial music, deploying compulsive minimal synth and primal polyrhythms, as well as uniquely reconstrued elements of post-punk & EBM. An artistic identity that embraces influence yet eschews compromise / Upholding the assaultive intensity of their renowned live shows, Dame Area’s third album ‘Toda la mentira sobre Dame Area’ / ‘All the Lies about Dame Area’ nevertheless discloses unexpected developments, a work distinguished by innovation and classicism, discordance and melodicism, the grit of a basement club and the gleam of a radical discotheque. The first of two twin LPs, ‘Toda la mentira sobre Dame Area’ illustrates one world within the wider universe of Dame Area, an album of paradox, which finds the duo at their most explicit and emphatic, but which also sees them detour, into some of their most experimental material to date. Across eight tracks, Dame Area assert an original, seductive idea of pop, laced with avant-garde subversion

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€ 18

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M. Geddes Gengras, Psychic Reality : The Encyclopedia of Civilizations Vol. 4: Zoroaster - LP (Abstrakce, 2022)

Finally the 4th volume of "The Encyclopedia of Civilizations" is here! This time it is not a split LP, but a collaboration. Modular synth maestro M. Geddes Gengras and left-field pop priestess Leyna Noel aka Psychic Reality join forces to compose together their new project inspired by Zoroaster: M.Goddess. An exquisite modern ambient record mixing leftfield, kosmische, new age, dub vibes... Very original and rich compositions with genius arrangements combining spacey synth sequences, dreamy guitars, modular sounds, weird rhythms... Along the lines of Craig Leon, Conrad Schnitzler, or the Mecánica Clásica's contemporary approach to the kosmische masters / "Zoroastrianism is an ancient religion that is still actively practiced today by a small population of people worldwide and has had a massive influence on western culture. Many things that appear to be integral to western thinking (and thus “wholesome”) indeed have their roots in ancient Iran. Dualities such as good and evil, light and dark, heaven and hell—even paradise is an old Persian word / For this project, we are exploring this Zoroaster moment—set in the bread basket of the Iranian plateau, six to seven millennia before the Common Era—that’s like a cross-fade. The fading of goddess worship and the first strains of the patriarchy. Not the -ism of today’s still-living religion, but the moment when this man Zoroaster came along and created a new religion that centered one god instead of the many. Forcing the divine feminine underground, if not fully occulted, obscured and engulfed into the mainstream enough to be forgotten. Goddesses that before had their own dedicated cults were converted into lesser players. We’re reviving those flames too."

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€ 22

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Groupshow : Greatest Hits - LP (Faitiche, 2023)

Calling their first vinyl album »Greatest Hits« may seem a bit daring at first glance. In the case of Groupshow, though, composed of Hanno Leichtmann, Andrew Pekler and Jan Jelinek, the evocative title could well apply, given that the trio present their personal titbits, which were created between 2005 and 2018, both at concerts and in the studio / The spirit of spontaneous experimentation and free improvisation is everywhere: The elements of percussion, guitar and electronics interweave again and again, fascinating and surprising, the sound thickens in some places (»Not Your Ordinary Blanket«) only to provide transparency with minimalism in others. Breaks and abrupt changes of direction are not concealed but exhibited. This allows the loose structures and their permutations to become audible and the installation character of the tracks to become clear / They do not adhere to a particular dramaturgy, but instead represent a succession of spontaneous ideas, whereby the sensitive reaction both to the previously created sound and to the ideas of the fellow musicians is elevated to the highest formal principle. It’s worth it, because these ten tracks, which have emerged since the Groupshow live versions of Jan Jelinek’s album »Cosmic Pitch«, make it possible to directly witness the emergence of a musical thought and its immediate expression

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€ 19

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Vladislav Delay : Whistleblower - 2xLP (Keplar, 2023)

Vladislav Delay continues revisiting his archive with his latest reissue for Keplar, remastered with previously unheard mixes. Created at a turning point in his life, Whistleblower finds the ambient dub worlds he had been cultivating torn apart by intricate and abstracted glitches and mechanical stutters. With an almost industrial sound palette, leftfield rhythms populate spacious, glowing textures. Strange winds rip through the pneumatic thumps of the title track, while whispering dolphin-like chirps and whispering beats gently move the brighter and more hopeful ambience of ‘Lumi’ along

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€ 26

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Observatories : Our Recently Acquired Knowledge - LP (IIKKI, 2023)

Clear vinyl, handnumbered. Observatories is a collaborative music project by Ian Hawgood and Craig Tattersall. This is their second opus together after their first release on IIKKI in March 2021 / Born in the United Kingdom, Ian Hawgood spent most of his adult life living in Japan, Italy and Poland. Currently he calls Peacehaven (on the south coast, near Brighton) his home. Since 2009, he’s well-known with his work as the curator of the Home Normal label. He makes music using an array of reel-to-reel and tape machines in his studio by the sea, where he also master works for many labels and artists alike. You could often catch him on the coast with his faithful Nagra recorder, hydrophone and field microphones. These days his focus of music is on decayed ambient works using old synths and reels mostly, alongside his childhood piano / Craig Tattersall is a former member of The Remote Viewer and Famous Boyfriend bandmate Andrew Johnson. Tattersall's music can be found these days more often under his alias The Humble Bee; as a founder member of The Boats; and in his collaborative works with the likes of Bill Seaman in The Seaman And The Tattered Sail. He has run the wonderful label Cotton Goods from 2008 to 2015 and since 2009 he has recorded 15 solo albums on his moniker The Humble Bee and almost the same under his name on some collaboration

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€ 22

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Donato Dozzy : Plays Bee Mask - 2x12" (Spectrum Spools, 2023)

In hindsight, the pairing of Chris Madak and Donato Dozzy was inevitable from the moment when the two connected on Mount Naeba, Japan at the storied party Labyrinth last fall. Both artists have worked to craft singular visions unlike anything else happening in electronic music today, yet despite each producer's unmistakable indivuality there is a deeper reservoir of shared sensibility between them which makes "Donato Dozzy Plays Bee Mask" feel like a logical and necessary event / 2012 saw the release of Madak's monumental "When We Were Eating Unripe Pears" album along with the astounding "Vaporware" 12" for Room 40, the title track of which opened Bee Mask's Labyrinth performance to memorable effect. Dozzy had an equally massive year thanks the release of the acclaimed "Voices From the Lake" album with Neel, which set the bar for intricate, subtle, and forward-thinking contemporary techno at a new high. Both artists have pushed the respective boundaries of their work to arrive at the point of this crucial and welcome overlap: a double album of material from the "Vaporware" sessions, re-imagined as only Dozzy could do it / Initially commissioned for a single remix, Dozzy found so much possibility in the source material that he turned in over an hour of material, making a standalone release the only reasonable course of action. The results are absolutely divine, a suite of seven pieces of time-stopping bliss in which the structure and melodies of "Vaporware" glitter through the prism of Dozzy's singular production style. The meeting of these powerful minds provides evidence of an unparalleled organic chemistry. When listening to these works we hear the worlds of Bee Mask and Donato Dozzy bleed into one another, creating a new sonic entity with a life of its own — one which with any luck will not end at this release

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€ 22

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Arovane : Sinter - LP (Laaps, 2023)

Arovane is Uwe Zahn and is someone who can conjure up, arrange and thread together music and sonic texture that is so lush it feels like you could reach out and bath in it. This is a record couched in ambient music but that leans heavily on the classical sounds he has also showcased over the last two decades. The whole thing is meticulously crafted with exquisite sound design and plenty of sensitivities, lush melody and rich emotions that all linger long in the memory and add up to a beautifully escapist listen

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€ 22

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Vladislav Delay : Hide Behind The Silence EP 1 - 10" (Rajaton, 2023)

Vladislav Delay presents Hide Behind The Silence EP 1 - 5, a series of five 10" releases coming throughout 2023. Intuitive and raw music, momentary and reflective, released on Ripatti's own label "Rajaton" / Vladislav Delay can manipulate sound like few others. Where he gets his ideas from is anyone's guess but we're presented with a laid more of them here in the first of five EPs in a series. This one finds the man born Sasu Ripatti deconstructing his soundscapes into whirring machines, metallic textures and chopped dup dubs. It is sound art as much as club music but will still work on the more adventurous dance floors out there. 'Three-Room Problem' in particular is an eerie and unsettling piece but one that leaves you wanting more

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€ 16

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Tod Dockstader : Aerial 2 - 2xLP (Important, 2022)

Black vinyl. Tod Dockstader's Aerial series, an electronic/drone masterpiece, is cherished among fans of the artist's work and this first volume is available in a double LP edition of 500 copies / 15 years in the making, Tod Dockstader's Aerial series is sourced from his life long passion for shortwave radio. Dockstader collected over 90 hours of recordings, made at night, and comprised of cross signals and fragments plucked from the atmosphere. Opening with airwave drones, Dockstader gradually allows elements to slowly come and go, summoning an ominous atmosphere of ethereal cloud clouds. Malignant placidity continues, giving the feeling of eavesdropping upon late-night audio activity not unlike discovering number stations while sweeping the dials. These sounds pull you in as their density and rhythms come and go / Backward voices, deep echoing choruses of conversations flowing under the surface, ocean sounds, pulsing electro-rhythms, all seem to be created via the collaging of many hours of source recordings. A masterwork of collage and juxtaposition by an overlooked pioneer of American electronic music. Artwork by John Brien (Imprec) is inspired by the propagation of shortwave radio signals throughout the earth's atmosphere

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